{"id":1509,"date":"2021-11-19T17:21:57","date_gmt":"2021-11-19T17:21:57","guid":{"rendered":"https:\/\/research.reading.ac.uk\/aalert\/?p=1509"},"modified":"2021-11-20T10:51:16","modified_gmt":"2021-11-20T10:51:16","slug":"artists-in-the-landscape-workshop","status":"publish","type":"post","link":"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/","title":{"rendered":"Artists in the Landscape workshop"},"content":{"rendered":"<p style=\"text-align: center\"><span style=\"font-size: 14pt;color: #000000\"><strong>Artists in the Landscape<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"font-size: 14pt;color: #000000\"><strong>Re\/walking \u2013 Re\/wilding \u2013 Re\/generating &amp; Agri\/culture 2.0<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1456\" src=\"https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-scaled.jpg\" alt=\"\" width=\"476\" height=\"317\" srcset=\"https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-scaled.jpg 2560w, https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-300x200.jpg 300w, https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-1024x684.jpg 1024w, https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-941x628.jpg 941w, https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-768x513.jpg 768w, https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-1536x1025.jpg 1536w, https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-2048x1367.jpg 2048w, https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-272x182.jpg 272w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><\/strong><\/p>\n<p style=\"text-align: center\"><em><span style=\"font-size: 10pt\">\u201cTo be at all is to be somewhere, and to be somewhere is to be in some kind of place&#8230;\u201d Edward S. Casey.<\/span><\/em><\/p>\n<p style=\"text-align: left\"><em><span style=\"font-size: 10pt\">\u201cBeing is with, otherwise nothing exists.\u201d Jean-Luc Nancy<\/span><\/em><\/p>\n<p style=\"text-align: center\"><strong>_________________________________________<\/strong><\/p>\n<p style=\"text-align: center\"><strong><span style=\"color: #b9c600\">A<\/span><span style=\"color: #90aa00\">A<\/span><span style=\"color: #008a00\">L<\/span><span style=\"color: #558880\">E<\/span><span style=\"color: #00b4cc\">R<\/span><span style=\"color: #0192cd\">T<\/span> <span style=\"color: #000000\">4 DM \u2013 Workshop\/Writing retreat<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>The AALERT 4DM (Arts and Artists in Landscape and Environment Research Today for Decision Making) project invites you to a workshop <strong>on 21-24 November 2021 at <\/strong><strong>Kestle Barton, Lizard, Cornwall<\/strong><strong>. <\/strong><\/p>\n<p><strong>The workshop aims<\/strong> to develop a clear overview of the benefits artists bring in landscape decisions in the context of private land. The discussions will be informed by the experiences of <a href=\"http:\/\/www.kestlebarton.co.uk\/\">Kestle Barton<\/a> and <a href=\"https:\/\/trelowarren.com\/\">Trelowarren Estate<\/a> on the Lizard. Through a series of presentations and walks led by Dr Bram Thomas Arnold, we will explore the advantages and challenges artists bring in transdisciplinary groups of scientists, landowners and other stakeholders working on projects blending cultural activities, art, hospitality, and the politics of food production in the vicinity of wilding and regenerative agriculture.<\/p>\n<p><strong>The workshop will be combined with a writing retreat<\/strong> that will enable knowledge exchange, comparison and contrast between the Cornish case studies and similar artistic interventions explored in earlier workshops organised by the AALERT 4DM project.<\/p>\n<p><strong>The workshop is by invitation only, and places are limited.<\/strong> However, accommodation, travel and subsistence expenses will be covered for a small number of participants who can travel to Cornwall. There will be the opportunity <u>for a limited number of participants to join parts of the event <\/u>online.<\/p>\n<p>Please let us know <strong>by Monday 1<sup>st<\/sup> November <\/strong>whether you will be able to attend in person or online.<\/p>\n<p>__________________________________<\/p>\n<p><span style=\"color: #ff6600\"><strong><u>Kestle Barton<\/u><\/strong><\/span> is a cultural institution situated within a fifty-six-acre estate of productive agricultural land with long-standing plans to increase food production levels on its land by implementing experimental forms of agri\/cultural production. At Kestle Barton, the transition from a traditional farm to a cultural space has involved artists and artistic processes right from the start. As a result, Kestle Barton opens up its land resource for meaningful audience participation on a grand scale through artistic means.