{"id":222,"date":"2024-07-26T12:37:36","date_gmt":"2024-07-26T11:37:36","guid":{"rendered":"https:\/\/research.reading.ac.uk\/evaristo-symposium-2025\/?page_id=222"},"modified":"2025-10-27T15:45:40","modified_gmt":"2025-10-27T15:45:40","slug":"symposium-programme","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/evaristo-symposium-2025\/symposium-programme\/","title":{"rendered":"Symposium"},"content":{"rendered":"<p>[vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h3 style=\"font-weight: 400\"><strong>Thursday 6 November 2025 \u22c5 9am-5:30pm \u22c5 Whiteknights Campus <\/strong><strong>\u22c5 Edith Morley building rooms G44 and G27<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p>WELCOME<\/p>\n<p>Nicola Abram, University of Reading<\/p>\n<p>Gail Marshall, University of Reading (Assistant Pro Vice Chancellor for Research &#8211; Heritage and Creativity)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\">PANEL 1: KINSHIP, COMMUNITY, CONTINUITY<\/p>\n<p>Chair: Rebecca Roach, University of Birmingham<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>\u201cPart of a continuum\u201d: Generations and Continuity in Bernardine Evaristo\u2019s Fiction<\/strong><\/p>\n<p style=\"font-weight: 400\">Fiona Tolan, Liverpool John Moores University<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Ecologies of Vulnerability: Rethinking Resistance and Community in Bernardine Evaristo\u2019s <em>Girl, Woman, Other<\/em><\/strong><\/p>\n<div><span lang=\"EN\">Teresa Garc\u00eda Salcedo<\/span>, University of C\u00f3rdoba<\/div>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Immaterial Sites and Elective Kinship: (Trans)forming Digital Space in <em>Girl, Woman, Other<\/em><\/strong><\/p>\n<p style=\"font-weight: 400\">Rolake Osabia<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Literary Activism, Circuits of Value and <em>Girl, Woman, Other<\/em>: Black Women\u2019s Voices in Literary Spaces<\/strong><\/p>\n<p style=\"font-weight: 400\">Kate Wallis, University of Exeter<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\">KEYNOTE:<\/p>\n<p style=\"font-weight: 400\"><strong>Cartographies of Affect: Bernardine Evaristo\u2019s London Fictions<\/strong><\/p>\n<p style=\"font-weight: 400\">Suzanne Scafe<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\">PANEL 2: &#8216;RE-IMAGINING&#8217;<\/p>\n<p>Chair: Elisabeth Bekers, Vrije Universiteit Brussel<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Atypical Tourism: Talking Ghosts, Transcendental Memories and Historical Recovery in Bernardine Evaristo\u2019s <em>Soul Tourists<\/em><\/strong><\/p>\n<p style=\"font-weight: 400\">Ibrahim Williams, University of Mississippi<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Satire and Rascality in Bernardine Evaristo\u2019s <em>Blonde Roots<\/em><\/strong><\/p>\n<p style=\"font-weight: 400\">Arwa F. Al-Mubaddel, Cardiff University \/ King Saud University<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Bernardine Evaristo: A Short Story Writer?<\/strong><\/p>\n<p style=\"font-weight: 400\"><span class=\"mark3i9nyv568\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">Ana<\/span> Garc\u00eda-Soriano, University of Leeds<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\">PANEL 3: &#8216;LIFE AND\/AS WORK&#8217;<\/p>\n<p>Chair: Shelley Harris, University of Reading<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Bernardine Evaristo: A Snapshot of Life in Pictures and Words<\/strong><\/p>\n<p style=\"font-weight: 400\">Tracey Walters, Stony Brook University<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>The Mother of All Theatres \u2013 a creative critical response to Bernardine Evaristo\u2019s <em>Girl, Woman, Other<\/em>\u00a0<\/strong><\/p>\n<p style=\"font-weight: 400\">Helen Williams, Brunel University of London<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Ten Lessons from Bernardine Evaristo on Writing, Craft, and Creative Generosity<\/strong><\/p>\n<p style=\"font-weight: 400\">Mariana Felix, Brunel University of London<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The full Programme will be made available from Summer 2025. <\/p>\n","protected":false},"author":966,"featured_media":320,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":""},"coauthors":[17],"class_list":["post-222","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - 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