{"id":592,"date":"2019-12-07T00:17:41","date_gmt":"2019-12-07T00:17:41","guid":{"rendered":"https:\/\/research.reading.ac.uk\/beckett\/?page_id=592"},"modified":"2021-07-06T07:14:52","modified_gmt":"2021-07-06T06:14:52","slug":"l-jeffery","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/beckett\/about\/people\/l-jeffery\/","title":{"rendered":"People"},"content":{"rendered":"<div id=\"pl-592\"  class=\"panel-layout\" ><div id=\"pg-592-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-592-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-592-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-711\" src=\"https:\/\/research.reading.ac.uk\/beckett\/wp-content\/uploads\/sites\/109\/Unorganized\/Lucy-Jeffery-300x365-1-247x300.png\" alt=\"\" width=\"247\" height=\"300\" srcset=\"https:\/\/research.reading.ac.uk\/beckett\/wp-content\/uploads\/sites\/109\/Unorganized\/Lucy-Jeffery-300x365-1-247x300.png 247w, https:\/\/research.reading.ac.uk\/beckett\/wp-content\/uploads\/sites\/109\/Unorganized\/Lucy-Jeffery-300x365-1.png 300w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-592-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-592-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h1 style=\"text-align: left\">DR LUCY JEFFERY<\/h1>\n<h3 style=\"letter-spacing: 0.08px;text-align: left\">Post-doctoral Centre Fellow<\/h3>\n<p style=\"text-align: left\"><a href=\"mailto:lucy.jeffery@reading.ac.uk\">lucy.jeffery@reading.ac.uk<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><b>RESPONSIBILITIES<\/b><\/h3>\n<ul>\n<li>Beckett Research Centre Postdoctoral Fellow<\/li>\n<\/ul>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-592-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-592-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-592-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><b>RESEARCH INTERESTS<\/b><\/h3>\n<p>My research looks at Beckett\u2019s interest in and use of classical music and visual arts. In 2019\/20 I compiled a <a href=\"https:\/\/collections.reading.ac.uk\/special-collections\/2020\/04\/21\/audio-visual-beckett-forgotten-gems-from-the-beckett-collection\/\">catalogue for the audio-visual materials<\/a> held at the Beckett Archive in Reading. I also edited interviews with practitioners for the Staging Beckett Project (<a href=\"https:\/\/research.reading.ac.uk\/staging-beckett\/interviews-talks\/\">available online<\/a>). My <a href=\"https:\/\/research.reading.ac.uk\/beckett\/forthcoming-publication-transdisciplinary-beckett-by-lucy-jeffery\/\">first monograph on Beckett<\/a> will be published this year (2021).\u00a0As well publishing research on Beckett, I have also published on the work of Harold Pinter, Ezra Pound, Ingeborg Bachmann, and Magda Szab\u00f3. If anyone is interested in these areas within Beckett Studies and would like to get in touch, please do so.<\/p>\n<h3><span style=\"font-size: 14pt\"><strong>FORTHCOMING PUBLICATIONS\u00a0<\/strong><\/span><\/h3>\n<ol>\n<li>\n<p class=\"title\"><em><strong>Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process<\/strong>\u00a0<\/em>(Stuttgart: ibidem Press, 2021) (<a href=\"https:\/\/cup.columbia.edu\/book\/transdisciplinary-beckett\/9783838215846\">available to pre-order<\/a>).<\/p>\n<\/li>\n<li>\n<p class=\"title\"><strong>\"<em>Words and Music 'or some other trouble': Vaguening on the Airwaves\" <\/em><\/strong>in\u00a0<i>Beckett and Technology <\/i>eds. Mark Nixon, Galina Kiryushina, and Einat Adar (Edinburgh UP, forthcoming 2021).<\/p>\n<\/li>\n<li>\n<p class=\"title\"><strong>\"Beckett and the Visual Arts\"<\/strong>\u00a0in <em>The<\/em> <em>Oxford Handbook on Samuel Beckett <\/em>eds.\u00a0Mark Nixon and Dirk Van Hulle (Oxford: OUP, 2022) (in press)<\/p>\n<\/li>\n<\/ol>\n<ul>\n<li><strong>AS EDITOR<\/strong>\n<ul>\n<li>'A New Poetics of Space: Literary Walks in Times of Pandemics and Climate Crisis': Special Issue for\u00a0<em>Green Letters\u00a0<\/em>(September, 2022).