{"id":732,"date":"2017-10-09T16:10:45","date_gmt":"2017-10-09T15:10:45","guid":{"rendered":"https:\/\/research.reading.ac.uk\/intermidia\/?page_id=732"},"modified":"2021-09-03T12:07:18","modified_gmt":"2021-09-03T11:07:18","slug":"all-events","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/intermidia\/all-events\/","title":{"rendered":"Events"},"content":{"rendered":"<h1><strong>Upcoming Events<\/strong><\/h1>\n<p><strong><span style=\"font-size: 18pt;\"><em>Passages<\/em><\/span><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 (Screenings October 2019)<\/p>\n<p><strong><em>Passages, <\/em><\/strong><strong>an essay film written and directed by L\u00facia Nagib and Samuel Paiva<br \/>\n<\/strong>Release date: Spring 2019<strong><br \/>\n<\/strong><\/p>\n<p>The Passages Promotional Video<\/p>\n<p><iframe loading=\"lazy\" title=\"Passages - Promotional Video - Essay film written and directed by L\u00facia Nagib and Samuel Paiva\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/sNta4Ky1JYY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div class=\"n2-code n2-ss-slider-shortcode-id\">\n<div class=\"n2-code n2-ss-slider-shortcode-id\"><\/div>\n<div><\/div>\n<\/div>\n<p class=\"\"><br class=\"\" \/><span class=\"\"><br \/>\nThe relationship between cinema and the real is probably the most central and complex issue in film studies. <strong><em>Passages<\/em><\/strong> attempts to address this issue by looking at a selection of films in which intermedial devices, that is, the utilisation within film of artforms such as painting, theatre, music, photography and others, appear to function as a \u2018passage\u2019 to political and social reality. In preparation for the film, we have interviewed <strong>15 key Brazilian filmmakers, technicians and curators,<\/strong> all of whom are prominent figures of what became known as the Retomada do Cinema Brasileiro, or the <strong>Brazilian Film Revival<\/strong>, of the 1990s, which brought back to the agenda the question of national identity and Brazil\u2019s lingering social issues. The flourishing and diversification of independent filmmaking from that period onwards favoured not only a new approach to reality, but an emboldened use of the film medium that acknowledged and exposed its inextricable connections with other art and medial forms. The <em>Passages <\/em>project proposes that the intermedial method is thus strategically poised to shed a new light on the ways in which these films not only represented but interfered with and transformed the world around them. The chosen case studies hail from <strong>Pernambuco<\/strong>, in the northeast of Brazil, and from <strong>S\u00e3o Paulo<\/strong>, in the southeast, whose filmmakers, though stemming from disparate regional cultures, have been in a close artistic dialogue since the Brazilian Film Revival, demonstrating their shared values at a certain historical juncture and interconnectedness across Brazilian geography.<\/span><\/p>\n<p><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/passages\/\">See full page here<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><strong>Past Events<\/strong><\/h1>\n<h1>IntermIdia Project Final Celebration<\/h1>\n<p><span style=\"text-decoration: underline;\">Minghella Studios, 17th July 2019<\/span><br \/>\nWith the our project now complete, the University of Reading hosted the final celebration of the AHRC-FAPESP funded IntermIdia Project. The event featured the screening of our brand-new feature-length documentary film <i>Passages, <\/i>an exhibition of our publications, as well as the screening of a series of wonderful video-essays produced by our research team.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1781\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/July-Poster-FINAL-724x1024.jpg\" alt=\"\" width=\"724\" height=\"1024\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/July-Poster-FINAL-724x1024.jpg 724w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/July-Poster-FINAL-212x300.jpg 212w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/July-Poster-FINAL-768x1086.jpg 768w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/July-Poster-FINAL.jpg 1754w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1>Intermedia\/Interarts Workshop<\/h1>\n<p><strong>28 MAY 2019<\/strong><\/p>\n<p><strong>A cross-cultural and interdisciplinary dialogue between scholars and filmmakers on film, literature, theatre and television in China.