{"id":1101,"date":"2018-02-13T17:18:09","date_gmt":"2018-02-13T17:18:09","guid":{"rendered":"https:\/\/research.reading.ac.uk\/intermidia\/?page_id=1101"},"modified":"2021-09-15T15:25:18","modified_gmt":"2021-09-15T14:25:18","slug":"passages","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/intermidia\/passages\/","title":{"rendered":"Passages"},"content":{"rendered":"<p>&nbsp;<\/p>\n<table style=\"width: 100%; border-collapse: collapse; border-style: none; height: 66px;\">\n<tbody>\n<tr style=\"height: 44px;\">\n<td style=\"width: 75%; border-style: none; height: 44px;\"><strong><em>Passages, <\/em><\/strong><strong>an essay film written and directed by L\u00facia Nagib and Samuel Paiva<br \/>\n<\/strong>Release date: Spring 2019<\/td>\n<td style=\"width: 25%; vertical-align: top; border-style: none; text-align: right; height: 44px;\"><aside id=\"sow-button-3\" style=\"display:block;\" class=\"widget widget_sow-button amr_widget\"><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-atom-fa0916ecc19e\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-center\">\n\t<a\n\thref=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Passages-Pressbook.pdf\"\n\t\tclass=\"ow-icon-placement-left ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-ionicons\" data-sow-icon=\"&#xf3e7;\"\n\t\tstyle=\"color: #dd3333\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tPressbook\t\t<\/span>\n\t<\/a>\n<\/div>\n<\/div><\/aside><aside id=\"sow-button-4\" style=\"display:block;\" class=\"widget widget_sow-button amr_widget\"><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-atom-fa0916ecc19e\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-center\">\n\t<a\n\thref=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/B25290-Passages-Poster-A3-JM-v4-reduced-size.pdf\"\n\t\tclass=\"ow-icon-placement-left ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-ionicons\" data-sow-icon=\"&#xf42a;\"\n\t\tstyle=\"color: #dd3333\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tPoster\t\t<\/span>\n\t<\/a>\n<\/div>\n<\/div><\/aside><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"border-collapse: collapse; width: 100%; height: 657px;\">\n<tbody>\n<tr style=\"height: 32px;\">\n<td style=\"width: 50%; height: 32px;\"><strong><span style=\"font-size: 14pt;\">Film trailer<\/span><\/strong><\/td>\n<td style=\"width: 50%; height: 32px;\"><strong><span style=\"font-size: 14pt;\">Promotional video<\/span><\/strong><\/td>\n<\/tr>\n<tr style=\"height: 477px;\">\n<td style=\"width: 50%; height: 477px;\"><iframe loading=\"lazy\" title=\"PASSAGES - a film by L\u00facia Nagib and Samuel Paiva - trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/QGVAYRlcBNA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/td>\n<td style=\"width: 50%; height: 477px;\"><iframe loading=\"lazy\" title=\"Passages - Promotional Video - Essay film written and directed by L\u00facia Nagib and Samuel Paiva\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/sNta4Ky1JYY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 32px;\"><span style=\"font-size: 14pt;\"><strong>Impact Film Interviewees<\/strong><\/span><\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 32px;\"><span style=\"font-size: 14pt;\"><strong>Passages Impact Film Mostra<\/strong><\/span><\/td>\n<\/tr>\n<tr style=\"height: 300px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 300px;\"><iframe loading=\"lazy\" title=\"Impact Film Interviewees Final\" src=\"https:\/\/player.vimeo.com\/video\/384314406?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 22px;\"><iframe loading=\"lazy\" title=\"Passages Impact Film Mostra\" src=\"https:\/\/player.vimeo.com\/video\/384316905?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%; text-align: left; vertical-align: top;\">This film contains testimonials of film professionals interviewed in the film Passages. They are: Fernando Meirelles, L\u00edrio Ferreira, Jo\u00e3o Vieira Jr., Adelina Pontual, Paulo Caldas, V\u00e2nia Debs, Tata Amaral, Beto Brant, Marcelo Gomes, Ana Farache, Renata Pinheiro<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top;\">Testimonials collected after the screening of Passages at the 43rd S\u00e3o Paulo International Film Festival, 25 October 2019, Espa\u00e7o Ita\u00fa de Cinema Augusta<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<div class=\"n2-code n2-ss-slider-shortcode-id\">\n<div class=\"n2-code n2-ss-slider-shortcode-id\">The relationship between cinema and the real is probably the most central and complex issue in film studies. <strong><em>Passages<\/em><\/strong> attempts to address this issue by looking at a selection of films in which intermedial devices, that is, the utilisation within film of artforms such as painting, theatre, music, photography and others, appear to function as a \u2018passage\u2019 to political and social reality. In preparation for the film, we have interviewed <strong>15 key Brazilian filmmakers, technicians and curators,<\/strong> all of whom are prominent figures of what became known as the Retomada do Cinema Brasileiro, or the <strong>Brazilian Film Revival<\/strong>, of the 1990s, which brought back to the agenda the question of national identity and Brazil\u2019s lingering social issues. The flourishing and diversification of independent filmmaking from that period onwards favoured not only a new approach to reality, but an emboldened use of the film medium that acknowledged and exposed its inextricable connections with other art and medial forms. The <em>Passages <\/em>project proposes that the intermedial method is thus strategically poised to shed a new light on the ways in which these films not only represented but interfered with and transformed the world around them. The chosen case studies hail from <strong>Pernambuco<\/strong>, in the northeast of Brazil, and from <strong>S\u00e3o Paulo<\/strong>, in the southeast, whose filmmakers, though stemming from disparate regional cultures, have been in a close artistic dialogue since the Brazilian Film Revival, demonstrating their shared values at a certain historical juncture and interconnectedness across Brazilian geography.