{"id":869,"date":"2021-03-09T11:36:10","date_gmt":"2021-03-09T11:36:10","guid":{"rendered":"https:\/\/research.reading.ac.uk\/centre-for-book-cultures-and-publishing\/?p=869"},"modified":"2021-03-09T11:44:33","modified_gmt":"2021-03-09T11:44:33","slug":"international-womens-day-2021-and-ethel-carnie-holdsworth","status":"publish","type":"post","link":"https:\/\/research.reading.ac.uk\/centre-for-book-cultures-and-publishing\/international-womens-day-2021-and-ethel-carnie-holdsworth\/","title":{"rendered":"#International Women&#8217;s Day 2021 and Ethel Carnie Holdsworth"},"content":{"rendered":"<p><a href=\"https:\/\/www.reading.ac.uk\/english-literature\/aboutus\/Staff\/n-l-wilson.aspx\">by Nicola Wilson<\/a><\/p>\n<p>In 1914 in an article on her new creative writing group, Lancashire mill-woman Ethel Carnie Holdsworth wrote that \u201cwhat I feel is that literature up till now has been lopsided, dealing with life only from the standpoint of one class\u201d (&#8220;Rebel Pen Club of Working Women&#8221;, <em>Christian Science Monitor<\/em>, 10 Jan).<\/p>\n<p>Sadly, this sentiment is still common today. In 2017, writer Kit de Waal asked &#8216;<a href=\"https:\/\/www.bbc.co.uk\/programmes\/p05p2cp1\">Where are all the Working Class Writers\u2019?<\/a> leading to <a href=\"https:\/\/unbound.com\/books\/common-people\/\">Unbound&#8217;s <em>Common People: An Anthology of Working-Class Writers<\/em><\/a> (2019), a <a href=\"https:\/\/newwritingnorth.com\/common-people\/#:~:text=The%20Common%20People%20project%20was%20comprised%20of%20two,as%20they%20made%20their%20debut%20into%20the%20industry.\">professional development programme<\/a> run by England&#8217;s regional writing development agencies (supported by Arts Council England) and last year&#8217;s <a href=\"https:\/\/www.northumbria.ac.uk\/about-us\/news-events\/news\/common-people\/\"><em>Common People: Breaking the Class Ceiling in UK Publishing<\/em><\/a> report. Author Natasha Carthew, artistic director of this year\u2019s <a href=\"https:\/\/twitter.com\/ClassFestival\">Festival for Working-Class Writers<\/a> (21-24 October), asked a similar question in a piece for <em>T<a href=\"https:\/\/www.theguardian.com\/childrens-books-site\/2016\/apr\/12\/working-class-identity-childrens-books-natasha-carthew\">he Guardian<\/a><\/em> in 2016, addressing the lack of class diversity in children&#8217;s literature that she found growing up.<\/p>\n<p>\u201cLiterary history and the present are dark with silences\u201d, Tillie Olsen reminds us in her seminal work on the \u201cunnatural silences\u201d of literary history (1965; Virago, 1980). So where we do have models to sustain us, they deserve shouting about.<\/p>\n<p>I\u2019ve being asked to speak about Ethel Carnie Holdsworth at two events around International Women\u2019s Day this year: &#8216;Working-Class Women Write!&#8217;, a conference organised by Dr Sonya Andermahr and the University of Northampton, and last night\u2019s <a href=\"http:\/\/midpenninearts.org.uk\/projects\/pendle-radicals-events\/\">Mid Pennine Arts Pendle Radicals event<\/a> on Ethel Carnie Holdsworth. At both, it\u2019s exciting to see the new work coming out on working-class women\u2019s writing.<\/p>\n<p>At Working-Class Women Write! we heard from writers Jan Woolf, Paula Boulton and poet Fran Lock about their writing projects. And at MPA\u2019s event, writer Jules Gibb, and creatives Liz and Scott Robinson talked about writing and creating a series of <a href=\"http:\/\/midpenninearts.org.uk\/projects\/our-podcasts\/\">podcasts on Ethel Carnie Holdsworth\u2019s best-known novel, <em>This Slavery<\/em><\/a> (1925), part of a contribution to the <span class=\"mark9y63o1gsn\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">BBC<\/span>\u00a0<a title=\"Original URL: https:\/\/www.bbc.co.uk\/programmes\/articles\/494P41NCbVYHlY319VwGbxp\/explore-the-list-of-100-novels-that-shaped-our-world. Click or tap if you trust this link.\" href=\"https:\/\/eur03.