{"id":592,"date":"2019-12-07T00:17:41","date_gmt":"2019-12-07T00:17:41","guid":{"rendered":"https:\/\/research.reading.ac.uk\/beckett-alternative\/?page_id=592"},"modified":"2019-12-07T01:48:42","modified_gmt":"2019-12-07T01:48:42","slug":"l-jeffery","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/beckett-alternative\/about\/people\/l-jeffery\/","title":{"rendered":"People"},"content":{"rendered":"<div id=\"pl-592\"  class=\"panel-layout\" ><div id=\"pg-592-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-592-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-592-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h1 style=\"text-align: left\">DR LUCY JEFFERY<\/h1>\n<h3 style=\"letter-spacing: 0.08px;text-align: left\">Post-doctoral Centre Fellow<\/h3>\n<p style=\"text-align: left\"><a href=\"mailto:lucy.jeffery@reading.ac.uk\">lucy.jeffery@reading.ac.uk<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><b>RESPONSIBILITIES<\/b><\/h3>\n<ul>\n<li>Beckett Research Centre Postdoctoral Fellow<\/li>\n<\/ul>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-592-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-592-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-596 size-medium\" src=\"https:\/\/research.reading.ac.uk\/beckett-alternative\/wp-content\/uploads\/sites\/154\/Unorganized\/Lucy-Jeffery-260x300.png\" alt=\"\" width=\"260\" height=\"300\" srcset=\"https:\/\/research.reading.ac.uk\/beckett-alternative\/wp-content\/uploads\/sites\/154\/Unorganized\/Lucy-Jeffery-260x300.png 260w, https:\/\/research.reading.ac.uk\/beckett-alternative\/wp-content\/uploads\/sites\/154\/Unorganized\/Lucy-Jeffery.png 393w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-592-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><div id=\"pg-592-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-592-1-0\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-592-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><b>RESEARCH INTERESTS<\/b><\/h3>\n<p>My research looks at Beckett\u2019s interest in and use of classical music and visual arts. I have recently compiled a catalogue for the audio-visual materials held at the Beckett Archive in Reading. I am also interested in the work of Harold Pinter, Ezra Pound, and Marguerite Duras.<\/p>\n<h3><b>PUBLICATIONS<\/b><\/h3>\n<ol>\n<li>\"Beckett\u2019s Technological Experimentation on Radio\". <i>Beckett and Technology. <\/i>Edited by Mark Nixon, Galina Kiryushina, and Einat Adar. Edinburgh UP, 2021.<\/li>\n<li>\"Samuel Beckett and the Visual Arts\". <i style=\"letter-spacing: 0.08px\">The Oxford Companion to Samuel Beckett. <\/i>Edited by<span style=\"letter-spacing: 0.08px\"> Dirk Van Hulle and Mark Nixon. Oxford UP, 2020.<\/span><\/li>\n<li>\u201c'What\u2019s that music? Did you turn the radio on?' Music in Ingeborg Bachmann\u2019s radio plays. <i style=\"letter-spacing: 0.08px\">Radio Art and Music: Culture, Aesthetics, Politics. <\/i>Edited by<span style=\"letter-spacing: 0.08px\"> Jarmila Mildorf and Pim Verhulst. Lexington Books, 2020.<\/span><\/li>\n<li>\"Pinter as Poet, Pinter as Politician\". <i style=\"letter-spacing: 0.08px\">Pinter Review <\/i>. 2020 <span style=\"letter-spacing: 0.08px\">(in press).<\/span><\/li>\n<li>\"An Interview with Tim Parkinson\". <i style=\"letter-spacing: 0.08px\">Journal of Beckett<\/i> Studies. 2020 <span style=\"letter-spacing: 0.08px\">(in press).<\/span><\/li>\n<li>\"Samuel Beckett\u2019s use of color in <i style=\"letter-spacing: 0.08px\">The Novellas<\/i><span style=\"letter-spacing: 0.08px\">: Green\". 2020 (in press).<\/span><\/li>\n<li>\"Samuel Beckett\u2019s Influence on Harold Pinter\u2019s Radio Drama\". <i style=\"letter-spacing: 0.08px\">Historical Journal of Film, Radio and Television. <\/i>2020 (i<span style=\"letter-spacing: 0.08px\">n press).<\/span><\/li>\n<li>\"Ezra Pound and Constantin Brancusi: Sculptural Form and the Struggle to 'make it cohere'\". <i style=\"letter-spacing: 0.08px\">Word &amp;<\/i> <em>Image<\/em>. 2020 <span style=\"letter-spacing: 0.08px\">(in press).<\/span><\/li>\n<li>\"Music in Samuel Beckett\u2019s radio play <i style=\"letter-spacing: 0.08px\">Embers<\/i><span style=\"letter-spacing: 0.08px\">: \u2018I shouldn\u2019t be hearing that!