{"id":1238,"date":"2018-05-01T11:49:29","date_gmt":"2018-05-01T10:49:29","guid":{"rendered":"https:\/\/research.reading.ac.uk\/intermidia\/?page_id=1238"},"modified":"2019-12-10T13:47:44","modified_gmt":"2019-12-10T13:47:44","slug":"contemporary-brazilian-music-film-season","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/","title":{"rendered":"Contemporary Brazilian Music Film Season"},"content":{"rendered":"

Contemporary Brazilian Music Film Season<\/h1>\n

17 January – 23 March 2018, Reading Film Theatre, Reading, UK<\/strong><\/p>\n

The Season was held in combination with the Course \u2018Brazilian Music and Film\u2019, <\/strong>which focused on the ways in which these two media combine and cross-pollinate. The season and course emerged from research undertaken as part of the AHRC-FAPESP funded research project \u2018Towards an Intermedial History of Brazilian Cinema: Exploring Intermediality as a Historiographic Method\u2019<\/strong> (IntermIdia)<\/strong>.<\/p>\n

\"\"Music has always played a crucial role in Brazilian culture, not only due to its popular appeal, but as the expression of a rich cultural mix. Lyrics and rhythms derive from a combination of indigenous, Iberian and African traditions, as well as more recent foreign genres such as jazz, rock and pop. In the last fifteen years, music has also become a major topic of Brazilian cinema, with many documentaries and fiction films paying tribute to a variety of artists, such as Tom Jobim, Elis Regina, Cartola, Chico Buarque de Hollanda and Elza Soares, as well as musical movements such as Tropic\u00e1lia.<\/p>\n

This season presented a selection of films from this contemporary trend, comprising nine documentaries and one fiction film, as well as two short films from the 1960s and 1970s bearing strong links with the more recent works. Closing the event, a party was held at the Reading International Solidarity Centre (RISC)<\/strong>, including a musical performance by celebrated accordionist Luciano Maia. Moving across samba, bossa nova, bai\u00e3o, rock and other styles, these films offer a privileged insight into the main traditions in Brazilian music and an intermedial understanding of recent Brazilian film history. Participants had the opportunity to experience a selection of beautiful songs as they traveled through a fascinating strand of Brazilian cinema.<\/p>\n

Screenings were followed by discussion with experts and filmmakers. See programme below.
\nImage credit: Paulo Salom\u00e3o, editora Abril<\/em>
\n<\/strong><\/p>\n

 <\/p>\n

Extension Course: \u2018Brazilian Music and Film\u2019<\/u><\/strong><\/p>\n

This course exposed attendees to some of the most celebrated and endearing names in Brazilian music and cinema, including composers and musicians Cartola, Tom Jobim, Elis Regina, Chico Buarque de Hollanda and Dominguinhos, and filmmakers such as Eduardo Coutinho, L\u00edrio Ferreira, Nelson Pereira dos Santos and Marcelo Machado. Sessions conducted close analysis of key films and songs, followed by discussion. During the sessions, participants also experimented with the relationships between music and image by working on a practical film project on their favourite songs.<\/p>\n

The full course outline can be viewed here<\/a><\/strong>.<\/p>\n


\nCurator:
\n<\/strong>Albert Elduque<\/strong> is a postdoctoral researcher on the IntermIdia Project at the University of Reading. He obtained his PhD degree from the Universitat Pompeu Fabra (Barcelona) in 2014, with a thesis focused on filmmakers Pier Paolo Pasolini, Marco Ferreri, Glauber Rocha and Nelson Pereira dos Santos among others from a comparative perspective. He is co-editor of the journal Cinema Comparat\/ive Cinema<\/em>, published by the Universitat Pompeu Fabra. His current research focuses on contemporary Brazilian films on music including fiction and documentary genres.<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

PROGRAMME<\/strong><\/p>\n

SONGS (AS CAN\u00c7\u00d5ES) (PG)<\/em>\"\"<\/p>\n

Wednesday 17 January, 7:45pm | Palmer Building<\/strong><\/p>\n

What is the most important music for you? This is the question that prestigious filmmaker Eduardo Coutinho asks his interviewees in this film, in a series of conversations with common people from Rio de Janeiro where they talk about the songs that changed their lives. Love, mourning, despair and relief: lyrics can tap into memories and express every possible human emotion.<\/p>\n