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.bbc.co.uk%2Fprogrammes%2Farticles%2F494P41NCbVYHlY319VwGbxp%2Fexplore-the-list-of-100-novels-that-shaped-our-world&amp;data=04%7C01%7Cn.l.wilson%40reading.ac.uk%7C919b993ab545410a8c3008d88fc3ea27%7C4ffa3bc4ecfc48c09080f5e43ff90e5f%7C0%7C0%7C637417418891130955%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=8EHwKiOFLF7P2VUfAVLbbTVZeaFFie3rofTfMkmZDjk%3D&amp;reserved=0\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"Verified\"><span class=\"markw3s1fzosv\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Novels<\/span>\u00a0project<\/a>, supported by Lancashire Library Service and Libraries Connected.<\/p>\n<p>I\u2019ve been involved with getting the works of Ethel Carnie Holdsworth back into print since 2010. Her most radical novel, <em>This Slavery<\/em> (1925) was reprinted by <a href=\"https:\/\/onlinestore.ntu.ac.uk\/product-catalogue\/arts-humanities\/trent-editions\/trent-editions-ebooks\/this-slavery-2011-by-ethel-carnie-holdsworth-ebook\">Trent Editions in 2011<\/a> (the book was typeset and designed by students Callum Lewis and Rebecca Kirby from the Department of Typography, as part of the department&#8217;s Real Jobs scheme). I teach this novel on my part three module, &#8216;Class Matters&#8217;, and it&#8217;s always a hit with the students.<\/p>\n<p>Since then I&#8217;ve worked with the independent publisher Kennedy &amp; Boyd on an <a href=\"http:\/\/www.kennedyandboyd.co.uk\/ECHcatalogue.htm\">Ethel Carnie Holdsworth series<\/a>.<\/p>\n<p>We\u2019ve got four works back into print so far: Carnie Holdsworth\u2019s first novel, <em>Miss Nobody<\/em> (1913, 2013, introduced by Belinda Webb) \u2013 probably the first full-length novel published in England by a working-class woman writer; her bestseller, <em>Helen of Four Gates<\/em> (1917, 2016, introduced by Pamela Fox) \u2013 a Pendle Hill take on Emily Bronte\u2019s <em>Wuthering Heights;<\/em>\u00a0<em>General Belinda <\/em>(1924, 2019, introduced by Carnie Holdsworth&#8217;s biographer, Roger Smalley) \u2013 a picaresque novel of domestic service and critique of the fighting and conscription in WW1; and the most recent, <em>Collected Poems: Rhymes from the Factory, Songs of a Factory Girl and Voices of Womanhood<\/em><em>, <\/em>edited and introduced by Patricia E. Johnson.<\/p>\n<p>More are on their way, including <em>The Taming of Nan <\/em>(1920), and a volume of Carnie Holdsworth\u2019s short stories for children.<\/p>\n<p>This year we have received AHRC SWW DTP funding for a Collaborative Doctoral Award on Ethel Carnie Holdsworth &#8211; &#8216;Songs of a Factory Girl: Ethel Carnie Holdsworth and Radical Working-Class Writing&#8217;, co-supervised by me, Dr Simon Rennie (Exeter) and Nick Hunt from Mid Pennine Arts. We are looking forward to working with Jenny Harper, who brings a wealth of experience and commitment to this PhD project.<\/p>\n<p>There\u2019s still lots to be done in terms of uncovering Carnie Holdsworth\u2019s legacy and making clear her continued relevance. It\u2019s a privilege to be part of this.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Nicola Wilson In 1914 in an article on her new creative writing group, Lancashire mill-woman Ethel Carnie Holdsworth wrote that \u201cwhat I feel is that literature up till now&#8230;<a class=\"read-more\" href=\"&#104;&#116;&#116;&#112;&#115;&#58;&#47;&#47;&#114;&#101;&#115;&#101;&#97;&#114;&#99;&#104;&#46;&#114;&#101;&#97;&#100;&#105;&#110;&#103;&#46;&#97;&#99;&#46;&#117;&#107;&#47;&#99;&#101;&#110;&#116;&#114;&#101;&#45;&#102;&#111;&#114;&#45;&#98;&#111;&#111;&#107;&#45;&#99;&#117;&#108;&#116;&#117;&#114;&#101;&#115;&#45;&#97;&#110;&#100;&#45;&#112;&#117;&#98;&#108;&#105;&#115;&#104;&#105;&#110;&#103;&#47;&#105;&#110;&#116;&#101;&#114;&#110;&#97;&#116;&#105;&#111;&#110;&#97;&#108;&#45;&#119;&#111;&#109;&#101;&#110;&#115;&#45;&#100;&#97;&#121;&#45;&#50;&#48;&#50;&#49;&#45;&#97;&#110;&#100;&#45;&#101;&#116;&#104;&#101;&#108;&#45;&#99;&#97;&#114;&#110;&#105;&#101;&#45;&#104;&#111;&#108;&#100;&#115;&#119;&#111;&#114;&#116;&#104;&#47;\">Read More ><\/a><\/p>\n","protected":false},"author":323,"featured_media":871,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":""},"categories":[25],"tags":[],"coauthors":[13],"class_list":["post-869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>#International Women&#039;s Day 2021 and Ethel Carnie Holdsworth - Centre for Book Cultures and Publishing<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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