<\/div>\n<\/div>\n<p>The interviewees are, in alphabetical order by surname:<\/p>\n<table style=\"width: 100%; border-collapse: collapse; border-style: none;\">\n<tbody>\n<tr>\n<td style=\"width: 75%; border-style: none;\">\n<ul>\n<li><strong>Tata Amaral \u2013 Film director<\/strong><\/li>\n<li><strong>Cl\u00e1udio Assis \u2013 Film director<\/strong><\/li>\n<li><strong>Beto Brant \u2013 Film director, producer<\/strong><\/li>\n<li><strong>Paulo Caldas \u2013 Film director<\/strong><\/li>\n<li><strong>V\u00e2nia Debs \u2013 Film editor<\/strong><\/li>\n<li><strong>DJ Dolores\/Helder Arag\u00e3o \u2013 Music composer, film director<\/strong><\/li>\n<li><strong>Ana Farache \u2013 Film curator<\/strong><\/li>\n<li><strong>L\u00edrio Ferreira \u2013 Film director<\/strong><\/li>\n<li><strong>Marcelo Gomes &#8211; Film director, screenwriter<\/strong><\/li>\n<li><strong>Hilton Lacerda \u2013 Film director, script writer<\/strong><\/li>\n<li><strong>Fernando Meirelles \u2013 Film director, producer<\/strong><\/li>\n<li><strong>Kl\u00e9ber Mendon\u00e7a Filho \u2013 Film director, film critic<\/strong><\/li>\n<li><strong>Renata Pinheiro \u2013 Film director, art designer<\/strong><\/li>\n<li><strong>Adelina Pontual \u2013 Film director<\/strong><\/li>\n<li><strong>Jo\u00e3o Vieira Jr \u2013 Film producer<\/strong><\/li>\n<\/ul>\n<\/td>\n<td style=\"width: 25%; border-style: none; text-align: right; vertical-align: top;\">\n<p style=\"text-align: right;\"><aside id=\"sow-button-2\" style=\"display:block;\" class=\"widget widget_sow-button amr_widget\"><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-atom-fa0916ecc19e\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-center\">\n\t<a\n\thref=\"https:\/\/research.reading.ac.uk\/intermidia\/passages\/gallery\/\"\n\t\tclass=\"ow-icon-placement-left ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-far\" data-sow-icon=\"&#xf302;\"\n\t\tstyle=\"color: #dd3333\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tGallery\t\t<\/span>\n\t<\/a>\n<\/div>\n<\/div><\/aside><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>The interviews in their integrity, and in the Portuguese language, are posted here for the interest of researchers and film lovers. English subtitles will be added in due course.<\/p>\n<p>For the film <em>Passages, <\/em>with a total length of 94 minutes, the interviews have been edited with clips of relevant films and other imagery and sound, in order to buttress the film\u2019s central hypothesis of the recourse to intermediality as a means to access physical and historical reality.<\/p>\n<ul>\n<li><strong>Tata Amaral \u2013 Film director<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista Tata Amaral\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FI7bi5J-uYw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Cl\u00e1udio Assis \u2013 Film director<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista Cl\u00e1udio Assis\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/nsoTeztr6zI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Beto Brant \u2013 Film director, producer<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista com Beto Brant\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WXgXfffPhRE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Paulo Caldas \u2013 Film director<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista com Paulo Caldas\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/GpgWnXhmTxk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>V\u00e2nia Debs \u2013 Film editor<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista V\u00e2nia Debs\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/IJ8QxK3rAOU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>DJ Dolores\/Helder Arag\u00e3o \u2013 Music composer, film director<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista DJ Dolores\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/eBQUizjyd7U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Ana Farache \u2013 Film curator<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista Ana Farache\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8Z07fxKZG8o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>L\u00edrio Ferreira \u2013 Film director<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista Lirio Ferreira\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BE63-NvE4Fw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Marcelo Gomes &#8211; Film director, screenwriter<br \/>\n<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista Marcelo Gomes\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_C_jRmBi6V4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Hilton Lacerda \u2013 Film director, script writer<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista com  Hilton Lacerda\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FAW1_94KjyI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Fernando Meirelles \u2013 Film director, producer<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista Fernando Meirelles\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VqEOyvg2_Zc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Kl\u00e9ber Mendon\u00e7a Filho \u2013 Film director, film critic<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista Kleber Mendon\u00e7a Filho\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FlGxDJvIO6o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Renata Pinheiro \u2013 Film director, art designer<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista Renata Pinheiro\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/IFVtvHnIvpE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Adelina Pontual \u2013 Film director<\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"Entrevista Adelina Pontual\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/QK_aM51FSws?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<ul>\n<li><strong>Jo\u00e3o Vieira Jr \u2013 Film producer<\/strong><\/li>\n<\/ul>\n<p>https:\/\/www.youtube.com\/watch?v=g990cFjcGW4[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Passages, a feature length film, showcases a selection of Brazilian films in which intermedial devices appear to function as a &#8216;passage&#8217;.<\/p>\n","protected":false},"author":10,"featured_media":1948,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1101","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - 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