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X-WR-CALNAME:Centre for Book Cultures and Publishing
X-ORIGINAL-URL:https://research.reading.ac.uk/centre-for-book-cultures-and-publishing
X-WR-CALDESC:Events for Centre for Book Cultures and Publishing
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DTSTART;VALUE=DATE:20230911
DTEND;VALUE=DATE:20231209
DTSTAMP:20260512T091814
CREATED:20230910T095507Z
LAST-MODIFIED:20231101T163407Z
UID:1876-1694390400-1702079999@research.reading.ac.uk
SUMMARY:Up in Arms: posters for protest\, solidarity\, engagement and action
DESCRIPTION:Up in Arms has been curated to align with our annual conference\, ‘Publishing Anti-fascism’ convened and organised by Ellen Pilsworth. \nThe exhibition includes material from the collection of twentieth-century posters from the Lettering\, Printing and Graphic Design Collections in the Department of Typography & Graphic Communication. It displays posters from a range of sources\, some designed by well-known designers including Robin Fior and David King. The exhibition was curated and designed by Clara Fidler-Brown as part of her experience as a Collections Assistant\, with support from Ellen Pilsworth\, Emma Minns\, Sue Walker and Geoff Wyeth. \n  \n\nThe Up in Arms exhibition space in the Department of Typography & Graphic Communication \n 
URL:https://research.reading.ac.uk/centre-for-book-cultures-and-publishing/event/up-in-arms-posters-for-protest-solidarity-engagement-and-action/
LOCATION:Department of Typography & Graphic Communication\, University of Reading\, RG6 6BZ
ATTACH;FMTTYPE=image/png:https://research.reading.ac.uk/centre-for-book-cultures-and-publishing/wp-content/uploads/sites/138/2023/09/upinarms.png
ORGANIZER;CN="Sue%20Walker":MAILTO:s.f.walker@reading.ac.uk
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231105
DTSTAMP:20260512T091814
CREATED:20230804T161238Z
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UID:1847-1698969600-1699142399@research.reading.ac.uk
SUMMARY:Typodiversity 01: exploring the Arabic script world
DESCRIPTION:UPDATE: The full programme for the two day event on 3 & 4 November is available here. \nCBCP is collaborating with Typodiversity\, an open\, participatory event series combining talks and workshops on the intersection of research and practice in typography and type design. Our agenda raises issues of agency\, resource\, representation\, and inclusion in the development of environments for authoring\, design\, and distribution. We aim to place informed\, representative narratives at the heart of discourse. \nWe intend that each event adapts to the environment in which it is held\, shaped by the team and hosting location. There are two conditions for Typodiversity events: 1) that they are run with as little expenditure as possible\, taking advantage of institutional resources; and 2) that the recorded content of the talks and workshops will be openly and freely accessible. \nWe prioritise a hybrid online format to minimise the impact of travel and attendance costs\, visa hurdles\, legal limitations\, and time zone differences. While we recognise that English functions as a shared language for global scholarship and exchange\, we aim to actively support other languages as an alternative. To achieve this\, we ask presenters to provide a video of their presentation in advance\, so that subtitles can be added: English presentations will have subtitles in the relevant second language of the event\, and vice versa. We are starting this initiative with only one pair of languages to gain experience of time and effort required\, and aim to extend to more languages as we grow. To facilitate real-time Q&A sessions and open conversation rooms\, we aim to provide interpreters for real-time translation. \nThe first event will take place at the Department of Typography & Graphic Communication\, University of Reading (UK)\, on the 3rd & 4th November 2023\, on the theme of “exploring the Arabic script world.” Talks\, speakers and workshops will be announced shortly. Please follow us on Twitter and Instagram for updates and to stay connected. \nhttps://twitter.com/typodiversity \nhttps://www.instagram.com/typodiversity/
URL:https://research.reading.ac.uk/centre-for-book-cultures-and-publishing/event/typodiversity-01-exploring-the-arabic-script-world/
LOCATION:Department of Typography & Graphic Communication\, University of Reading\, RG6 6BZ
ATTACH;FMTTYPE=image/jpeg:https://research.reading.ac.uk/centre-for-book-cultures-and-publishing/wp-content/uploads/sites/138/2023/08/TD1_Image002-scaled.jpg
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DTSTART;TZID=Europe/London:20231130T170000
DTEND;TZID=Europe/London:20231130T180000
DTSTAMP:20260512T091814
CREATED:20230922T132300Z
LAST-MODIFIED:20231108T101549Z
UID:1964-1701363600-1701367200@research.reading.ac.uk
SUMMARY:Stickers as self-authorised ‘publishing’ in urban spaces: The graphic language\, themes\, and localisations of stickers in the Ruhr area\, Germany
DESCRIPTION:Speaker: Irmi Wachendorff (University of Reading)\n \nThis research seminar is free & open to all. \nJoin us in person in the University of Reading’s Department of Typography\, Room T4. \nTo join via MS Teams\, please register here.\n \nIrmi Wachendorff’s presentation will analyse a dataset of 5500 tagged and geo-referenced stickers in public space from the Signs of the Metropolis research project (Ziegler et al. 2022) which explored visual multilingualism in the Ruhr area in Germany. She will focus on typographic and semiotic visual analysis\, discuss stickers in comparison to other signs in urban space\, and examine the publicised themes. \nStickers are one of the smallest and yet – on looking closer – one of the most visually expressive and liberated forms of signs in urban space (Wachendorff 2021). Clustered on dedicated canvases such as lampposts\, road signs and electricity boxes\, they are placed by various stakeholders with different goals: supporters of political parties\, protest movements\, members of football clubs\, music fans\, sticker artists\, and commercial actors. Stickering is an act of democratisation and place-making in which citizens as authors negotiate their social and cultural positions through visual signs in the urban environment (Vasileva 2021). \n♣ \nIrmi Wachendorff is an Associate Professor in the Department of Typography and Graphic Communication at the University of Reading. She is a graphic designer and design historian with specialisations in typography and sociolinguistics. Her PhD focussed on ‘Typographic Landscapes – Letters in Cities as Social Artefacts’ at the University of Duisburg-Essen and was funded by the German Academic Scholarship Foundation. Irmi is passionate about design education\, the practice\, theory and history of graphic communication\, typography and visual culture\, lettering in urban space\, the relationship of typography and language\, and the bridge between graphic design and sociolinguistic disciplines.
URL:https://research.reading.ac.uk/centre-for-book-cultures-and-publishing/event/stickers-as-self-authorised-publishing-in-urban-spaces-the-graphic-language-themes-and-localisations-of-stickers-in-the-ruhr-area-germany/
LOCATION:Department of Typography & Graphic Communication\, University of Reading\, RG6 6BZ
ATTACH;FMTTYPE=image/png:https://research.reading.ac.uk/centre-for-book-cultures-and-publishing/wp-content/uploads/sites/138/2023/09/Irmi_image.png
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