Brazil 2011 \u2013 Portuguese with English subtitles \u2013 directed by Eduardo Coutinho \u2013 Documentary \u2013 with Eduardo Coutinho \u2013 92 min<\/p>\n

Preceded by the short film Work Songs \u2013 Sugarcane <\/em>(Cantos de Trabalho \u2013 Cana-de-a\u00e7\u00facar<\/em>, Leon Hirszman, 1976) \u2013 8 min<\/strong><\/p>\n

 <\/p>\n

\"\"CARTOLA \u2013 MUSIC FOR THE EYES (CARTOLA \u2013 M\u00daSICA PARA OS OLHOS) (15)<\/em><\/p>\n

Wednesday 24 January, 7:45pm | Palmer Building<\/strong><\/p>\n

Cartola is one of the most important singers and composers in the history of samba, and has become an icon of Brazilian culture. Working through a wide range of archival images, L\u00edrio Ferreira and Hilton Lacerda bring to the fore the artist\u2019s unstable life and the history of the country over the course of the twentieth century, as well as the crucial role of music, cinema and television in the configuration of Brazilian identity.<\/p>\n

Brazil 2007 \u2013 Portuguese with English subtitles \u2013 directed by L\u00edrio Ferreira and Hilton Lacerda \u2013 Documentary \u2013 with S\u00e9rgio Cabral, Herm\u00ednio Bello de Carvalho and Elton Medeiros \u2013 89 min<\/p>\n

Preceded by the short film Nelson Cavaquinho<\/em> (Leon Hirszman, 1969) \u2013 15 min
\n<\/strong>Image credit: Cafi<\/em>
\n<\/strong><\/p>\n

 <\/p>\n

\"\"THE MUSIC ACCORDING TO ANTONIO CARLOS JOBIM (A M\u00daSICA SEGUNDO TOM JOBIM) (U)<\/em><\/p>\n

Wednesday 31 January, 7:45pm | Palmer Building<\/strong><\/p>\n

Master of bossa nova and composer of The Girl from Ipanema<\/em>, Tom Jobim is probably the most famous of Brazilian composers worldwide. This homage is a collage of performances by artists from Brazil and abroad, including international stars such as Frank Sinatra and Judy Garland.<\/p>\n

Brazil 2012 \u2013 When sung in Portuguese, lyrics are not translated with subtitles, as requested by the film director \u2013 directed by Nelson Pereira dos Santos and Dora Jobim \u2013 Documentary \u2013 with Tom Jobim, Elis Regina and Oscar Peterson \u2013 85 min
\nImage credit: Instituto Antonio Carlos Jobim \/ Jobim Music \/ DR<\/em><\/p>\n

 <\/p>\n

ELIS (15)<\/em>\"\"<\/p>\n

Wednesday 7 February, 7:45pm | Palmer Building<\/strong><\/p>\n

Boasting a powerful voice and an innovative performance style, Elis Regina emerged within the bossa nova movement in the early 1960s and experienced a meteoric rise until her premature death at the age of 36. This moving portrait, starring Andreia Horta as Elis, explores the singer\u2019s troubled life through her most important songs, including the political dilemmas she faced during the military dictatorship.<\/p>\n

Brazil 2016 \u2013 Portuguese with English subtitles \u2013 directed by Hugo Prata \u2013 Drama \u2013 with Andr\u00e9ia Horta, Gustavo Machado and Caco Ciocler \u2013 110 min
\nImage credit: MPM Film<\/em><\/p>\n

 <\/p>\n

TROPIC\u00c1LIA (12)<\/em><\/p>\n

Wednesday 14 February, 7:45pm | Palmer Building<\/strong>\"\"<\/em><\/p>\n

What exactly is Tropicalism? This is the simple, yet complex, question that a Portuguese TV host puts to an exiled and downbeat\u00a0Caetano Veloso\u00a0right at the start of\u00a0Marcelo Machado\u2019s film. The director takes the audience into the history of one of Brazil\u2019s most iconic cultural movements. In an affectionate panorama, built up from a miscellany of references, interviews, archival images and, of course, songs, the viewer travels through the fertile, controversial and violent years of 1967, 1968, 1969.<\/p>\n