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3><b>PUBLICATIONS<\/b><\/h3>\n<ol>\n<li><strong>\"A Metatopographic Reading of Magda Szab\u00f3\u2019s\u00a0<\/strong><em><strong>Abigail\u00a0<\/strong><\/em><strong>as a Response to the Treaty of Trianon\".\u00a0<\/strong><em>Clio: A Journal of Literature, History, and the Philosophy of History<\/em>, 48.3. 2021, pp. 223-245.<\/li>\n<li><strong>\"Palliative Care and the Dance of Death in Harold Pinter\u2019s <em>Moonlight\".<\/em><\/strong>\u00a0<em>The Harold Pinter Review<\/em>, 5.1. 2021, pp. 10-16.<\/li>\n<li><strong>\"Magda Szab\u00f3: Finding Home in the Homeland in Post-1956 Hungary\".\u00a0<\/strong><em>[sic] \u2013 a journal of literature, culture and literary translation<\/em>, 11.3 Changing Pieces. 2020, pp. 1-23.<\/li>\n<li><strong>\"Natasha Gordon in Conversation with Lucy Jeffery: 'it was around 7.27pm that suddenly diversity walked through the door'\".<\/strong>\u00a0<em>ArtsPraxis<\/em>, <span style=\"letter-spacing: 0.08px\">7.2b. 2020, pp. 26-52.\u00a0<\/span><\/li>\n<li><strong>\"Chapter 11: Collective Responsibility in Ingeborg Bachmann and Hans Werner Henze\u2019s Radio Drama\u00a0<\/strong><em><strong>The Cicadas\"<\/strong><\/em><strong>\u00a0<\/strong>in\u00a0<em>Radio Art and Music: Culture, Aesthetics, Politics<\/em>, eds. Jarmila Mildorf and Pim Verhulst (Minneapolis: Lexington Books, 2020), pp. 185-205.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"Pinter as Poet, Pinter as Politician\".\u00a0<\/span><\/strong><span style=\"letter-spacing: 0.08px\"><em>The Harold Pinter Review<\/em>, 4.1. 2020, pp. 20-35.\u00a0<\/span><\/li>\n<li><strong>\"An Interview with Tim Parkinson\".<\/strong> <i style=\"letter-spacing: 0.08px\">Journal of Beckett<\/i> Studies, 29.2. 2020, pp. 249-260<span style=\"letter-spacing: 0.08px\">.<\/span><\/li>\n<li><strong>\"'An Old Hullo Out of the Dark': Radio echoes between Samuel Beckett\u2019s and Harold Pinter\".<\/strong> <i style=\"letter-spacing: 0.08px\">Historical Journal of Film, Radio and<\/i> Television, 40.3. 2020, pp. 516-532.<\/li>\n<li><strong>\"Ezra Pound and Constantin Brancusi: Sculptural Form and the Struggle to 'make it cohere'\".<\/strong> <i style=\"letter-spacing: 0.08px\">Word &amp;<\/i> <em>Image<\/em>, 36.3.\u00a02020, pp. 237-247.<\/li>\n<li><strong>\"Music in Samuel Beckett\u2019s radio play <i style=\"letter-spacing: 0.08px\">Embers<\/i><span style=\"letter-spacing: 0.08px\">: \u2018I shouldn\u2019t be hearing that!\u2019\". <\/span><\/strong><i style=\"letter-spacing: 0.08px\">Radio Journal: International Studies in Broadcast and Audio Media<\/i><span style=\"letter-spacing: 0.08px\">, 16.2. 2018, pp.173-184.<\/span><\/li>\n<li><strong>\"Samuel Beckett\u2019s brush with the other Mitchell: Painterly Techniques in \u2018One Evening'\".<\/strong> <i style=\"letter-spacing: 0.08px\">Journal of Beckett Studies<\/i><span style=\"letter-spacing: 0.08px\">, 27.2. 2018, pp. 175-192.<\/span><\/li>\n<li><strong>\"Samuel Beckett\u2019s use of color in <i style=\"letter-spacing: 0.08px\">Company<\/i><span style=\"letter-spacing: 0.08px\">: Blue\". <\/span><\/strong><i style=\"letter-spacing: 0.08px\">Interdisciplinary Literary Studies: A Journal of Criticism and Theory<\/i><span style=\"letter-spacing: 0.08px\">, 20. 4. 2018, pp. 507-527.\u00a0<\/span><\/li>\n<li><strong>\"Bridging Music and Language in Samuel Beckett\u2019s <i style=\"letter-spacing: 0.08px\">Ghost Trio\u00a0<\/i><span style=\"letter-spacing: 0.08px\">and\u00a0<\/span><i style=\"letter-spacing: 0.08px\">Nacht und Tr\u00e4ume\".<\/i><\/strong><span style=\"letter-spacing: 0.08px\">\u00a0<\/span><i style=\"letter-spacing: 0.08px\">Durham Postgraduate English Journal<\/i><span style=\"letter-spacing: 0.08px\">, 32. Spring, 2016.<\/span><\/li>\n<\/ol>\n<h3><b>REVIEWS<\/b><\/h3>\n<ol>\n<li><strong>\"Review:\u00a0<em>Beckett's Creatures: Art of Failure After the Holocaust\u00a0<\/em>by James\u00a0<\/strong><b>Anderson\".<\/b>\u00a0<em>The Harold Pinter Review<\/em>, 4.1. 2020, pp. 128-132.