University of Reading Interdisciplinary Research Centre in Digital Humanities

[Workshop] Collections & Digitisation *UoR only*
2023-03-29 14:00 - 16:00 (Europe/London) | Museum of English Rural Life
Have you ever wondered about including an online exhibition, or other digital resource involving collections, in your research project? Do you want to find out more about what these involve?
We are pleased to invite you to a Collections and Digitisation workshop on Wednesday 29 March 2023, 2pm-4pm at the MERL, run jointly by UMASCS (University Museums, Archives, and Special Collections Services) and the Digital Humanities Hub.
The workshop will help you gain first-hand understanding of what is involved in the digitisation process directly from the staff that would support collections-based research, to inform the inclusion of digital resources in your project proposals.
Programme:

Introduction to digitisation, sustainability and preservation
Collections research themes
MERL Online Exhibition templates
Case Study – Modernist Archives Publishing Project
Current Digitisation Projects at UMASCS
Tour of the Digitisation Equipment

The aim is to help you consider what you want to or could digitise and why, who your audience is, what level of images you might need and how you might want them to interact with the rest of your resource, including text.
We will also discuss the pre-existing solutions available to you if you want to include an online exhibition mainly for purposes of external engagement. Linking this in with collections research themes, and using templates based on the MERL’s website, will integrate your project with other UoR work and guarantee your resource will remain sustainable, without risk of loss or the need for manual updates.
Unsure whether collections-based research is suited to your work? For more information and ideas, have a look at our Working with Collections guide.

Workshop details:
Date: Wednesday 29 March 2023
Time: 14:00-16:00
Where: MERL (Museum of English Rural Life), Redlands Road [for confirmation of exact venue please sign up]
Who: Academic, technical and project staff based in all H&C divisions
Capacity: 30

If you would like to attend, RSVP to Olivia Thompson, Digital Humanities Officer o.j.r.thompson@reading.ac.uk by 23 March 2023.
Please also get in touch if you have any questions about the workshop or if you cannot attend but would be interested in training or advice on these subjects.
This event is in-person only, but resources will be made available afterwards. If you are unable to attend this iteration of the workshop, it will be run again in the future.
Please note this workshop is for H&C staff, it is not for PhD students. If you have any interested supervisees, there will be a separate workshop on Digital Scholarship with Collections for graduate students: please get in touch with Dr Rhi Smith, Director of UMASCS Academic Learning and Engagement (r.smith@reading.ac.uk).

Digital Humanities and the Network Turn *UoR only*
2023-02-08 14:00 - 16:00 | EMG25
We are pleased to announce the third Digital Humanities discussion event on Wednesday 8 February 2023, focusing on Social Network Analysis.
Please note, this event is open only to University of Reading researchers and certain invited guests. If you are interested in any of the presentations, please contact Mara Oliva (m.oliva@reading.ac.uk).
The event will be taking place on campus, but there is a hybrid option in order to ensure ongoing accessibility for those especially vulnerable to Covid-19 as well as colleagues with caring responsibilities. If you would like to attend virtually, please get in touch to request the link for access.
If you are not already a member, you are welcome to join the Digital Humanities Community of Practice via our MS Teams channel. (This link will take you to the Teams channel. If you are not already a member, you will be presented with a dialogue box that says ‘Join’. Click this to send a request, which will be approved if you are a member of the University of Reading. If you are already a member of the Team, this link just takes you directly to the ‘General’ channel.)
Within the COP, you will be able to introduce yourself, share your research, and access information about funding opportunities, support, and events. Read more here.
Our events are open to all researchers, staff, and PGRs from any subject – we welcome interdisciplinary collaboration!
To attend the event (in person or via Teams), or if you have any other questions, please contact the DH Academic Champion, Mara Oliva (m.oliva@reading.ac.uk).

Programme: Digital Humanities and the Network Turn
Date and time: Wednesday 8 February 2023, 14:00-16:00, EMG25 and Hybrid
14.00 Welcome and Intro – Roberta Gilchrist and Mara Oliva
14.10 Keynote address: Professor Ruth Ahnert (QMUL and Turing Institute) – ‘The Network Turn: Changing Perspectives in the Humanities’
14.50 Break
15.00 Roundtable:

Dr Amy Richardson (University of Reading) – Social Network Analysis and the archaeology of Iraq: networks of materials and practice in pre- and proto-history
Dr Fiona Coward (Bournemouth University) – The Connected Past
Dr Valentina Vavassori (National Archives) – tbc