Brazil, USA, UK 2012 \u2013 Portuguese with English subtitles \u2013 directed by Marcelo Machado \u2013 Documentary \u2013 with Rog\u00e9rio Duarte, Caetano Veloso, Gilberto Gil \u2013 88 min
\n Image credit: J. Ferreira da Silva. Editora Abril<\/em><\/p>\n

 <\/p>\n

\"\"CHICO \u2013 BRAZILIAN ARTIST (CHICO \u2013 ARTISTA BRASILEIRO) (PG)<\/em><\/p>\n

Wednesday 21 February, 7:45pm | Palmer Building<\/strong><\/p>\n

For five decades, Chico Buarque continues to be one of the most popular singers in Brazil, as well as a remarkable fiction writer. The documentary by Miguel Faria Jr. is a homage to the person and the artist, and it combines intimate interviews with performances of his songs by other artists, revealing both his personality and the power of his lyrics and melodies.<\/p>\n

Brazil 2015 \u2013 Portuguese with English subtitles \u2013 directed by Miguel Faria Jr. \u2013 Documentary \u2013 with Chico Buarque, Maria Beth\u00e2nia, Ney Matogrosso \u2013 120 min
\nImage credit: 1001 Filmes<\/em><\/p>\n

 <\/p>\n

\"\"<\/strong>WHERE THE OWL SLEEPS (ONDE A CORUJA DORME) (15)<\/em> + Q&A WITH M\u00c1RCIA DERRAIK<\/p>\n

Wednesday 28 February, 7:45pm | Palmer Building<\/strong><\/p>\n

This film is both a portrait of Bezerra da Silva, a legend of the Brazilian music genre pagode<\/em>, and of the composers of his songs, most of them blue-collar workers from the slums of Rio de Janeiro. The film explores the links between songs\u2019 lyrics and\u00a0 life in poor urban areas, but also the contradictory fact that the songs are now owned by record companies and not by their composers. The screening will be followed by Q&A with director M\u00e1rcia Derraik.<\/p>\n

Brazil 2010 \u2013 Portuguese with English subtitles \u2013 directed by M\u00e1rcia Derraik and Simpl\u00edcio Neto \u2013 Documentary \u2013 with Bezerra da Silva, Ti\u00e3o Miranda, 1000tinho \u2013 71 min
\nImage credit: Paulo Castiglione<\/em><\/p>\n

 <\/p>\n

\"\"<\/strong>TIT\u00c3S \u2013 LIFE EVEN LOOKS LIKE A PARTY (TIT\u00c3S \u2013 A VIDA AT\u00c9 PARECE UMA FESTA) (15)<\/em><\/p>\n

Wednesday 7 March, 7:45pm | Palmer Building<\/strong><\/p>\n

Tit\u00e3s is one of the most important bands in Brazilian rock, and this documentary is a humorous account of its songs and evolution over more than 20 years. Combining stadium concerts with music videos, TV programs with home movies, this teasing collage is an audio-visual party for rock lovers. Branco Mello, one of the founding members of the band, co-directs the film together with Oscar Rodrigues Alves.<\/p>\n

Brazil 2008 \u2013 Portuguese with English subtitles \u2013 directed by Oscar Rodrigues Alves and Branco Mello \u2013 Documentary \u2013 with Arnaldo Antunes, Tony Bellotto and S\u00e9rgio Britto \u2013 96 min<\/p>\n

 <\/p>\n

ELZA (PG)<\/em><\/p>\n

Wednesday 14 March, 7:45pm | Palmer Building<\/strong>\"\"<\/p>\n

A tender homage to singer Elza Soares, a symbol of the struggle of black women in Brazil since the early 1960s. In an intimate atmosphere, Elza is interviewed together with various friends, such as Maria Beth\u00e2nia and Paulinho da Viola, with whom she performs songs about love, religion and social inequality. Be prepared for one of the most striking voices you have ever heard.<\/p>\n

Brazil 2010 \u2013 Portuguese with English subtitles \u2013 directed by Izabel Jaguaribe and Ernesto Baldan \u2013 Documentary \u2013 with Elza Soares, Paulinho da Viola, Maria Beth\u00e2nia \u2013 85 min
\nImage credit: Jaguar Produ\u00e7\u00f5es Art\u00edsticas<\/em><\/p>\n