<\/p>\n<p><span style=\"color: #ff6600\"><strong><u>Trelowarren Estate<\/u><\/strong><\/span>\u00a0on the Lizard is a thousand-acre family estate dating back 700 years. The current owners aim to transform the management of the estate through wilding and regenerative agriculture. In 2018 the Environmental Sustainability Institute (ESI), University of Exeter, Penryn, worked with the estate to host a workshop on place-based transdisciplinary research, which led to a pilot programme of baseline surveys to gather evidence to support the estate\u2019s land management decision-making. Bram\u2019s role as an artist and researcher embedded in the process was to utilise his transdisciplinary art-practice to integrate the activities of the researchers with each other and with the key stakeholders on the estate.<\/p>\n<p>___________________________________<\/p>\n<p>The AALERT team will bring together artists with natural and social scientists, policymakers, and land managers at Kestle Barton to consider the following questions through walking, writing, and talking them into the landscape:<\/p>\n<ul>\n<li>Why are artists involved in wilding the land projects, and what do their artistic means offer?<\/li>\n<li>How can artists contribute to wider understandings and valuing the land?<\/li>\n<li>How can artists contribute to making better decisions balancing land wilding and food production?<\/li>\n<li>What are the limitations of artistic interventions in privately owned land and what modes of best practice might the AALERT workshops be able to highlight?<\/li>\n<\/ul>\n<p><span style=\"color: #000000\"><strong><u>Logistical notes <\/u><\/strong><\/span><\/p>\n<p>Accommodation on site is in Kestle Barton\u2019s award-winning holiday accommodation a 20-minute walk from the famous Frenchman\u2019s Creek on the Helford River on the Lizard peninsula in Cornwall.<\/p>\n<p>For participants travelling from further afield, it is suggested they arrive Sunday evening; we can confirm travel details with participants after registration closes on Monday 25 October. The nearest train stations are Redruth or Falmouth Town and we will coordinate transport from these places with confirmed participants nearer the time. Lunch and evening catering will be provided by artist Mollie Goldstrom on-site at Kestle, the self-catering cottages will be provided with breakfast options.<\/p>\n<p>There will be an optional evening meal at Kestle Barton for ALL participants on Sunday 21 November<\/p>\n<p>\u2013 Please confirm your interest in this by Monday 25 October.<\/p>\n<p><span style=\"color: #ff6600\"><strong><u>Preliminary Map of a Three-day workshop<\/u><\/strong><\/span><\/p>\n<p><strong>Workshop Program<\/strong><\/p>\n<p><strong><span style=\"color: #99cc00\"><u>Day one \u2013 Monday 22 November <\/u><\/span><\/strong><\/p>\n<p><strong>9.30 am:<\/strong> Arrival at Kestle Barton \u2013 Avallen. As we will not all know each other, whether in-person or on-line, please bring a small object with which to introduce yourself; this may be as simple as a pencil, as ancient as a stone, as complicated as a Panasonic RX-FT500, as new as something you bought on the train.<\/p>\n<p><strong>10.00 am:<\/strong> Welcome\/introduction by the AALERT team \u2013 Available online<\/p>\n<p><strong>10.15 am:<\/strong> Agri\/culture 2.0 presentation by Bram Thomas Arnold followed by Q&amp;A \u2013 Available online<\/p>\n<p><strong>11.30 am:<\/strong> Walking tour of farmland, led by Bram Thomas Arnold<br \/>\nPrerecorded Walking tour of farmland \u2013 Video Available online<\/p>\n<p><strong>1.00 pm \u2013 2.00 pm:<\/strong> Lunch<\/p>\n<p><strong>2.00 pm:<\/strong> Zoom presentation by Paul Chaney\/Prague followed by Q&amp;A \u2013 Available online<\/p>\n<p><strong>3.00 pm:<\/strong> Refreshments<\/p>\n<p><strong>3.15 pm:<\/strong> Presentation\/discussion with Caitlin Desilvey, Ferrers Vyvan (recording) and Bram Thomas Arnold \u2013 Available online<\/p>\n<p><strong>4.00 pm:<\/strong> Discussion opens to all participants \u2013 chaired by Tim Acott \u2013 Available online<\/p>\n<p><strong>4.50 pm:<\/strong> Closing remarks by Eirini Saratsi<\/p>\n<p><strong>6.30 pm \u2013 7.30 pm:<\/strong> Dinner<\/p>\n<p><strong>8.30 pm \u2013 9.30 pm:<\/strong> An iteration of Bibliotherapy for the Anthropocene centered around the landscape hosted in the pavilion \u2013 weather permitting<\/p>\n<p><span style=\"color: #99cc00\"><strong><u>Day two \u2013 Tuesday 23 November<\/u><\/strong><\/span><\/p>\n<p><strong>9.30 