<\/strong><\/p>\n<p><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/interarts-workshop\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1882\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Interarts-workshop-poster-213x300.jpg\" alt=\"\" width=\"470\" height=\"662\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Interarts-workshop-poster-213x300.jpg 213w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Interarts-workshop-poster-768x1081.jpg 768w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Interarts-workshop-poster-728x1024.jpg 728w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Interarts-workshop-poster.jpg 1808w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/a><\/p>\n<hr \/>\n<h1>The Brazilian Tropical Violins in Reading<\/h1>\n<p>Touring in England and Germany, the Rio de Janeiro ensemble &#8216;The Brazilian Tropical Violins&#8217; brought to Reading a wide variety of musical styles from their country. Their concert was organised and introduced by IntermIdia PDRA Albert Elduque and took place in Palmer Building on Friday 18<sup>th<\/sup> of January at 7:00pm. The University of Reading Arts Committee and the Department of Film, Theatre and Television funded this very special event, which completed various activities around Brazilian music organised by the IntermIdia Project.<\/p>\n<p><iframe loading=\"lazy\" title=\"The Brazilian Tropical Violins January 2019 - Reading University\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/w7-HPOna-Xg?start=542&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>The Brazilian Tropical Violins is an ensemble of young violin players from 9 to 16 years old from Rio de Janeiro. It was created by Suray Soren, a violinist from the Symphonic Orchestra in Rio de Janeiro\u2019s Municipal Theatre and a pioneer in the use of the Suzuki Method for music education in Brazil. Their repertoire is mainly composed of Brazilian popular songs, but it also includes some European classic compositions. For ten years, the ensemble has played in different cities in Brazil, Chile, Germany, Austria, Czech Republic, France, Portugal and Italy. In January 2019, The Brazilian Tropical Violins came to the United Kingdom for the first time and scheduled concerts in Reading and in three venues in London: the Priory Church of St Bartholomew the Great, St Pancras Church, and the Kingsdale Foundation School.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1670\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2019\/03\/poster-Brazilian-Tropical-Violins1-1024x723.jpg\" alt=\"\" width=\"800\" height=\"565\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2019\/03\/poster-Brazilian-Tropical-Violins1-1024x723.jpg 1024w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2019\/03\/poster-Brazilian-Tropical-Violins1-300x212.jpg 300w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2019\/03\/poster-Brazilian-Tropical-Violins1-768x543.jpg 768w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2019\/03\/poster-Brazilian-Tropical-Violins1.jpg 1754w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>The event in Reading was free and attended by around 100 people. The ensemble performed for an hour a selection of Brazilian music (including Zequinha de Abreu\u2019s <em>Tico-Tico no Fub\u00e1<\/em> and Ary Barroso\u2019s <em>Aquarela do Brasil<\/em>) and European themes, such as Vivaldi\u2019s <em>Summer<\/em> and The Beatles\u2019 <em>Yellow Submarine<\/em>. They also played together with 17 students from Sophie Roseveare Suzuki Violin School, a local centre which uses the same teaching method.<\/p>\n<div class=\"n2-has-copy n2-code n2-ss-slider-shortcode-id\"><\/div>\n<p>&nbsp;<\/p>\n<p>For this event the IntermIdia Project worked in collaboration with the restaurant Pau-Brasil, which fostered a partnership that started with the Contemporary Brazilian Music Film Season (January-March 2018).<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1>Silent Movie Prologues from Brazil<\/h1>\n<p>With the Silent Movie Prologues from Brazil event now complete, see below for videos and photos of the event!