 <\/p>\n

\"\"<\/strong>THE MIRACLE OF SANTA LUZIA (O MILAGRE DE SANTA LUZIA) (U)<\/em> + Q&A WITH S\u00c9RGIO ROIZENBLIT AND LUCIANO MAIA<\/p>\n

Wednesday 21 March, 7:45pm | Palmer Building<\/strong><\/p>\n

On a journey through Brazil, The Miracle of Santa Luzia<\/em> visits the regions where the accordion tradition was cultivated, from the arid northeast to the deep south, including its greatest players. Among such masters is Dominguinho<\/p>\n

s, who guides us in this journey in his truck. Through the accordion, multiple cultural universes unfold, showing that this instrument is one of the most closely connected to Brazilian emotions and traditions. The screening will be followed by Q&A with director S\u00e9rgio Roizenblit and accordionist Luciano Maia.<\/p>\n

Brazil 2008 \u2013 Portuguese with English subtitles \u2013 directed by S\u00e9rgio Roizenblit \u2013 with Dominguinhos, Renato Borghetti, Gabriel Levy \u00a0\u2013 102 min
\nImage credit: Mira\u00e7\u00e3o Filmes<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

CLOSING PARTY: LUCIANO MAIA AT THE RISC\"\"<\/p>\n

Friday 23 March, 9:00pm | Reading International Solidarity Centre<\/strong><\/p>\n

35-39 London Street, Reading RG1 4PS<\/p>\n

Closing the Contemporary Brazilian Music Film Season<\/em>, a party will be held at the Reading International Solidarity Centre (RISC) including a concert by accordionist and singer Luciano Maia, one of the most important Brazilian musicians, hailing from the state of Rio Grande do Sul. He will bring to Reading a diverse selection from his sprawling catalogue, which mixes different genres, such as chamam\u00e9<\/em>, milonga<\/em> and polka.
\nImage credit: GIOVANI VIEIRA FOTOGRAFIA<\/span><\/em><\/p>\n

 <\/p>\n

Partners:<\/strong><\/p>\n

\"\"<\/p>\n

Reading Film Theatre<\/strong> (RFT)<\/strong> was established over 40 years ago as an independent cinema with a policy to show the best films from around the world. RFT receives no grants and hires the largest auditorium from the University on a regular basis, using its own equipment and employing RFT staff, most of whom are volunteers.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Collaborating with:<\/strong><\/p>\n

\"\"<\/p>\n

Reading International Solidarity Centre (RISC)<\/strong> is a Development Education Centre close to the heart of Reading’s town centre. RISC works with schools and community groups to raise the profile of global issues and promote action for sustainability, human rights and social justice.<\/p>\n

 <\/p>\n

 <\/p>\n

Thanks to:<\/strong><\/p>\n

Margarida Adamatti, Oscar Rodrigues Alves, Luciana Corr\u00eaa de Ara\u00fajo, Ernesto Baldan, Thais Barcelos, Thalita Bastos, Cl\u00e9lia Bessa, Alison Butler, Reinaldo Cardenuto, Fl\u00e1via Cesarino Costa, M\u00e1rcia Derraik, Bruno Faria, Miguel Faria Jr., L\u00edrio Ferreira, Denise Figueira, Paloma Gavinhos, John Gibbs, Breno Lira Gomes, Elaine Gomes, Hernani Heffner, Maria Hirszman, Izabel Jaguaribe, Dora Jobim, Zainab Khan, Hilton Lacerda, Jessica Lutkin, Marcelo Machado, Elciane Magda, Amrit Maghera-Johal, Luciano Maia, Richard McKay, Branco Mello, Martin Mikhail, Suzana Reck Miranda, L\u00facia Nagib, Simpl\u00edcio Neto, Njoki Nyoli, Samuel Paiva, Analice Pedrazzi, Marcelo Pedrazzi, M\u00e1rcia Pereira dos Santos, Nelson Pereira dos Santos, Marcos Pieri, Hugo Prata, Lisa Purse, S\u00e9rgio Roizenblit, Diana Sant\u2019Anna, Stefan Solomon, Phil Sterlini, Debora Ta\u00f1o, Fernanda Tavares, Fabio Zavala.<\/p>\n

