The research of this website has been based on – but not limited – to the following list of publications. Please check it periodically as more papers will be included soon.<\/p>\n
Barker, A. (1989-2004) Greek musical writings, vols. 1 and 2, Cambridge.<\/p>\n
Binek, N.M. (2017) \u201cThe Dipylon Oinochoe Graffito: Text or Decoration?\u201d, Hesperia 86, 423-42.<\/p>\n
Ceccarelli, P. (1998) La pirrica nell\u2019 antichit\u00e0 greco romana: Studi sulla danza armata. Pisa-Roma.<\/p>\n
Connor, P. and Brijder, H.A.G. (1983) “A Komast Cup”, Greek Vases in the J. Paul Getty Museum, Malibu, 1-8.<\/p>\n
Delavaud-Roux, M.H. (1991) Recherches sur la danse dans l\u2019antiquit\u00e9 grecque (vii-eive s. av. J.C.). Universit\u00e9 d\u2019Aix-Marseille.<\/p>\n
Duncan, I. (1928) The art of dance. New York.<\/p>\n
Emmanuel, M. \u00a0(1896) La danse grecque antique d\u2019apr\u00e9s les monuments figur\u00e9s. Paris.<\/p>\n
Evans Pritchard, E.E. (1928) \u201cThe dance\u201d, Africa 1, 446-462.<\/p>\n
Ginner, R. (1933) The Revived Greek Dance. London.<\/p>\n
Ginner, R. (1960) Gateway to the Dance. London.<\/p>\n
Goldhill, S. (1987) \u201cThe Great Dionysia and the Civic Ideology\u201d, JHS 107, 58-76.<\/p>\n
Hanna, J. L. (1979) \u201cMovements towards understanding humans through the anthropological study of dance\u201d, Current Anthropology 20, 313-339.<\/p>\n
Ieran\u00f2, G. (2020) \u201cDionysus and the Ambiguity of Orgiastic Music\u201d, in Lynch & Rocconi (ed) A Companion to Ancient Greek and Roman Music. Blackwell.<\/p>\n
Kossatz-Deissman, A. (1991) Satyr- und Manadennamen auf Vasenbildern des Getty Museums mit Addenda zu Frankel. In Greek Vases in the J. Paul Getty Museum 5, 131-91. Occasional papers on antiquities 7. Malibu.<\/p>\n
Kowalzig, B. (2004) \u201cChanging Choral Worlds: Song-Dance and Society in Athens and Beyond\u201d. In Music and the Muses: The culture of \u201cMousik\u0113\u201d in the Classical Athenian City, P. Murray and P. Wilson (ed)., 39-65. Oxford.<\/p>\n
Kurath, G.P.\u00a0 (1960) \u201cPanorama of dance ethnology\u201d, Current Anthropology 1, 233-254.<\/p>\n
Frankel, C. (1912) Satyr- und Bakchennamen auf Vasenbildern. Halle.<\/p>\n
Lawler, L. B (1946) \u201cThe Geranos Dance \u2013 A New Interpretation\u201d, Transactions and Proceedings of the American Philological Association 77, 112-130.<\/p>\n
Lawler, L. B. (1947) \u201cThe Dance in Ancient Greece\u201d, The Classical Journal 42, 6, 343-349.<\/p>\n
Lynch, T.A.C. and Rocconi, E. (2020) A Companion to Ancient Greek and Roman Music. Blackwell.<\/p>\n
Mandalaki-Spanou, S. (2003) \u201cThe dance in Minoan Crete\u201d, in \u00a0Orchesis. Texts on Ancient Greek dance, \u00a0Dora Stratou Theater.<\/p>\n
Meursius, J. (1616) Orchestra, Sive de Saltationibus Veterum, edited by Alkis Raftis, Greek Dances Theatre \u201cDora Stratou\u201d & IOFA.<\/p>\n
Naerebout, F. G. (2003) \u201cDance in ancient Greece: anything new?\u201d, in Orchesis \u2013 Texts on Ancient Greek Dance, 139-162.<\/p>\n
Naerebout, F. g. (1995) \u201cTexts and Images as Sources for the Study of Dance in Ancient Greece\u201d, Pharos. Journal of the Netherlands Institute in Athens, 23-40.<\/p>\n
Poursat, J.C. (1968) \u201cLes representations de danse armee dans la ceramique attique\u201d, Bulletin de correspondance hellenique 92, 550-615.<\/p>\n
Poursat, J.C. (1967) Un base signee du Musee National d\u2019Athenes: pyrrhichistes victorieux, BCH 91, 102-10.<\/p>\n
Prudhommeau, G. (1965) La danse grecque Antique. Paris.<\/p>\n
Roebuck, M.C. & Roebuck, C.A. (1955) \u201cA prize aryballos\u201d, Hesperia 24, 158-63.<\/p>\n
Shear, J. L. (2003) \u201cAtarbos\u2019 Base and the Panathenaia\u201d, JHS 123, 164-180.<\/p>\n