15.30 Q&A
15.55 What’s next (DH CoP and Hub – future events) & close

Abstract: Keynote Address – Professor Ruth Ahnert
The Network Turn: Changing Perspectives in the Humanities
We live in a networked world. Online social networking platforms and the World Wide Web have changed how society thinks about connectivity. Because of the technological nature of such networks, their study has predominantly taken place within the domains of computer science and related scientific fields. But arts and humanities scholars are increasingly using the same kinds of visual and quantitative analysis to shed light on aspects of culture and society hitherto concealed. This paper will argue that networks are a category of study that cuts across traditional academic barriers, uniting diverse disciplines through a shared understanding of complexity in our world. Moreover, we are at a moment in time when it is crucial that arts and humanities scholars join the critique of how large-scale network data and advanced network analysis are being harnessed for the purposes of power, surveillance, and commercial gain. To illustrate the potential of the frameworks and methods of network analysis, this paper will draw from the findings of two recent projects that I led, Tudor Networks of Power, and Networking Archives.

Speaker information
Professor Ruth Ahnert is Professor of Literary History and Digital Humanities at Queen Mary University of London. Her research background is in early modern history, with a particular interest in book history and epistolary culture. She completed her PhD at the University of Cambridge and has published a monograph, The Rise of Prison Literature in the Sixteenth Century (2013), and edited collection Re-forming the Psalms in Tudor England (2015). Since 2012 she has increasingly been interested in computational methods, and has worked on collaborative projects focusing on the application of quantitative network analysis to the study of early modern letters, with partners such as the Stanford Humanities Center and Folger Shakespeare Library. She is currently Principal Investigator on the large interdisciplinary project Living with Machines based at the British Library and Alan Turing Institute. She is joint series editor of the Stanford University Press’s Text Technologies series, which publishes books positioned at the intersection between book history and digital humanities.
Dr Amy Richardson is a Senior Research Fellow in Archaeology at the University of Reading. Her research focuses on the analysis of new and archival archaeological datasets to examine networks of people and materials in the Middle East, applying materials and network analysis to assemblages of clay and stone artefacts. Current projects include the ERC-funded MENTICA project on integrated community approaches to the Middle East Neolithic transition; the AHRC-funded Heritage and Eco-tourism for Sustainable Development in Iraqi Kurdistan which aims to create core digital and physical resources with local stakeholders to support sustainable tourism opportunities; and ‘GLUE: Glyptic Landscapes of early Urban Engagement, 3700-2800 BCE’, which combines pXRF analysis of clays with iconographic and functional analysis in order to shed light on the development of bureaucratic practices of early urban societies. She is also a University of Reading Open Research Champion.
Dr Fiona Coward is Associate Professor in Archaeological Sciences at Bournemouth University. Her work focuses on the evolution of human social life and cognition throughout the Palaeolithic but also throughout the shift from mobile foraging to more settled and agricultural lifeways in the early Holocene. She is interested in the progression from prehistoric small social groups to the global social networks of today, and employs a multidisciplinary approach, emphasising the interrelations between humanity’s physical and social environments, as well as a variety of techniques including network analysis, GIS and agent-based modelling. Dr Coward is co-Deputy Director of Bournemouth University’s Institute for Modelling Socio-Ecological Transitions, co-I on the SUNDASIA Project investigating human response to climate and environmental change in northern Vietnam, and a founding member of ‘The Connected Past‘ project, developing methodologies derived from network science for use with archaeological and historical datasets.
Dr Valentina Vavassori is a Digital Scholarship Researcher at the National Archives. She is interested in the development of User Interfaces for Linked Open Data, ontologies and data modelling. She completed her PhD, on ‘Digital Narratives in Physical Museums. Narrative Construction with Contextual Technologies’, at King’s College London, where she also worked on the project ‘Reframing Art: Opening up Art Dealers’ Archives to Multi-Disciplinary Research’ in collaboration with the National Gallery. Dr Vavassori has a background in Art History and worked as a museum educator and freelance curator in Italy and United Kingdom. Between 2014 and 2016 she was Content Manager and Co-Founder of the start-up PopApp Tour, specialised in Heritage Geolocation.

