{"id":1808,"date":"2019-09-12T11:26:42","date_gmt":"2019-09-12T10:26:42","guid":{"rendered":"https:\/\/research.reading.ac.uk\/intermidia\/?page_id=1808"},"modified":"2019-09-12T11:26:42","modified_gmt":"2019-09-12T10:26:42","slug":"book-chapters-and-offline-publications","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/intermidia\/publications\/book-chapters-and-offline-publications\/","title":{"rendered":"Book chapters and offline publications"},"content":{"rendered":"

Nagib L, (2019). El cine como inest\u00e9tica, la vida como no-cine: un estudio sobre la trilog\u00eda prohibida de Jafar Panahi. In Campo J, Crowder-Taraborrelli T, Garavelli C, Piedras P, Wilson K (Ed.), Documental: teor\u00edas, praxis, tecnolog\u00edas. Buenos Aires:Prometeo<\/span><\/p>\n

Araujo, L.C., (2018). O cinema em Pernambuco (1900-1930). In Ramos, F. P., Schvarzman, S. (Ed.), Nova Hist\u00f3ria do Cinema Brasileiro. (pp. 90-123). S\u00e3o Paulo:Edi\u00e7\u00f5es Senac<\/span><\/p>\n

COSTA F C, CANEPA L L. (2018). O cinema paulista para al\u00e9m dos est\u00fadios [The cinema of S\u00e3o Paulo state beyond the studios]. In RAMOS F P, Schvarzman (Ed.), Nova hist\u00f3ria do cinema brasileiro. (pp. 34). S\u00e3o Paulo, Brazil:Edi\u00e7\u00f5es Sesc<\/span><\/p>\n

Elduque A, Ara\u00fajo M. (2018). Ecos de revueltas lejanas: Fassbinder, Glauber Rocha y \u2018El viaje a Niklashausen\u2019 (1970). In Rodrigo Garc\u00eda J, Rainer Werner Fassbinder. Solo quiero que me amen. (pp. 174-195). Santander:Shangrila Textos Aparte<\/span><\/p>\n

Elduque A, (2018). Flesh and costumes: the watermelon in \u2018Vereda Tropical\u2019. In Baltar M, E porn\u00f4, tem porn\u00f4? A Panorama of Brazilian Porn. (pp. 115-137). Milan:Mimesis International<\/span><\/p>\n

Adamatti, Margarida, (2018). O pensamento de Gustavo Dahl sobre o cinema pol\u00edtico: entre a est\u00e9tica do sil\u00eancio e o jogo discursivo com o regime militar. In Morettin, Eduardo; Napolitano, Marcos, O cinema e as ditaduras militares: contextos, mem\u00f3rias e representa\u00e7\u00f5es audiovisuais. . (pp. 57-75). S\u00e3o Paulo:Intermeios<\/span><\/div>\n
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Adamatti, Margarida, (2018). A aproxima\u00e7\u00e3o entre os cinemanovistas e o regime militar na imprensa \u2013 coopta\u00e7\u00e3o ou resist\u00eancia. In Suppia, Alfredo; Freire, Marcius, Golpe de vista \u2013 cinema e ditadura militar na Am\u00e9rica do Sul. (pp. 23-44). S\u00e3o Paulo:Editora Alamed<\/span><\/div>\n
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Lisa Purse, (2018). Between phonographic perfection and resistance: Tit\u00e3s \u2013 Life Even Looks Like a Party. In Albert Elduque, Contemporary Brazilian Music Film. (pp. 27-29). Reading:University of Reading<\/p>\n

Araujo, L. C., (2018). \u2018\u201cPoisonous Prologues\u201d at Cinel\u00e2ndia, Rio de Janeiro\u201d\/\u201c\u2018Pr\u00f3logos Evenenados\u2019 na Cinel\u00e2ndia Carioca\u201d. Reading: University of Reading<\/span><\/p>\n

PAIVA, S., PIANCO, W.. (2017). Filmes de Viagem de Manoel de Oliveira: Passagens da Hist\u00f3ria a Contrapelo. In JUNQUEIRA, R.S., Os Pobres no Cinema de Manoel de Oliveira: Estudos Interdisciplinares de Cinema, Literatura e Sociedade..<\/p>\n

PAIVA S., (2017). A Figura de Orson Welles no Cinema de Rog\u00e9rio Sganzerla. S\u00e3o Paulo: Alameda Editorial<\/p>\n

Solomon S, (2017). A Brand New Thing: Country Focus: Brazil. 22nd International Film Festival of Kerala (IFFK) Handbook<\/p>\n

Solomon S, (2017). Introduction. In Solomon S, Tropic\u00e1lia and Beyond: Dialogues in Brazilian Film History. Berlin:Archive Books<\/p>\n

Solomon S, (2017). Tropic\u00e1lia and Beyond: Dialogues in Brazilian Film History. Germany: Archive Books<\/p>\n