<\/li>\n<li><strong>\"Michael Roth\u2019s <i>Imagination Dead Imagine<\/i>, Prague, 13 September 2018\".<\/strong> <i>Journal of Beckett Studies<\/i>, 28.2. 2019, pp. 255-259.<\/li>\n<li><strong>\"Beckett and Collaboration: A Review of <i>Words and Music\u00a0<\/i>for the Beckett Chamber Music Series\".<\/strong> <i style=\"letter-spacing: 0.08px\">Journal of Beckett Studies<\/i><span style=\"letter-spacing: 0.08px\">, <\/span>28.1. 2019, 113-124.<\/li>\n<li><strong>\"<i>Samuel Beckett and Contemporary Art<\/i>, eds. Robert Reginio, David Houston Jones and Katherine Weiss Review\".<\/strong> <i style=\"letter-spacing: 0.08px\">Journal of Beckett Studies<\/i>, 27.2. 2018, 270-274.<\/li>\n<li><strong>\"Beckett Week at Reading: Beckett &amp; Politics Conference\".<\/strong> <i>The Beckett Circle.<\/i> Autumn, 2016.<\/li>\n<\/ol>\n<h3><span style=\"font-size: 14pt\"><strong>BLOGS<\/strong><\/span><\/h3>\n<ol>\n<li><span lang=\"EN-US\"><a href=\"https:\/\/research.reading.ac.uk\/staging-beckett\/happy-days-at-manchesters-royal-exchange-theatre-25-may-23-june-2018\/\">\u2018Happy Days at Manchester\u2019s Royal Exchange theatre, 25 May \u2013 23 June\u2019<\/a>, <i>Staging Beckett<\/i>, 3 August 2018<\/span><\/li>\n<li>\n<div><span lang=\"EN-US\"><a href=\"https:\/\/collections.reading.ac.uk\/special-collections\/2020\/04\/21\/audio-visual-beckett-forgotten-gems-from-the-beckett-collection\/\">\u2018Audio-visual Beckett: Forgotten Gems from the Beckett Collection\u2019<\/a>, <i>Special Collections<\/i>, 21 April 2020 <\/span><\/div>\n<\/li>\n<\/ol>\n<h3><b>TALKS<\/b><\/h3>\n<p>As well as organising conferences and workshops in Reading, Aberystwyth, and Sweden, I have delivered papers on my research at international conferences &amp; seminars.<\/p>\n<ol>\n<li><strong>\"A Very Short Introduction to Samuel Beckett<em>.<\/em>\"\u00a0<\/strong>University of Nottingham (the Nottingham Playgoers), June 21, 2021.<\/li>\n<li><strong>\"Global\u00a0<em>Godot\"<\/em>.\u00a0<\/strong>University of Kent, March 8, 2021.<\/li>\n<li><strong>\"Magda Szab\u00f3's\u00a0<em>Abigail\u00a0<\/em>as a response to the Treaty of Trianon\".\u00a0<\/strong>Mid Sweden University, September 11, 2020.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"Magda Szab\u00f3's <em>The Door\u00a0<\/em>and Goulash Communism\".<\/span><\/strong><span style=\"letter-spacing: 0.08px\">\u00a0Mid Sweden University, June 16, 2020.\u00a0<\/span><\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"Pinter\u2019s Poetry and American Politics\". <\/span><\/strong><i>Midwest Modernist Language Association<\/i>, Chicago, November 14, 2019.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"Tracing Digital Legacies and the (Im)Materiality of Death in the Performance <\/span><i style=\"letter-spacing: 0.08px\">User Not Found<\/i>\"<i style=\"letter-spacing: 0.08px\">. <\/i><\/strong><i>The Materiality of Death: On the Trail of Grave Goods (Past, Present and Future)<\/i>, British Museum, London, May 31, 2019.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"Going Green: An Ecocritical Reading of Beckett\u2019s Landscapes in the Novellas\".<\/span><\/strong>\u00a0<i>Beckett International Foundation Seminar<\/i>, University of Reading, November 24, 2018.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"'[N]ot a sound': Samuel Beckett\u2019s influence on Harold Pinter\u2019s <\/span><i style=\"letter-spacing: 0.08px\">Landscape<\/i>\"<i style=\"letter-spacing: 0.08px\">. <\/i><\/strong><i>Pinter on Film, Television and Radio<\/i>, British Library, London, September 19-20, 2018.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"<\/span><i style=\"letter-spacing: 0.08px\">Words and Music<\/i><span style=\"letter-spacing: 0.08px\"> 'or some other trouble'\". <\/span><\/strong><i>Beckett and Technology<\/i>, Charles University, Prague, September 13-15, 2018.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"Beckett and Colour: A Negative Optimism\".