DH COP *UoR only* - Reflections: DH and our work
2022-11-09 14:00 - 16:00
Community of Practice
Please note, this event is a meeting of the Digital Humanities Community of Practice, which is open to University of Reading researchers only. If you are interested in any of the presentations, please contact the speakers directly (details included below).
This term’s meeting of the Digital Humanities Community of Practice will be taking place on Wednesday 9 October 2022, 14:00-16:00.
The COP is a space for colleagues with an interest in Digital Humanities to come together, share ideas and expertise, and discuss the challenges and opportunities presented by digital research and engagement with Digital Humanities as a discipline.
It is open to all researchers, staff, and PGRs from any subject – we welcome interdisciplinary collaboration!
The meeting will be on campus, but will have a hybrid option in order to ensure ongoing accessibility for those especially vulnerable to Covid-19.
You are welcome to join the Community of Practice via our MS Teams channel. (This link will take you to the Teams channel. If you are not already a member, you will be presented with a dialogue box that says ‘Join’. Click this to send a request, which will be approved if you are a member of the University of Reading. If you are already a member of the Team, this link just takes you directly to the ‘General’ channel.)
Within the COP, you will be able to introduce yourself, share your research, and have access to information about funding opportunities, support, and events. Read more here.
If you have any questions please contact the DH Academic Champion, Mara Oliva (m.oliva@reading.ac.uk).

Programme
Date and time: Wednesday 9 November 2022, ROOM TBC and hybrid, 14:00-16:00
DH CoP: REFLECTIONS ON DH AS A DISCIPLINE EVENT AND OXFORD SUMMER SCHOOL
14.00 – Welcome – tea and coffee
14.05 to 14.15 – Introduction and reflection on ‘Digital Humanities as a Discipline’ event – Mara Oliva (DH Champion)
Presentations from Colleagues who attended the Digital Humanities at Oxford Summer School
14.15 to 14.50 – “DH and my Research”

Dr Jumbly Grindrod (Philosophy)
Dr Rachel Foxley (History)
Professor Teresa Murjas (Film Studies)
Dr Marjorie Geherhardt (Languages)

Q&A
14.50 – break
15.00 to 15.50 – “DH and my Job”

Dr Rachel Lewis (Research Development Manager, Heritage & Creativity)
Olivia Thompson (Digital Humanities Officer)
Guy Baxter (Associate Director – Archives Services, University Museum and Special Collections)
Fiona Melhuish (UMASCS Librarian)
Sharon Maxwell (Archivist, University Museum and Special Collections)

Q&A and Discussion
15.50 to 16.00 – what’s next? And closing- MO

Digital Humanities as a Discipline *UoR only*
2022-10-26 14:00 - 16:00 | EMG25
We are pleased to announce the Digital Humanities Hub’s second discussion event on Wednesday 26 October 2022.
Please note, this event is open to University of Reading researchers only. If you are interested in any of the presentations, please contact Mara Oliva (m.oliva@reading.ac.uk).
The event will be taking place on campus, but there is a hybrid option in order to ensure ongoing accessibility for those especially vulnerable to Covid-19. It is open to all researchers, staff, and PGRs from any subject – we welcome interdisciplinary collaboration!
If you are not already a member, you are welcome to join the Digital Humanities Community of Practice via our MS Teams channel. (This link will take you to the Teams channel. If you are not already a member, you will be presented with a dialogue box that says ‘Join’. Click this to send a request, which will be approved if you are a member of the University of Reading. If you are already a member of the Team, this link just takes you directly to the ‘General’ channel.)
Within the COP, you will be able to introduce yourself, share your research, and access information about funding opportunities, support, and events. Read more here.
To attend the event (in person or via Teams), or if you have any other questions, please contact the DH Academic Champion, Mara Oliva (m.oliva@reading.ac.uk).

Programme: Digital Humanities as a Discipline
Date and time: Wednesday 26 October 2022, 14:00-16:00, EMG25 and Hybrid
14.00 Welcome and Intro – DH Champion – (tea and coffee)
14.10 Keynote address: Professor Federica Frabetti – University of Roehampton
14.50 Break
15.00 Roundtable:

Dr Eugene McSorley (Associate Professor of Experimental Psychology
Head of the Active Vision Lab  |  Director of the Behavioural and Experimental Social Sciences Lab)
Dr Dominic Lees (Associate Professor of Filmmaking, AI research group)
Dr Mara Oliva (Associate Professor in US History, DH Champion, Digital Humanities Quarterly Editor)

15.30 Q&A
15.55 What’s next (DH CoP and Hub – future events) & close

Abstract: Keynote Address (Federica Fabretti)
In this talk I interrogate the position of Digital Humanities in the contemporary university, particularly (but not exclusively) in British academia. I open up the question of what the role of Digital Humanities might be in this conjuncture, which sees the arts and humanities often marginalised by academia. At the same time, though, the contemporary world presents a number of wider social, political and technological challenges that the arts and humanities may be well equipped to address.