am:<\/strong> <strong>Object Relations<\/strong> interactive activity led by Bram Thomas Arnold<\/p>\n<p><strong>10.15 am:<\/strong> <strong>AALERT 4DM Reflection<\/strong>s presentations on previous workshops followed by discussion \u2013 Available online<br \/>\nScoping workshop with Eirini Saratsi<br \/>\nWetlandLife with Tim Acott and Victoria Leslie<br \/>\nPeatlands with Chris Fremantle<\/p>\n<p><strong>12.30 pm:<\/strong> <strong>Closing<\/strong><\/p>\n<p><strong>1.00 pm \u2013 2.00 pm:<\/strong> <strong>Lunch<\/strong><\/p>\n<p><strong>2.30 pm: <\/strong>Collaborative writing in response to the presentations on Day One, the AALERT activities, and other relevant, independent research. Tasks to be set by participants. (Includes 15 minutes refreshment break around 4.00 pm)<\/p>\n<p><strong>6.00 pm:<\/strong> <strong>End of writing session<\/strong><\/p>\n<p><strong>6.30 pm \u2013 7.30 pm: Dinner<\/strong><\/p>\n<p><strong>8.30 pm:<\/strong> <strong>Film screening<\/strong> including Robinson in Ruins (2010) with a discussion in the light of Mark Fisher\u2019s writing about the film for the BFI.<\/p>\n<p><span style=\"color: #99cc00\"><strong><u>Day Three \u2013 Wednesday 24 November<\/u><\/strong><\/span><\/p>\n<p><strong>09.30 am: <\/strong>Collaborative writing, drafting academic and policy and practice outputs<\/p>\n<p><strong><br \/>\n11.30 am: <\/strong>Recap and future planning<\/p>\n<p><strong><br \/>\n12.00 pm: Onwards \u2013 Departure <\/strong>from Kestle Barton<\/p>\n<p><strong><span style=\"color: #99cc00\">Join Zoom Meeting<\/span><\/strong><br \/>\nhttps:\/\/dartington-org.zoom.us\/j\/98858306089?pwd=WE41cWpWKzU4TTBqS3lJdEVIOW85UT09<\/p>\n<p>Meeting ID: 988 5830 6089<br \/>\nPasscode: 549491<\/p>\n<p><strong><span style=\"color: #00ccff\">Some Useful Information<\/span><\/strong><\/p>\n<ul>\n<li>Kestle Barton is an old farmhouse complex with the main gallery being in one of the old barns; it features an original cob wall that the architects have left exposed, cob being a traditional form of construction in the UK using a mashed-up combination of clay, straw, horsehair, and water around a timber structure. Subsequent to this, there is the apple store.<\/li>\n<li>The 56 acres of farmland are something we will tour during our time in Kestle Barton and include extensive grounds with landscaped gardens, an extensive meadow, and a well-established orchard and nuttery, featuring a pavilion built by the artist Paul Chaney. Feel free to explore these spaces as time allows.<\/li>\n<li>Please keep track of where you are walking if you wander off so that we can find you should we need to. Wi-fi is not widespread. The phone signal at Kestle Barton itself tends to be good; the moment you drop into any of the valleys, including nearby Frenchmans Creek, however, you will discover signal disappears rapidly. In case of emergency, the grid reference for Kestle Barton is SW 75350.<\/li>\n<li>Accommodation for the AALERT workshop is spread across <a href=\"http:\/\/www.kestlebarton.co.uk\/accommodation\/kestle-cottage\/\">Avallen, The Cottage,<\/a> and <a href=\"http:\/\/www.kestlebarton.co.uk\/accommodation\/kestle-barton-farmhouse\/\">The Farmhouse<\/a>. Each building is self-contained with all its own facilities. Each participant will have their room and share bathroom facilities with one more person. You will find the kitchen stocked for breakfasts, teas and coffees. Your house comes fully furnished with everything you should need; however, you may find yourself wanting to take a plate, or a mug, or a glass into other houses at mealtimes or whenever. This is allowed, but you are responsible for ensuring your crockery returns to its correct house.<\/li>\n<li>Please be aware that in Kestle Barton there are other accommodations potentially being used by other members of the public.<\/li>\n<\/ul>\n<p><strong><span style=\"color: #339966\">Recommended packing list<\/span><\/strong><br \/>\nYou will probably all think you are coming to the Cornish Riviera, but it is November and indecorously soggy around the edges. As we anticipate being outside for at least some of Monday and Tuesday, please make sure you pack practical walking boots\/wellies and waterproofs.<\/p>\n<p><strong><span style=\"color: #00ccff\">Covid 19<\/span><\/strong><br \/>\nWe kept participation numbers to a minimum due to the ongoing nature of the pandemic. All participants who travel to Kestle Barton are expected before arrival to have a Rapid lateral flow Covid test and not attend the event if positive. Lateral tests will be available on site and participants will be expected to have a test every day.