This season and course are a partnership between the IntermIdia Project and the Reading Film Theatre. For more information, please e-mail <\/strong>a.elduquebusquets@reading.ac.uk<\/strong><\/a>.<\/strong><\/p>\n

 <\/p>\n

Find out more about the latest IntermIdia Project event(s). You can learn more about past events and workshops we have run on our\u00a0events page.<\/p>\n","protected":false},"excerpt":{"rendered":"

Contemporary Brazilian Music Film Season 17 January – 23 March 2018, Reading Film Theatre, Reading, UK The Season was held in combination with the Course \u2018Brazilian Music and Film\u2019, which…Read More ><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1238","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nContemporary Brazilian Music Film Season - Intermidia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Contemporary Brazilian Music Film Season - Intermidia\" \/>\n<meta property=\"og:description\" content=\"Contemporary Brazilian Music Film Season 17 January – 23 March 2018, Reading Film Theatre, Reading, UK The Season was held in combination with the Course \u2018Brazilian Music and Film\u2019, which...Read More >\" \/>\n<meta property=\"og:url\" content=\"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/\" \/>\n<meta property=\"og:site_name\" content=\"Intermidia\" \/>\n<meta property=\"article:modified_time\" content=\"2019-12-10T13:47:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/RFT-Event-Pics\/Tropic\u00e1lia-2-181x300.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/\",\"url\":\"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/\",\"name\":\"Contemporary Brazilian Music Film Season - Intermidia\",\"isPartOf\":{\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/#website\"},\"datePublished\":\"2018-05-01T10:49:29+00:00\",\"dateModified\":\"2019-12-10T13:47:44+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/research.reading.ac.uk\/intermidia\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Contemporary Brazilian Music Film Season\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/#website\",\"url\":\"https:\/\/research.reading.ac.uk\/intermidia\/\",\"name\":\"Intermidia\",\"description\":\"AHRC-FAPESP Collaborative Project\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/research.reading.ac.uk\/intermidia\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-GB\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Contemporary Brazilian Music Film Season - Intermidia","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/","og_locale":"en_GB","og_type":"article","og_title":"Contemporary Brazilian Music Film Season - Intermidia","og_description":"Contemporary Brazilian Music Film Season 17 January – 23 March 2018, Reading Film Theatre, Reading, UK The Season was held in combination with the Course \u2018Brazilian Music and Film\u2019, which...Read More >","og_url":"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/","og_site_name":"Intermidia","article_modified_time":"2019-12-10T13:47:44+00:00","og_image":[{"url":"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/RFT-Event-Pics\/Tropic\u00e1lia-2-181x300.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Estimated reading time":"10 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/","url":"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/","name":"Contemporary Brazilian Music Film Season - Intermidia","isPartOf":{"@id":"https:\/\/research.reading.ac.uk\/intermidia\/#website"},"datePublished":"2018-05-01T10:49:29+00:00","dateModified":"2019-12-10T13:47:44+00:00","breadcrumb":{"@id":"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/research.reading.ac.uk\/intermidia\/"},{"@type":"ListItem","position":2,"name":"Contemporary Brazilian Music Film Season"}]},{"@type":"WebSite","@id":"https:\/\/research.reading.ac.uk\/intermidia\/#website","url":"https:\/\/research.reading.ac.uk\/intermidia\/","name":"Intermidia","description":"AHRC-FAPESP Collaborative Project","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/research.reading.ac.uk\/intermidia\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-GB"}]}},"_links":{"self":[{"href":"https:\/\/research.reading.ac.uk\/intermidia\/wp-json\/wp\/v2\/pages\/1238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.reading.ac.uk\/intermidia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/research.reading.ac.uk\/intermidia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/research.reading.ac.uk\/intermidia\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/research.reading.ac.uk\/intermidia\/wp-json\/wp\/v2\/comments?post=1238"}],"version-history":[{"count":3,"href":"https:\/\/research.reading.ac.uk\/intermidia\/wp-json\/wp\/v2\/pages\/1238\/revisions"}],"predecessor-version":[{"id":2015,"href":"https:\/\/research.reading.ac.uk\/intermidia\/wp-json\/wp\/v2\/pages\/1238\/revisions\/2015"}],"wp:attachment":[{"href":"https:\/\/research.reading.ac.uk\/intermidia\/wp-json\/wp\/v2\/media?parent=1238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}