I draw on my recent work on the importance of feminist theories of performativity (particularly Karen Barad’s and Judith Butler’s) to unpack the functioning of Artificial Intelligence, Machine Learning and data-driven methods and policies, as well as the injustices and inequalities they generate.

I invite the Digital Humanities to enter in a critical dialogue with contemporary technology by taking into account at least two aspects. Firstly, technology has always been central to the constitution of what we call “the human”. Secondly, Digital Humanities can itself be a generator of social and political inequalities or, conversely, an important tool for redressing such inequalities.

I conclude by considering the role of feminist performativity in rethinking what it means to perform Digital Humanities responsibly today.

Speaker information
Professor Federica Frabetti is a Principal Lecturer in Digital Media and Head of Partnerships at the University of Roehampton. Her research interests are digital media, software studies, cultural studies, theory, the social and cultural study of technology, digital humanities, and gender and queer studies. Professor Fabretti has decades of experience in both the academic and industrial sectors, having taught for more than 10 years at various UK universities, and prior to pursuing an academic career, working for 15 years in the IT and telecommunication industry in Italy. In 2011 she edited the special issue of the academic journal Culture Machine, “The Digital Humanities Beyond Computing”. She is the author of Software Theory (Rowman and Littlefield, 2015).
Dr Eugene McSorley is a Senior Lecturer in Experimental Psychology at the University of Reading, as well as the Director of Postgraduate Studies for the School of Psychology and Clinical Language Sciences. He is interested in visual target selection and what that tells us about how we process and experience the world. His current projects involve basic eye movement selection and the underlying processes supporting that, decision making, aesthetics and emotional processing, and the Psychology of Art (neuroaesthetics, emprirical aesthetics).
Dr Dominic Lees is Associate Professor of Filmmaking at the University of Reading. His main interests are in aesthetics and style in television drama and film. More recently he has begun research on deepfakes – the digital replacement of actors’ faces in film using Artificial Intelligence, examining the ethical and legal questions arising from using deepfakes as well as their impact on performers and audiences, and the transformative impact of new technologies on the creative process generally. He leads the Deepfakes Research Network, which brings together international scholars, industry professionals and government bodies to consider the future of this technology. His research is rooted in professional practice: his work as a director includes 40 episode of mainstream UK drama series and the award-winning feature Outlanders (2008). He is co-author of Seeing it on Television (Bloomsbury, 2021).
Dr Mara Oliva is Associate Professor in History and Lecturer in Modern American History at the University of Reading. Her research concerns the political history of the US in the 20th century, with particular focus on the interface between domestic and foreign policy. As Digital Humanities Academic Champion, Mara promotes the integration of approaches from the discipline within research practice at the University, and leads the events programme and Community of Practice. She is the author of Eisenhower and Public Opinion on China and co-editor of The Trump Presidency: From Campaign Trail to World Stage (both Palgrave Macmillan, 2018), and the editor of Digital Humanities Quarterly.

DH COP *UoR only* - Virtual Ancient Rome
2022-05-31 11:30 - 13:00
Community of Practice
Please note, this event is a meeting of the Digital Humanities Community of Practice, which is open to University of Reading researchers only. If you are interested in any of the presentations, please contact the speakers directly (details included below).
The COP is a space for colleagues with an interest in Digital Humanities to come together, share ideas and expertise, and discuss the challenges and opportunities presented by digital research and engagement with Digital Humanities as a discipline.
It is open to all researchers, staff, and PGRs from any subject – we welcome interdisciplinary collaboration!
Within the COP, you will be able to introduce yourself, share your research, and have access to information about funding opportunities, support, and events. Read more here.

Meeting details
This term’s meeting of the Digital Humanities Community of Practice will be taking place online, on Tuesday 31 May (11:30-13:00).
The meeting will include a presentation by Matthew Nicholls (Senior Tutor at St John’s College, Oxford and Visiting Professor, UoR Classics) on his 3D model of Ancient Rome. An abstract of the presentation is below.
The meeting will be taking place online in order to ensure ongoing accessibility for those especially vulnerable to Covid-19. From the autumn term, we hope to hold a mixture of online and hybrid events so that colleagues can network in person. The invite for this meeting, which you can add to your calendar, will be posted in the Teams channel.
You are welcome to join the Community of Practice via our MS Teams channel. (This link will take you to the Teams channel. If you are not already a member, you will be presented with a dialogue box that says ‘Join’. Click this to send a request, which will be approved if you are a member of the University of Reading. If you are already a member of the Team, this link just takes you directly to the ‘General’ channel.)
If you have any questions please contact the DH Academic Champion, Mara Oliva (m.oliva@reading.ac.uk).