<\/p>\n<p><iframe loading=\"lazy\" title=\"Silent Movie Prologues from Brazil - Audience and Student Impact\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VuEpEuZVljc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Silent Movie Prologues from Brazil - Full Show\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8ddKF5Wh6zE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n\n<div><\/div>\n<p>At the Minghella Studios on the 6<sup>th<\/sup> and 7<sup>th<\/sup> of December, audiences experienced the restaging of two Silent Movie Prologues, together with a screening of the films they were designed to accompany: Buster Keaton\u2019s wonderful comedy feature <em>Go West<\/em> (US, 1925) and the surviving fragment of another extraordinary 1920s film, <em>Beggar on Horseback<\/em> (US, James Cruze, 1925).<\/p>\n<figure id=\"attachment_1382\" aria-describedby=\"caption-attachment-1382\" style=\"width: 366px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1382\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/A-Scena-Muda.-O-vaqueiro-estylisado.-n-269-20-maio-1926-p.-28-boh5-979x1024.jpg\" alt=\"\" width=\"366\" height=\"383\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/A-Scena-Muda.-O-vaqueiro-estylisado.-n-269-20-maio-1926-p.-28-boh5-979x1024.jpg 979w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/A-Scena-Muda.-O-vaqueiro-estylisado.-n-269-20-maio-1926-p.-28-boh5-287x300.jpg 287w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/A-Scena-Muda.-O-vaqueiro-estylisado.-n-269-20-maio-1926-p.-28-boh5-768x803.jpg 768w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/A-Scena-Muda.-O-vaqueiro-estylisado.-n-269-20-maio-1926-p.-28-boh5-400x420.jpg 400w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/A-Scena-Muda.-O-vaqueiro-estylisado.-n-269-20-maio-1926-p.-28-boh5.jpg 1127w\" sizes=\"auto, (max-width: 366px) 100vw, 366px\" \/><figcaption id=\"caption-attachment-1382\" class=\"wp-caption-text\">Go West (Buster Keaton, 1925)<\/figcaption><\/figure>\n<p>The two prologues, \u201cThe Stylised Cowboy\u201d and \u201cDoing it the Pirandello way\u2026\u201d, were originally created to accompany the presentation of the films in Cinel\u00e2ndia, the area of marquee cinemas in Rio de Janeiro, in 1926. As part of the AHRC-FAPESP funded IntermIdia project, in conjunction with Reading Film Theatre and integrated into the final year of their degree programme, students from the Department of Film, Theatre &amp; Television performed the prologues as a prelude to these classics of silent cinema.<\/p>\n<p><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/silent-movie-prologues-from-brazil\/\">For more information, see the original event page here.<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>Preview Screening of Passages (18min version)<\/h2>\n<p>Within the remit of the AHRC-FAPESP funded IntermIdia Project, L\u00facia Nagib (UoR) and Samuel Paiva (Federal University of S\u00e3o Carlos) are directing a feature-length documentary film entitled <i>Passages, <\/i>which has received support from the University of Reading through a BOISP award, and is due to be completed in February 2019<i>. <\/i>A short version of 18 minutes of this film has been prepared for screenings at a few special events, including a presentation at the University of Reading on Tuesday 6<sup>th<\/sup> November 2018. The screening was introduced by Nagib and Paiva and was followed by discussion with the directors, editor Tatiana Germano and producers S\u00edlvia Macedo and Albert Elduque. Visiting scholar Amanda Mansur acted as discussant.<\/p>\n<div class=\"n2-has-copy n2-code n2-ss-slider-shortcode-id\"><\/div>\n<div><\/div>\n<div><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Event-Passages.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1658\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Event-Passages-723x1024.jpg\" alt=\"\" width=\"723\" height=\"1024\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Event-Passages-723x1024.jpg 723w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Event-Passages-212x300.jpg 212w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Event-Passages-768x1087.jpg 768w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Unorganized\/Event-Passages.jpg 1239w\" sizes=\"auto, (max-width: 723px) 100vw, 723px\" \/><\/a><\/div>\n<div><\/div>\n<div><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>Full-Day Workshop &#8211; (Post)Colonial Images: an Intermedial Approach<\/h2>\n<p>21st June 2018, 11:00-18:00 &#8211; Studio Space, Minghella Studios, University of Reading<\/p>\n<p>With the (Post)Colonial Images Workshop now complete, see here for photos of the event.