Elduque, A., (2017). Vindicating the composer: An interview with M\u00e1rcia Derraik about Where the Owl Sleeps. In Elduque, A. (Ed.), Contemporary Brazilian Music Film. (pp. 87-89). Reading:University of Reading<\/p>\n

Elduque, A., (2017). What about the end of the history? An interview with Hernani Heffner. In Elduque, A. (Ed.), Contemporary Brazilian Music Film. (pp. 17-21). Reading:University of Reading<\/p>\n

Elduque, A., (2017). Making it visible: An interview with S\u00e9rgio Roizenblit about The Miracle of Santa Luzia. In Elduque, A. (Ed.), Contemporary Brazilian Music Film. (pp. 103-109). Reading:University of Reading<\/p>\n

Elduque, A., (2017). Introduction. In Elduque, A. (Ed.), Contemporary Brazilian Music Film. (pp. 5-15). Reading:University of Reading<\/p>\n

Elduque, A., (2017). Can\u00e7\u00e3o, hist\u00f3ria e cinema. In Carrega, J, Fernandez S.V. (Eds.), A Europa e os imp\u00e9rios coloniais na literatura e no cinema. (pp. 210-223). Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o da Universidade do Algarve<\/p>\n

Elduque, A., (2017). Cut it Like a Tambourine Beat: Ricardo Miranda on the Editing of The Age of the Earth. In Solomon, S. (Ed.), Tropic\u00e1lia and Beyond. Dialogues in Brazilian Film History. (pp. 193-209). Berlin:Archive Books<\/p>\n

Elduque, A. (Ed.), (2017). Contemporary Brazilian Music Film. Reading: University of Reading<\/p>\n

Elduque Albert, Lima Cristiane da Silveira, Campana Ramia Maria, Ramos Nuno, Oliveira Paulo da Costa e Silva Franco de, Aguiar Joaquim Alves de, Campos Augusto de, Veloso Caetano, Jobim Tom, Tatit Luiz, (2017). Contemporary Brazilian music film. United Kingdom: University of Reading<\/p>\n

Elduque, A., (2017). As Belair went by: An interview with Helena Ignez. In Solomon, S. (Ed.), Tropic\u00e1lia and Beyond. Dialogues in Brazilian Film History. (pp. 123-135). Berlin:Archive Books<\/p>\n

Ara\u00fajo, L C de, (2017). Cl\u00e9o de Verberena e o trabalho da mulher no cinema silencioso brasileiro. In Holanda, K , Tedesco, M C (Ed.), Feminino e plural: Mulheres no cinema brasileiro. (pp. 15-29). Campinas:Papirus<\/p>\n

Nagib L, (2017). Antropofagia e intermidialidade: uso da literatura colonial no cinema modernista brasileiro. In Araujo D, Rebeca \u2013 Edi\u00e7\u00e3o especial XX Encontro Socine: Converg\u00eancias do\/no Cinema. (pp. 141-152). S\u00e3o Paulo:SOCINE<\/p>\n

PAIVA, S, (2016). Di\u00e1rio de um Video Assist Amador do Baile Perfumado. In MANSUR, A, CUNHA P (Ed.), A Aventura do Baile Perfumado: 20 Anos Depois. Recife-PE-Brasil:CEPE \u2013 Companhia Editora de Pernambuco<\/p>\n

Nagib L, (2018). Colonialism as fantastic realism in Tabu. In Liz M, Portuguese Cinema: Globalizing the Nation. (pp. 226-238). London\/New York:IB Tauris<\/p>\n

Nagib L, (2017). Beyond difference: female participation in the Brazilian film revival of the 1990s. In Martin D, Shaw D (Ed.), Latin American Women Filmmakers. (pp. 31-47). London\/New York:IB Tauris<\/p>\n

Nagib L, (2017). The Horizontal Spread of a Vertical Malady. A Companion to Latin American Cinema. (pp. 341-356).<\/p>\n

Nagib L, (2017). Realist Cinema as World Cinema. In Stone R, Cooke P (Ed.), The Routledge Companion to World Cinema. (pp. 310-322). Abingdon-on-Thames:Routledge<\/p>\n","protected":false},"excerpt":{"rendered":"

Nagib L, (2019). El cine como inest\u00e9tica, la vida como no-cine: un estudio sobre la trilog\u00eda prohibida de Jafar Panahi. In Campo J, Crowder-Taraborrelli T, Garavelli C, Piedras P, Wilson…Read More ><\/a><\/p>\n","protected":false},"author":219,"featured_media":0,"parent":1793,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1808","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nBook chapters and offline publications - Intermidia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/research.reading.ac.uk\/intermidia\/publications\/book-chapters-and-offline-publications\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Book chapters and offline publications - Intermidia\" \/>\n<meta property=\"og:description\" content=\"Nagib L, (2019). 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