\u2019\". <\/span><i style=\"letter-spacing: 0.08px\">Radio Journal: International Studies in Broadcast and Audio Media<\/i><span style=\"letter-spacing: 0.08px\">, 16.2. 2018, pp.173-184.<\/span><\/li>\n<li>\"Samuel Beckett\u2019s brush with the other Mitchell: Painterly Techniques in \u2018One Evening'\". <i style=\"letter-spacing: 0.08px\">Journal of Beckett Studies<\/i><span style=\"letter-spacing: 0.08px\">, 27.2. 2018, pp. 175-192.<\/span><\/li>\n<li>\"Samuel Beckett\u2019s use of color in <i style=\"letter-spacing: 0.08px\">Company<\/i><span style=\"letter-spacing: 0.08px\">: Blue\". <\/span><i style=\"letter-spacing: 0.08px\">Interdisciplinary Literary Studies: A Journal of Criticism and Theory<\/i><span style=\"letter-spacing: 0.08px\">, 20. 4. 2018, pp. 507-527.<\/span><\/li>\n<li>\"Bridging Music and Language in Samuel Beckett\u2019s <i style=\"letter-spacing: 0.08px\">Ghost Trio\u00a0<\/i><span style=\"letter-spacing: 0.08px\">and\u00a0<\/span><i style=\"letter-spacing: 0.08px\">Nacht und Tr\u00e4ume\".<\/i><span style=\"letter-spacing: 0.08px\">\u00a0<\/span><i style=\"letter-spacing: 0.08px\">Durham Postgraduate English Journal<\/i><span style=\"letter-spacing: 0.08px\">, 32. Spring, 2016.<\/span><\/li>\n<\/ol>\n<h3><b>REVIEWS<\/b><\/h3>\n<ol>\n<li>\"Michael Roth\u2019s <i>Imagination Dead Imagine<\/i>, Prague, 13 September 2018\". <i>Journal of Beckett Studies<\/i>, 28.2. 2019, pp. 255-259.<\/li>\n<li>\"Beckett and Collaboration: A Review of <i>Words and Music\u00a0<\/i>for the Beckett Chamber Music Series\". <i style=\"letter-spacing: 0.08px\">Journal of Beckett Studies<\/i><span style=\"letter-spacing: 0.08px\">, <\/span>28.1. 2019, 113-124.<\/li>\n<li>\"<i>Samuel Beckett and Contemporary Art<\/i>, eds. Robert Reginio, David Houston Jones and Katherine Weiss Review\". <i style=\"letter-spacing: 0.08px\">Journal of Beckett Studies<\/i>, 27.2. 2018, 270-274.<\/li>\n<li>\"Walking on Tiptoe: Colin Pink\u2019s <i>Acrobats of Sound\".<\/i>\u00a0<i>ACUMEN<\/i>, 89. September, 2017.<\/li>\n<li>\"Hearts remote, yet not asunder\". <i>ACUMEN<\/i>, 87. January, 2017.<\/li>\n<li>\"Beckett Week at Reading: Beckett &amp; Politics Conference\". <i>The Beckett Circle.<\/i> Autumn, 2016.<\/li>\n<li>\"Off to the printmakers with Heidi Williamson\". <i>ACUMEN<\/i>, 86. September, 2016.<\/li>\n<li>\"Ut picture poesis for Maureen Duffy\". <i>ACUMEN<\/i>, 85. May, 2016.<\/li>\n<li>\"Look what\u2019s become of the 'embryonic little spark'\u201d. <i>ACUMEN<\/i>, 84. January, 2016.<\/li>\n<li>\"The persistent fragility of memory\". <i>ACUMEN<\/i>, 80. September, 2014.<\/li>\n<li>\"Little poems 'cut off from the rest of language\u2019\". <i>ACUMEN<\/i>, 79. May, 2014.<\/li>\n<li>\"Nocturnes at Nohant\". <i>ACUMEN<\/i>, 78. January, 2014.<\/li>\n<\/ol>\n<p>For classical and jazz music reviews, search for \u2018Lucy Jeffery\u2019 on <a href=\"http:\/\/www.seenandheard-international.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\">www.seenandheard-international.com<\/a>.<\/p>\n<h3><b>TALKS<\/b><\/h3>\n<p>As well as organising conferences and workshops in Reading and Aberystwyth, I have delivered papers on Beckett and Pinter internationally.<\/p>\n<ol>\n<li><span style=\"letter-spacing: 0.08px\">\"Pinter\u2019s Poetry and American Politics\". <\/span><i>Midwest Modernist Language Association<\/i>, Chicago, November 14, 2019.<\/li>\n<li><span style=\"letter-spacing: 0.08px\">\"Tracing Digital Legacies and the (Im)Materiality of Death in the Performance <\/span><i style=\"letter-spacing: 0.08px\">User Not Found\". <\/i><i>The Materiality of Death: On the Trail of Grave Goods (Past, Present and Future)<\/i>, British Museum, London, May 31, 2019.<\/li>\n<li><span style=\"letter-spacing: 0.08px\">\"Going Green: An Ecocritical Reading of Beckett\u2019s Landscapes in the Novellas\".<\/span>\u00a0<i>Beckett International Foundation Seminar<\/i>, University of Reading, November 24, 2018.<\/li>\n<li><span style=\"letter-spacing: 0.08px\">\u201c'[N]ot a sound': Samuel Beckett\u2019s influence on Harold Pinter\u2019s <\/span><i style=\"letter-spacing: 0.08px\">Landscape\". <\/i><i>Pinter on Film, Television and Radio<\/i>, British Library, London, September 19-20, 2018.