Programme
Date and time: 31 May 2022, 11:30-13:00 – MS Teams
11:30-11:40: Welcome and DH Hub news – Mara Oliva (Academic Champion)
11:40-11:45: Introduction to 3D visualisations
11:45-12:30: Presentation: 3D model of Ancient Rome – Matthew Nicholls
12:35-12:55: Q&A
12:55-13:00: Next COP and Close

Abstract: ‘3D model of Ancient Rome’
Matthew Nicholls’ large scale 3D model of ancient Rome will be familiar to some Reading colleagues, not least those who have cause to walk down the Classics corridor in the Morley Building. This project grew initially out of research on ancient Roman buildings, and developed as a teaching innovation. Its ongoing uses include a public-facing online course (MOOC) which has now been taken by over 62,000 people and has generated significant revenue and course applications at Reading; there are also research uses and ‘impactful’ licensing to television documentaries, software firms, games studios, and others. The model itself and a Part 3 module deriving from it won a Guardian/HEA teaching innovation award, and were the basis of a successful application for a National Teaching Fellowship and two REF impact case studies. It was largely created in free or low-cost consumer software, without specialist training.
This talk will look at the creation of the digital model: the software and processes used to create it, the challenges and benefits of 3D visualisation of the ancient past, and some of its uses and applications.
Reading materials

Virtual Rome website
Book chapter: Nicholls, M. (2019), ‘Sketchup and digital modelling for Classics’, in B. Natoli and S. Hunt (eds.) Teaching Classics with Technology, Bloomsbury, London, pp. 131-144. [Available via the University of Reading’s repository, CentAUR]
Article: Nicholls, M. (2016), ‘Digital visualisation in Classics teaching and beyond’, Journal of Classics Teaching 17 (33), pp. 27-30. [Available via the University of Reading’s repository, CentAUR]

If you are not a member of UoR and are interested in this presentation, please contact Matthew Nicholls.

Digital Humanities: Challenges & Opportunities *UoR only*
2022-04-28 14:30 - 16:00
Our first discussion event to celebrate the launch of the Digital Humanities Hub will be taking place on Thursday 28th April, 2:30-4pm.
Come along if you would like to:

Learn about what Digital Humanities is and what it can do for your research
Be inspired to do something new, or to seek out new collaborators, or to consider your previous or current work as Digital Humanities
Be introduced to the debate on best practice for digital research, and why it’s important to your discipline even if you do not currently use digital tools yourself

To attend, click the Teams link here. This event is open to UoR members only.

Programme
14:30-16:00, MS Teams
14:30-14:45 Introduction: Digital Humanities work at UoR
14:45-15:15 Keynote – Pip Willcox
15:20-15:50 Panel discussion on the challenges and opportunities presented by digital research in arts & humanities disciplines, featuring a variety of perspectives from UoR colleagues:

Pete Bray – Research Fellow in Material Science, Department of Archaeology
Jenny Chamarette (Twitter) – Senior Research Fellow in Art and Co-I, ‘The Legacies of Stephen Dwoskin’s Personal Cinema’
Rhi Smith (Museums Studies Twitter) – Director of Academic Learning & Engagement, UMASCS (University Museums, Archives & Special Collections Services) and Director of Museums Studies courses
Nicola Wilson (Twitter) – Associate Professor of Book Cultures & Publishing and PI, ‘Modernist Archives Publishing Project’

All researchers, staff and PGRs from all subjects are most welcome.