<\/p>\n<div class=\"n2-has-copy n2-code n2-ss-slider-shortcode-id\"><\/div>\n<div><\/div>\n<p class=\"\"><br class=\"\" \/><span class=\"\"><br \/>\nThe fantastic Maria do Carmo Pi\u00e7arra contributed to the IntermIdia project with a wonderful full-day workshop, entitled: \u2018(Post)Colonial Images: an Intermedial Approach\u2019. The workshop ran from 11:00 to 18:00, in the Studio Space, Minghella Studios, included a screening, an exhibition and some fantastic names, such as Vicente S\u00e1nchez-Biosca as keynote speaker and not least an opening speech by Maria do Carmo herself. <a href=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/June-Workshop-Programme.pdf\">See the full programme here.<\/a><\/span><\/p>\n<p><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/June-Workshop-Programme.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1424\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/June-Workshop-poster-PDF-13-06-18-Final-Edit-1-724x1024.jpg\" alt=\"\" width=\"724\" height=\"1024\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/June-Workshop-poster-PDF-13-06-18-Final-Edit-1-724x1024.jpg 724w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/June-Workshop-poster-PDF-13-06-18-Final-Edit-1-212x300.jpg 212w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/June-Workshop-poster-PDF-13-06-18-Final-Edit-1-768x1086.jpg 768w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/June-Workshop-poster-PDF-13-06-18-Final-Edit-1.jpg 1754w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><\/p>\n<hr \/>\n<h1>Silent Movie Prologues in Brazil<\/h1>\n<p>With the Silent Movie Prologues event in Brazil now complete, see below a video summary and photos of the event.<\/p>\n<p><iframe loading=\"lazy\" title=\"Silent Movie Prologues in Brazil - A Summary featuring Audience Impressions\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OEqxdS_brRM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div class=\"n2-has-copy n2-code n2-ss-slider-shortcode-id\"><\/div>\n<div><\/div>\n<p>Brazil: 30th June 2018, Museu da Imagem e do Som (MIS-SP), S\u00e3o Paulo, Brazil<br \/>\nUK: December 2018, University of Reading, further details to be confirmed.<\/p>\n<figure id=\"attachment_1388\" aria-describedby=\"caption-attachment-1388\" style=\"width: 239px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1388\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/Luiz-de-Barros-239x300.jpg\" alt=\"\" width=\"239\" height=\"300\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/Luiz-de-Barros-239x300.jpg 239w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/Luiz-de-Barros-768x963.jpg 768w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/06\/Luiz-de-Barros-817x1024.jpg 817w\" sizes=\"auto, (max-width: 239px) 100vw, 239px\" \/><figcaption id=\"caption-attachment-1388\" class=\"wp-caption-text\">Luiz de Barros<\/figcaption><\/figure>\n<p><strong>Silent <\/strong><strong>Movie Prologues in Brazil<\/strong> brought together theatre and film, by restaging the comedic movie prologues which used to precede the screening of silent Hollywood films. \u00a0In 1926, film exhibitor Francisco Serrador introduced the movie prologues, a novelty intended to attract audiences to the luxurious cinemas he had built at Cinel\u00e2ndia, in the centre of Rio de Janeiro. Movie prologues were stage presentations based on themes, characters and scenes of the foreign films they preceded. Usually accompanied by dance and musical numbers, they drew inspiration on the popular <em>teatro de revista<\/em>, the Brazilian vaudeville-style theatre.<\/p>\n<p>The first restaging of the Brazilian movie prologues took place on 30 June 2018 at Museu da Imagem e do Som (MIS-SP), by the theatre troupe Companhia Antropof\u00e1gica. In December, the programme will travel to the UK, and will involve staff and students of the Department of Film, Theatre &amp; Television, University of Reading.<\/p>\n<p><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/prologues\/\">For more information, see here for the original event page<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>Contemporary Brazilian Music Film Season<\/h2>\n<div>\n<p>With the \u2018<strong>Contemporary Brazilian Music Film Season\u2019 <\/strong>now complete, see below for images and videos of the event, <a href=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2019\/03\/RJ00184_Catelogue-for-contemporary-Brazilian-music-content_digital_2.pdf\">as well as the accompanying catalogue now available in full as a PDF<\/a>. For full video content of Q&amp;A sessions with filmmakers, as well as other IntermIdia project video content, see our <a href=\"https:\/\/www.youtube.com\/channel\/UClPkpCAn0rw3-QX2AKCuqfA\">Youtube channel here<\/a> or our <a href=\"https:\/\/research.reading.ac.uk\/intermidia\/video-gallery\/\">video page here<\/a>.