<\/li>\n<li><span style=\"letter-spacing: 0.08px\">\"<\/span><i style=\"letter-spacing: 0.08px\">Words and Music<\/i><span style=\"letter-spacing: 0.08px\"> 'or some other trouble'\". <\/span><i>Beckett and Technology<\/i>, Charles University, Prague, September 13-15, 2018.<\/li>\n<li><span style=\"letter-spacing: 0.08px\">\"Beckett and Colour: A Negative Optimism\".<\/span>\u00a0<i>Influences, Intersections, Interactions<\/i>, Charles University, Prague, September 8-9, 2017.<\/li>\n<li><i>\"The 'Dark lightens' when in <\/i><i style=\"letter-spacing: 0.08px\">Company<\/i><span style=\"font-style: normal;letter-spacing: 0.08px\">: Painterly Technique in Beckett\u2019s Late Style\". <\/span>Modernist Life, BAMS Birmingham University, June 29 \u2013 1 July 1, 2017.<\/li>\n<li><span style=\"letter-spacing: 0.08px\">\"A note on Beckett\u2019s decomposition\".\u00a0<\/span><i style=\"letter-spacing: 0.08px\">FTT Departmental Research Presentations<\/i><span style=\"letter-spacing: 0.08px\">, University of Reading, <\/span>November 30, 2016.<\/li>\n<li><span style=\"letter-spacing: 0.08px\">\"Cheese and Biscuits: Beckett\u2019s Musical Monadology\". <\/span><i>DRAFF<\/i>, Trinity College Dublin, August 5-6, 2016.<\/li>\n<li><span style=\"letter-spacing: 0.08px\">\"<\/span><i style=\"letter-spacing: 0.08px\">Watt<\/i><span style=\"letter-spacing: 0.08px\"> about Samuel Beckett\u2019s Artistic Legacy?\" <\/span><i>Altered States: Postgraduate Conference<\/i>,<i>\u00a0<\/i>MONC<i>\u00a0<\/i>Swansea University, October 9, 2015.<\/li>\n<li>\"Memory in Samuel Beckett and Genevi\u00e8ve Asse\u2019s 'blue celeste''\u2019.<i> Arts and Humanities research presentations<\/i>, Swansea University, September 2015.<\/li>\n<li><span style=\"letter-spacing: 0.08px\">\"Score to Text: Musical Form in Samuel Beckett\u2019s Late TV-Plays: <\/span><i style=\"letter-spacing: 0.08px\">Ghost Trio\u00a0<\/i><span style=\"letter-spacing: 0.08px\">and\u00a0<\/span><i style=\"letter-spacing: 0.08px\">Nacht und Tr\u00e4ume<\/i><span style=\"letter-spacing: 0.08px\">\u2019\". <\/span><i>Music and Literature: Critical Polyphonies<\/i>, Durham University,\u00a0<span style=\"letter-spacing: 0.08px\">J<\/span>uly 2, 2015.<\/li>\n<\/ol>\n<h3><b>OTHER ACTIVITIES<\/b><\/h3>\n<p>I have designed several websites showcasing the impact of research projects and have lectured in literature and theatre at the universities of Swansea and Reading. At Reading, I led the Beckett Reading Group from 2017-19. I was also the postdoctoral researcher on the AHRC funded project \u2018User Not Found: Social Media Technology in Immersive Performance\u2019 and contributed to \u2018Staging Beckett\u2019.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-592-1-1\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>DR LUCY JEFFERY Post-doctoral Centre Fellow lucy.jeffery@reading.ac.uk &nbsp; RESPONSIBILITIES Beckett Research Centre Postdoctoral Fellow RESEARCH INTERESTS My research looks at Beckett\u2019s interest in and use of classical music and visual&#8230;<a class=\"read-more\" href=\"&#104;&#116;&#116;&#112;&#115;&#58;&#47;&#47;&#114;&#101;&#115;&#101;&#97;&#114;&#99;&#104;&#46;&#114;&#101;&#97;&#100;&#105;&#110;&#103;&#46;&#97;&#99;&#46;&#117;&#107;&#47;&#98;&#101;&#99;&#107;&#101;&#116;&#116;&#45;&#97;&#108;&#116;&#101;&#114;&#110;&#97;&#116;&#105;&#118;&#101;&#47;&#97;&#98;&#111;&#117;&#116;&#47;&#112;&#101;&#111;&#112;&#108;&#101;&#47;&#108;&#45;&#106;&#101;&#102;&#102;&#101;&#114;&#121;&#47;\">Read More ><\/a><\/p>\n","protected":false},"author":257,"featured_media":448,"parent":221,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":""},"class_list":["post-592","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>People - Alternative Beckett<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"People - Alternative Beckett\" \/>\n<meta property=\"og:description\" content=\"DR LUCY JEFFERY Post-doctoral Centre Fellow lucy.jeffery@reading.ac.uk &nbsp; 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