{"id":1309,"date":"2021-04-20T22:56:13","date_gmt":"2021-04-20T21:56:13","guid":{"rendered":"https:\/\/research.reading.ac.uk\/aalert\/?page_id=1309"},"modified":"2021-04-20T22:56:13","modified_gmt":"2021-04-20T21:56:13","slug":"bev-broadhead","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/aalert\/the-network-2\/bev-broadhead\/","title":{"rendered":"Bev Broadhead"},"content":{"rendered":"

\"\"<\/p>\n

Living in a rural, coastal town, much of Bev Broadhead’s work is influenced by psychogeography and situationist theory. ‘The faster we walk, the more ground we lose’ (Iain Sinclair).<\/p>\n

Bev Broadhead draws on the texts of Soja,\u00a0Thirdspace\u00a0<\/em>and Kees van Deemter,\u00a0Not Exactly: In Praise of Vagueness\u00a0<\/em>to explore the blurred edges of visual language and the\u00a0representation of truth. Her interest in spatiality attempts to make sense of \u2018our place\u2019 in the world and points towards\u00a0environmental possibilities.
\nBev creates a visual language that swerves between abstraction and representation. Forms are often semi-recognisable, animated, and enigmatic. Bev paints to animate the inanimate.\u00a0The world that emerges is often playful, comedic, and one where errors occur. Recent work focuses primarily on grids and repeating patterns that go astray.<\/p>\n

Bev is curious\u00a0to form a relationship with the surrounding environment, be it physical, psychological,\u00a0or political. She hopes to\u00a0highlight\u00a0interdependence, frailties, and imperfections.<\/p>\n","protected":false},"excerpt":{"rendered":"

Living in a rural, coastal town, much of Bev Broadhead’s work is influenced by psychogeography and situationist theory. ‘The faster we walk, the more ground we lose’ (Iain Sinclair). 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