<\/p>\n<p><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/contemporary-brazilian-music-film-season\/\">For more information, see here for the original event page<\/a>.<\/p>\n<p><iframe loading=\"lazy\" title=\"Contemporary Brazilian Music Film Season - Summary of Events\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/h_ZSgMzeloM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<div>In March 2018, as a part of the course &#8216;Brazilian Music and Film&#8217; at the Reading Film Theatre, students were asked to choose songs related to their own stories and use them to explore the intermedial relation between music and cinema.The models for this exercise were the films screened during the &#8216;Contemporary Brazilian Music Film Season&#8217; at the RFT, most notably Eduardo Coutinho&#8217;s documentary feature &#8216;Songs&#8217; (&#8216;As Can\u00e7\u00f5es&#8217;, 2011). \u00b4London Calling\u00b4, \u00b4Postcards from Italy\u00b4and &#8216;Route 66&#8217; were some of the tunes the students shared with the other people in the course. The following film, &#8216;Reading Songs&#8217; by Albert Elduque Busquets, examines the student&#8217;s presentations.<\/div>\n<div><\/div>\n<div>\n<p><iframe loading=\"lazy\" title=\"Reading Songs - Contemporary Brazilian Music Film Season Student Presentations\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/TOEOtojfaZo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<div><\/div>\n<div class=\"n2-code n2-ss-slider-shortcode-id\"><\/div>\n<div><\/div>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2019\/03\/RJ00184_Catelogue-for-contemporary-Brazilian-music-content_digital_2.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1175 alignleft\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/03\/CatalogueCover-final-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/03\/CatalogueCover-final-214x300.jpg 214w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/03\/CatalogueCover-final-768x1075.jpg 768w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2018\/03\/CatalogueCover-final-731x1024.jpg 731w\" sizes=\"auto, (max-width: 214px) 100vw, 214px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2019\/03\/RJ00184_Catelogue-for-contemporary-Brazilian-music-content_digital_2.pdf\">The full PDF of Albert Elduque Busquets&#8217; catalogue, &#8216;<em>Contemporary Brazilian Music Film<\/em>&#8216;, is now available for free here.<\/a> The PDF has one small section omitted. The printed and bound catalogue itself is not available for purchase. There are some printed copies available however; if you are interested in acquiring one of these, please contact intermidia@reading.ac.uk.<\/p>\n<p><strong>This season and course are a partnership between the IntermIdia Project and the Reading Film Theatre. For more information, please e-mail <\/strong><a href=\"mailto:a.elduquebusquets@reading.ac.uk\"><strong>a.elduquebusquets@reading.ac.uk<\/strong><\/a><strong>.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>Tropic\u00e1lia And Beyond: Dialogues In Brazilian Film History<\/h2>\n<p><strong>9-12 November 2017, Starr Cinema, Bankside, London, UK<\/strong><\/p>\n<p>We are pleased to announce that Stefan Solomon\u2019s introduction to <em>Tropic\u00e1lia and Beyond: Dialogues in Brazilian Film History<\/em> (Berlin: Archive Books, 2017) is now available as a free download! If you like what you read <strong><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/PDFs\/Tropica\u0301lia-Cover-Front-Matter-Intro.pdf\">here<\/a><\/strong>, please consider purchasing the collection of 22 essays, interviews, and manifestos through <a href=\"http:\/\/www.archivebooks.org\/2017\/11\/07\/tropicalia-and-beyond-dialogues-in-brazilian-film-history\/\">Archive Books<\/a>.<\/p>\n<p>With the Tropic\u00e1lia season at the TATE now complete, see below for the Canal Londres TV report on the Tate Tropic\u00e1lia Season, images and videos of the event and the opening night Panel discussion. For full videos of Panel discussions and Screening Introductions from the season, <a href=\"https:\/\/research.reading.ac.uk\/intermidia\/video-gallery\/\">see our videos page here<\/a>.