<\/span><\/strong>\u00a0<i>Influences, Intersections, Interactions<\/i>, Charles University, Prague, September 8-9, 2017.<\/li>\n<li><strong>\"<i>The 'Dark lightens' when in <\/i><i style=\"letter-spacing: 0.08px\">Company<\/i><span style=\"font-style: normal;letter-spacing: 0.08px\">: Painterly Technique in Beckett\u2019s Late Style\". <\/span><\/strong>Modernist Life, BAMS Birmingham University, June 29 \u2013 1 July 1, 2017.<\/li>\n<li><span style=\"letter-spacing: 0.08px\"><strong>\"A note on Beckett\u2019s decomposition\".<\/strong>\u00a0<\/span><i style=\"letter-spacing: 0.08px\">FTT Departmental Research Presentations<\/i><span style=\"letter-spacing: 0.08px\">, University of Reading, <\/span>November 30, 2016.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"Cheese and Biscuits: Beckett\u2019s Musical Monadology\". <\/span><\/strong><i>DRAFF<\/i>, Trinity College Dublin, August 5-6, 2016.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"<\/span><i style=\"letter-spacing: 0.08px\">Watt<\/i><span style=\"letter-spacing: 0.08px\"> about Samuel Beckett\u2019s Artistic Legacy?\" <\/span><\/strong><i>Altered States: Postgraduate Conference<\/i>,<i>\u00a0<\/i>MONC<i>\u00a0<\/i>Swansea University, October 9, 2015.<\/li>\n<li><strong>\"Memory in Samuel Beckett and Genevi\u00e8ve Asse\u2019s 'blue celeste'\".<\/strong><i> Arts and Humanities research presentations<\/i>, Swansea University, September 2015.<\/li>\n<li><strong><span style=\"letter-spacing: 0.08px\">\"Score to Text: Musical Form in Samuel Beckett\u2019s Late TV-Plays: <\/span><i style=\"letter-spacing: 0.08px\">Ghost Trio\u00a0<\/i><span style=\"letter-spacing: 0.08px\">and\u00a0<\/span><i style=\"letter-spacing: 0.08px\">Nacht und Tr\u00e4ume<\/i><span style=\"letter-spacing: 0.08px\">\". <\/span><\/strong><i>Music and Literature: Critical Polyphonies<\/i>, Durham University,\u00a0<span style=\"letter-spacing: 0.08px\">J<\/span>uly 2, 2015.<\/li>\n<\/ol>\n<h3><b>OTHER ACTIVITIES<\/b><\/h3>\n<p>I have designed several websites showcasing the impact of research projects and have lectured in literature and theatre at the universities of Swansea, Reading, Mid Sweden, and Nottingham. At Reading, I led the Beckett Reading Group from 2017-19. I was also the postdoctoral researcher on the AHRC funded project \u2018User Not Found: Social Media Technology in Immersive Performance\u2019 and contributed to \u2018Staging Beckett\u2019. Having organised the international conference<a href=\"https:\/\/www.miun.se\/online-conference\"> 'A New Poetics of Space: Literary Walks in Times of Pandemics and Climate Change'<\/a>, I am currently working on a special issue on the tradition of the literary walk.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>DR LUCY JEFFERY Post-doctoral Centre Fellow lucy.jeffery@reading.ac.uk &nbsp; RESPONSIBILITIES Beckett Research Centre Postdoctoral Fellow RESEARCH INTERESTS My research looks at Beckett\u2019s interest in and use of classical music and visual&#8230;<a class=\"read-more\" href=\"&#104;&#116;&#116;&#112;&#115;&#58;&#47;&#47;&#114;&#101;&#115;&#101;&#97;&#114;&#99;&#104;&#46;&#114;&#101;&#97;&#100;&#105;&#110;&#103;&#46;&#97;&#99;&#46;&#117;&#107;&#47;&#98;&#101;&#99;&#107;&#101;&#116;&#116;&#47;&#97;&#98;&#111;&#117;&#116;&#47;&#112;&#101;&#111;&#112;&#108;&#101;&#47;&#108;&#45;&#106;&#101;&#102;&#102;&#101;&#114;&#121;&#47;\">Read More ><\/a><\/p>\n","protected":false},"author":219,"featured_media":448,"parent":221,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":""},"class_list":["post-592","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>People - The Samuel Beckett Research Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/research.reading.ac.uk\/beckett\/about\/people\/l-jeffery\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"People - The Samuel Beckett Research Centre\" \/>\n<meta property=\"og:description\" content=\"DR LUCY JEFFERY Post-doctoral Centre Fellow lucy.jeffery@reading.ac.uk &nbsp; 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