{"id":770,"date":"2023-05-23T17:14:47","date_gmt":"2023-05-23T16:14:47","guid":{"rendered":"https:\/\/research.reading.ac.uk\/digitalhumanities\/?p=770"},"modified":"2023-05-23T17:14:47","modified_gmt":"2023-05-23T16:14:47","slug":"10-years-in-reflections-on-building-the-modernist-archives-publishing-project-mapp","status":"publish","type":"post","link":"https:\/\/research.reading.ac.uk\/digitalhumanities\/10-years-in-reflections-on-building-the-modernist-archives-publishing-project-mapp\/","title":{"rendered":"10 years in: Reflections on building the Modernist Archives Publishing Project (MAPP)"},"content":{"rendered":"

By Nicola Wilson<\/strong><\/a><\/p>\n

 <\/p>\n

\"\"<\/p>\n

This year, MAPP<\/a> marks its tenth anniversary.<\/p>\n

By improving access to publishers\u2019 archives, MAPP<\/em> aims to put publishers back into the teaching and research of modernism. Its been the first DH project to try and reanimate book production by linking archival objects to the people involved in making the books. Now a decade in, we\u2019ve reached some important milestones, and have lots of activity going on.<\/p>\n

Next month, MAPP\u2019s digital archivist \u2013 Helena Clarkson, based in UoR\u2019s Special Collections \u2013 will find out if we\u2019ve won the \u2018Openness in Research\u2019 category in the internal Research and Engagement<\/a> awards for work she\u2019s been doing with public volunteers<\/a> to transcribe digitised correspondence in MAPP\u2019s online collection. We have always worked collaboratively with different groups in building MAPP <\/em>\u2013 including students, archivists, and librarians primarily \u2013 but the opportunity to work with public volunteers over this last year and get them working with research materials to \u2018co-create\u2019 the site has been really exciting for us as a research team.<\/p>\n

One of our Graduate Research Assistants from the University of Oregon is currently in New York working with the Berg Library curator on scoping parts of their collections to include in the site. Another is working with colleagues at the Harry Ransom Center at the University of Texas in Austin to add digitised images from the correspondence of Jenny Bradley<\/a> (an important literary agent) that we\u2019ve finally achieved permissions for from a copyright holder in France\u2026 Meanwhile, I\u2019m exploring Follow-on Funding (our AHRC grant will finish next February), as other project directors are busy training new Undergraduate Research Assistants for summer projects with the team; experimenting with feminist data visualisations; depositing csv files in institutional data repositories and integrating our metadata with our library partners\u2019 catalogues; proofing born-digital biographies to prepare for integration into ModsNets<\/a> (our academic field\u2019s data aggregator). Another project director is planning next year\u2019s international conference in Edmonton, Canada. We hope to launch our new co-edited book, The Edinburgh Companion to Women in Publishing, 1900-2000<\/em> (EUP, 2024) at this too.<\/p>\n

MAPP is always fun, rewarding, and challenging. But it\u2019s also a lot. And a lot of the work that goes on behind-the-scenes to build and sustain an international, collaborative DH project like this still often isn\u2019t recognised.<\/p>\n

We like to talk about work and process on MAPP<\/em>. Last year we collaborated on an open access article for Archival Science<\/em>, \u2018Digital Critical Archives, Copyright, and Feminist Praxis<\/a>\u2019, which explored links between research and methods: how building the site now \u2013 working in collaboration with archivists and international library partners, the challenges of complying with copyright and chasing estate clearance for unpublished archival documents \u2013 has helped us reflect on the contents of our site, and particularly the unrecognised labour of a whole host of women press workers, previously not named (and therefore, not discoverable) in the paper archive.<\/p>\n

Laura Mandell<\/a> and others working in feminist DH and bibliography have long argued that feminist digital projects must perform structural work in advancing a feminist intervention at both systemic and conceptual levels. I\u2019ve always been inspired by Jacqueline Wernimont<\/a>\u2019s writing and we\u2019ve seen MAPP <\/em>as part of a broader shift in the contemporary landscape of book history, archival studies, library and information science, and critical digital humanities that foregrounds gender, labour and affect, as in Wermimont and Losh\u2019s co-edited Bodies of Information<\/em><\/a> (2018) and D\u2019Ignazio and Klein\u2019s Data Feminism<\/em>\u00a0<\/a>(2020).<\/p>\n

For us on\u00a0MAPP<\/em>, recognising the previously unknown labour of female publishing staff is an essential component of our scholarly intervention, and we\u2019ve developed expanded metadata fields to capture the group of (almost entirely women) typists and secretaries who remain unacknowledged in the historical record. Similarly, making visible and legible the labour involved in clearing copyright in the creation of digital archives today highlights the often under-recognised labour of archivists in preparing historical materials for digital presentation (we have employed a full-time member of staff to manage copyright and permissions workflows). In this way, we\u2019ve tried to show how our data model and scholarly foundations reflects our own investment in critical feminist praxis.<\/p>\n

It might seem odd that we\u2019ve focussed on writing while building MAPP<\/em> (in early DH debates this used to be framed yacking while hacking). But for us the collaborative writing and thinking has helped sustain relationships and invest in our creativity. Initially we saw the writing as part of our efforts towards sustainability, and even where co-authored publications are less valuable for systems like the REF, I get so much out of thinking together that I wouldn\u2019t give up this way of working. Even in the last five years, we\u2019ve come a long way since we wrote a collaborative book: Scholarly Adventures in Digital Humanities: Building the Modernist Archives Publishing Project<\/em><\/a> (2017).<\/p>\n

If we had our time again, I might do things differently. Its striking how many research projects now work towards sharing metadata<\/a> or communicating the research in other ways rather than trying to create or provide a \u2018new\u2019 archive of digitised research materials. This is the advice I give to ECRs and postdocs now: if you are dealing with complex archival material \u2013 C20 or later, still in copyright, or unpublished (copyright remains in unpublished documents far longer than for published records) consider why and what you want to share or make available, and will you need more people onboard to realistically achieve those goals? If not, there\u2019s lots of other things you can do research-wise<\/a>, or with other tools. On MAPP<\/em>, we\u2019ve only been able to get so far as we have done thanks to continued institutional support and investment from different funding agencies (especially the Canadian SSHRC and now the AHRC), that has helped sustain and support a big team.<\/p>\n

MAPP <\/em>is now in its second frontend iteration, following a major revamp and work with a UX team last year. Let\u2019s see where the next decade brings us!<\/p>\n

The Modernist Archives Publishing Project is funded by an AHRC New Directions for Digital Scholarship in Cultural Institutions Grants (2021-4) (following a UoR REFT project award 2019-21) and a Canadian SSHRC Grant (2020-25). For a full list of sponsors and library partners see our <\/strong>Funders and Partners<\/strong><\/a>. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

By Nicola Wilson   This year, MAPP marks its tenth anniversary. 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