<br \/>\nSurface sanitising wipes will be provided in shared common areas, but it is the responsibility of the occupants to maintain the hygienic standards of the accommodation and respecting general social distancing guidelines. Rooms where we share meals and discussions will be well ventilated and hand sanitiser and masks will be made available.<\/p>\n<p><strong><span style=\"color: #00ccff\">Consent forms for documentation \/ recording:<\/span><\/strong><br \/>\nConsent forms will be provided on arrival entitling you to opt out of documentation or recording. This will include an outline of the terms of use of any documentation.<\/p>\n<p><span style=\"color: #99cc00\"><strong>Arrival<\/strong><\/span><br \/>\n<strong>By train:<\/strong> unless you have made am arrangement with us if you\u2019re coming by train go to Redruth and let us know your arrival time to Redruth Station. We will arrange someone to come and collect you, this may involve a bit of waiting at the station.<br \/>\n<strong>By Car:<\/strong> The easiest route to Kestle on the Lizard is from Helston. For Helston take the A30 over Bodmin Moor into Cornwall then turn off at Redruth, and take the B3297.<br \/>\n<span style=\"text-decoration: underline\">From Helston:<\/span><br \/>\nLeave Helston on A3083 towards Lizard, driving past Culdrose RNAF base. At the mini roundabout turn left B3293 towards St Keverne. At the next mini roundabout in Garras take the third exit towards St Keverne, still B 3293 for about a mile. Take a left turn signposted to Helford and Manaccan. In Newtown St Martin turn right at the T junction and then immediately left, signed Helford and Manaccan. In about a mile and a half at the small cross roads take left turn to Kestle and first right to Kestle Wartha. Kestle Barton is about half a mile on the right.<\/p>\n<p>Kestle Barton has post code TR12 6HU but beware of SAT NAV directions as the route it will send you is more difficult to drive. Kestle Barton is clearly signposted from the B3293 with brown signs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artists in the Landscape Re\/walking \u2013 Re\/wilding \u2013 Re\/generating &amp; Agri\/culture 2.0 \u201cTo be at all is to be somewhere, and to be somewhere is to be in some kind&#8230;<a class=\"read-more\" href=\"&#104;&#116;&#116;&#112;&#115;&#58;&#47;&#47;&#114;&#101;&#115;&#101;&#97;&#114;&#99;&#104;&#46;&#114;&#101;&#97;&#100;&#105;&#110;&#103;&#46;&#97;&#99;&#46;&#117;&#107;&#47;&#97;&#97;&#108;&#101;&#114;&#116;&#47;&#97;&#114;&#116;&#105;&#115;&#116;&#115;&#45;&#105;&#110;&#45;&#116;&#104;&#101;&#45;&#108;&#97;&#110;&#100;&#115;&#99;&#97;&#112;&#101;&#45;&#119;&#111;&#114;&#107;&#115;&#104;&#111;&#112;&#47;\">Read More ><\/a><\/p>\n","protected":false},"author":429,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":""},"categories":[11,9,12,1],"tags":[],"coauthors":[14],"class_list":["post-1509","post","type-post","status-publish","format-standard","hentry","category-events","category-news","category-posts","category-uncategorised"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Artists in the Landscape workshop - Aalert<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Artists in the Landscape workshop - Aalert\" \/>\n<meta property=\"og:description\" content=\"Artists in the Landscape Re\/walking \u2013 Re\/wilding \u2013 Re\/generating &amp; Agri\/culture 2.0 \u201cTo be at all is to be somewhere, and to be somewhere is to be in some kind...Read More &gt;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/\" \/>\n<meta property=\"og:site_name\" content=\"Aalert\" \/>\n<meta property=\"article:published_time\" content=\"2021-11-19T17:21:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-11-20T10:51:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-scaled.jpg\" \/>\n<meta name=\"author\" content=\"Nerea Ferrando Jorge\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nerea Ferrando Jorge\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/\",\"url\":\"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/\",\"name\":\"Artists in the Landscape workshop - Aalert\",\"isPartOf\":{\"@id\":\"https:\/\/research.reading.ac.uk\/aalert\/#website\"},\"datePublished\":\"2021-11-19T17:21:57+00:00\",\"dateModified\":\"2021-11-20T10:51:16+00:00\",\"author\":{\"@id\":\"https:\/\/research.reading.ac.uk\/aalert\/#\/schema\/person\/bd525625ee1bfba4627df617f6ae93d1\"},\"breadcrumb\":{\"@id\":\"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/research.reading.ac.uk\/aalert\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Artists in the Landscape