About the Digital Humanities Hub
The Digital Humanities Hub supports researchers to enhance the quality and innovation of their research through engagement with digital tools and methodologies.
We can help you to find out how you might be able to apply digital approaches to areas of your research, build knowledge, skills and community, access training and networks, organise workshops or presentations on digital themes relating to your department or research project, develop research proposals and applications, undertake a research project and secure its legacy.
Browse our online portal to learn more about digital humanities, the support and resources available, and how to contact the team.
Consider also joining our Community of Practice, a friendly space for researchers to collaborate, share ideas and skills, and discuss the challenges and opportunities presented by Digital Humanities as a field.
If you have any questions, please contact the Hub team on digitalhumanities@reading.ac.uk

DH COP *UoR only* - The Legacies of Stephen Dwoskin's Personal Cinema
2022-02-23 11:30 - 13:00
Community of Practice
Please note, this event is a meeting of the Digital Humanities Community of Practice, which is open to University of Reading researchers only. If you are interested in any of the presentations, please contact the speakers directly (details included below).
The COP is a space for colleagues with an interest in Digital Humanities to come together, share ideas and expertise, and discuss the challenges and opportunities presented by digital research and engagement with Digital Humanities as a discipline.
It is open to all researchers, staff, and PGRs from any subject – we welcome interdisciplinary collaboration!
Within the COP, you will be able to introduce yourself, share your research, and have access to information about funding opportunities, support, and events. Read more here.

Meeting details
This term’s meeting of the Digital Humanities Community of Practice will be taking place online, on Wednesday 23 February (11:30-13:00).
You are welcome to join the Community of Practice via our MS Teams channel. (This link will take you to the Teams channel. If you are not already a member, you will be presented with a dialogue box that says ‘Join’. Click this to send a request, which will be approved if you are a member of the University of Reading. If you are already a member of the Team, this link just takes you directly to the ‘General’ channel.)
The first meeting will include an introduction by the Digital Humanities Academic Champion, Mara Oliva, followed by a presentation by Rachel Garfield, PI of the project ‘The Legacies of Stephen Dwoskin’s Personal Cinema’, along with Co-Is Yunhyong Kim (University of Glasgow) and Frank Hopfgartner (University of Sheffield). An abstract of the presentation is below.
Owing to the ongoing pandemic, this first meeting will take place online. The meeting invite, for you to add to your calendar, will be posted in the Teams channel.
If you have any questions please do join the MS Teams channel or contact Mara Oliva (m.oliva@reading.ac.uk).

Programme
Date and time: 23 February 2022, 11:30-13:00 – MS Teams
11:30-11:45: Welcome and overview of DH Project and Academic Community strand
11:45-12:30: Presentation: ‘The Legacy of Stephen Dwoskin’s Personal Cinema’
12:30-12:35: Comfort break
12:35-12:55: Q&A
12:55-13:00: Next COP and Close

Abstract: ‘The Legacy of Stephen Dwoskin’s Personal Cinema’
This presentation discusses the unique contributions of the AHRC-funded project ‘The Legacy of Stephen Dwoskin’s Personal Cinema’. It will highlight how the project is discovering novel uses of digital forensics, data exploration and visual analysis to advance archival and creative practice, and humanities research, as well as research data management. The presentation will be delivered by the PI, Rachel Garfield, and two Co-Is, Dr Yunhyong Kim (university of Glasgow) and Dr Frank Hopfgartner (University of Sheffield).
Dr Kim will discuss:

Data exploration approaches to reveal clues about the artist’s personal/professional history, stages of creative processes, and technical environment;
The benefits of visualising the file directory structure and timeline, as a supplementary tool for archival processes in description and arrangement;
A survey on email visualisation research to address the conflict between privacy and access, as well as privacy conscious data management and its impact for humanities research.

Dr Hopfgartner will discuss:

Our research into visualising Dwoskin’s work using movie barcodes and audio spectrograms;
Our approaches to analysing the use of sound in Dwoskin’s films;
A brief outline of results of an analysis of Dwoskin’s use of video shots.

Reading materials

Dwoskin project website
LUX blog archive (with posts on the Dwoskin project)
Book: Garfield, R. and Miller, H. K. (eds.) (2022), Dwoskino. LUX/University of Reading.
Article: Bartliff, Z., Kim, Y., Hopfgartner, F. and Baxter, G. (2020), ‘Leveraging digital forensics and data exploration to understand the creative work of a filmmaker: a case study of Stephen Dwoskin’s digital archive’, Information Processing & Management 57 (6). [Available via the University of Reading’s repository, CentAUR]
Article: Bartliff, Z., Kim, Y. and Baxter, G. (2020), ‘Visualisation of hard drive content to support archival processes for personal digital archives’. In: 83rd Annual Meeting of the Association for Information Science and Technology (ASIS&T 2020), 22 Oct – 01 Nov 2020. [Available via the University of Reading’s repository, CentAUR]

If you are not a member of UoR and are interested in this presentation, please contact Professor Rachel Garfield.