workshop\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/research.reading.ac.uk\/aalert\/#website\",\"url\":\"https:\/\/research.reading.ac.uk\/aalert\/\",\"name\":\"Aalert\",\"description\":\"Arts and Artists in Landscape and Environmental Research Today\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/research.reading.ac.uk\/aalert\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/research.reading.ac.uk\/aalert\/#\/schema\/person\/bd525625ee1bfba4627df617f6ae93d1\",\"name\":\"Nerea Ferrando Jorge\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\/\/research.reading.ac.uk\/aalert\/#\/schema\/person\/image\/aa4fb7a9c30555007b18e069a3a02fa1\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/448b8f8a66c3cf33fa95cbd38d5b3cfc95563644549800b7cb7054548b142d9d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/448b8f8a66c3cf33fa95cbd38d5b3cfc95563644549800b7cb7054548b142d9d?s=96&d=mm&r=g\",\"caption\":\"Nerea Ferrando Jorge\"},\"url\":\"https:\/\/research.reading.ac.uk\/aalert\/author\/dj830531student-reading-ac-uk\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Artists in the Landscape workshop - Aalert","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/","og_locale":"en_GB","og_type":"article","og_title":"Artists in the Landscape workshop - Aalert","og_description":"Artists in the Landscape Re\/walking \u2013 Re\/wilding \u2013 Re\/generating &amp; Agri\/culture 2.0 \u201cTo be at all is to be somewhere, and to be somewhere is to be in some kind...Read More >","og_url":"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/","og_site_name":"Aalert","article_published_time":"2021-11-19T17:21:57+00:00","article_modified_time":"2021-11-20T10:51:16+00:00","og_image":[{"url":"https:\/\/research.reading.ac.uk\/aalert\/wp-content\/uploads\/sites\/159\/2021\/10\/BftA_LowRes_Agri-culture_2021-scaled.jpg"}],"author":"Nerea Ferrando Jorge","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Nerea Ferrando Jorge","Estimated reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/","url":"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/","name":"Artists in the Landscape workshop - Aalert","isPartOf":{"@id":"https:\/\/research.reading.ac.uk\/aalert\/#website"},"datePublished":"2021-11-19T17:21:57+00:00","dateModified":"2021-11-20T10:51:16+00:00","author":{"@id":"https:\/\/research.reading.ac.uk\/aalert\/#\/schema\/person\/bd525625ee1bfba4627df617f6ae93d1"},"breadcrumb":{"@id":"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/research.reading.ac.uk\/aalert\/artists-in-the-landscape-workshop\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/research.reading.ac.uk\/aalert\/"},{"@type":"ListItem","position":2,"name":"Artists in the Landscape workshop"}]},{"@type":"WebSite","@id":"https:\/\/research.reading.ac.uk\/aalert\/#website","url":"https:\/\/research.reading.ac.uk\/aalert\/","name":"Aalert","description":"Arts and Artists in Landscape and Environmental Research Today","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/research.reading.ac.uk\/aalert\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-GB"},{"@type":"Person","@id":"https:\/\/research.reading.ac.uk\/aalert\/#\/schema\/person\/bd525625ee1bfba4627df617f6ae93d1","name":"Nerea Ferrando Jorge","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/research.reading.ac.uk\/aalert\/#\/schema\/person\/image\/aa4fb7a9c30555007b18e069a3a02fa1","url":"https:\/\/secure.gravatar.com\/avatar\/448b8f8a66c3cf33fa95cbd38d5b3cfc95563644549800b7cb7054548b142d9d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/448b8f8a66c3cf33fa95cbd38d5b3cfc95563644549800b7cb7054548b142d9d?s=96&d=mm&r=g","caption":"Nerea Ferrando Jorge"},"url":"https:\/\/research.reading.ac.uk\/aalert\/author\/dj830531student-reading-ac-uk\/"}]}},"cc_featured_image_caption":{"caption_text":false,"source_text":false,"source_url":false},"_links":{"self":[{"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/posts\/1509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/users\/429"}],"replies":[{"embeddable":true,"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/comments?post=1509"}],"version-history":[{"count":4,"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/posts\/1509\/revisions"}],"predecessor-version":[{"id":1528,"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/posts\/1509\/revisions\/1528"}],"wp:attachment":[{"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/media?parent=1509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/categories?post=1509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/tags?post=1509"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/research.reading.ac.uk\/aalert\/wp-json\/wp\/v2\/coauthors?post=1509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}