<\/p>\n<p><iframe loading=\"lazy\" title=\"TATE Tropic\u00e1lia Season - Canal Londres TV Report\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/P_H9_KVht1k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"TATE Tropic\u00e1lia Season - Tropic\u00e1lia and Beyond: Dialogues in Brazilian Film History\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ta8PPAb3gD0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div><\/div>\n<p>Explore Brazil\u2019s cinematic past in fresh conversation with the present. This seven-screening programme offered a rare chance to see some of the films that defined tropicalist imaginary of the 60s and 70s, alongside contemporary works responding to, restoring or even resisting the legacy of the previous generation.<\/p>\n<p><em>Tropic\u00e1lia and Beyond: Dialogues in Brazilian Film History<\/em> was curated by Stefan Solomon with Tate Film, and presented in collaboration with the University of Reading.<\/p>\n<ul>\n<li>Find out more about this event on the <a href=\"http:\/\/www.tate.org.uk\/whats-on\/tate-modern\/film\/tropicalia-and-beyond-dialogues-brazilian-film-history\" target=\"_blank\" rel=\"noopener noreferrer\">Tate website<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>II IntermIdia Conference<br \/>\n&#8216;The Moving Form of Film: Exploring Intermediality as a Historiographic Method&#8217;<\/h2>\n<p><strong>6-8 November 2017, University of Reading, UK<\/strong><\/p>\n<h3>Full Conference Brochure now available<\/h3>\n<p>With the II IntermIdia conference now complete, see below for images of the event and what people thought about the conference. For full videos of Keynote speeches and Plenary discussions from the conference, <a href=\"https:\/\/research.reading.ac.uk\/intermidia\/video-gallery\/\">see our videos page here<\/a>.<\/p>\n<p><iframe loading=\"lazy\" title=\"Intermidia Conference II - &#039;The Moving Form of Film&#039;\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/CJVOkPnzYyQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div class=\"n2-code\"><\/div>\n<div><\/div>\n<ul>\n<li><strong><a href=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/2017\/11\/II-INTERMIDIA-CONFERENCE-THE-MOVING-FORM-OF-FILM-EXPLORING-INTERMEDIALITY-AS-A-HISTORIOGRAPHIC-METHOD-.pdf\">View the II IntermIdia Conference Brochure<\/a><\/strong><\/li>\n<\/ul>\n<h4>About the conference<\/h4>\n<p>As part of the AHRC\/FAPESP-funded IntermIdia Project (www.reading.ac.uk\/intermidia), led by investigators from the University of Reading (UoR), UK, and the Federal University of S\u00e3o Carlos (UFSCar), Brazil, this international conference sought to invite discussion of intermediality as a historiographic method.<\/p>\n<ul>\n<li>Find out more about the <a href=\"https:\/\/research.reading.ac.uk\/intermidia\/events\/the-moving-form-of-film\/\">II IntermIdia conference.<\/a><\/li>\n<\/ul>\n<h2><\/h2>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>The IntermIdia project explores the intersections between cinema, literature and history in the Universidade do Algarve<\/h2>\n<p>On 20 and 21 of October 2016, the IntermIdia project was represented by a keynote speech and a panel at the international conference \u201cEurope and the Colonial Empires of the Sixteenth, Seventeenth and Eighteenth centuries in Literature and Film\u201d. The conference was held in Faro (Portugal) and organised by the Research Centre on Arts and Communication (CIAC) of the Faculty of Human and Social Sciences of the Universidade do Algarve, and the Centre of Literature and Lusophon and European Cultures (CLEPUL) of the Faculty of Humanities of the Universidade de Lisboa.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-746 size-full alignright\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/University-Algarve.jpg\" alt=\"University of Algarve\" width=\"597\" height=\"289\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/University-Algarve.jpg 597w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/University-Algarve-300x145.jpg 300w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/p>\n<p>Professor L\u00facia Nagib (University of Reading), Principle Investigator on the IntermIdia Project, delivered a keynote speech entitled \u201cAnthropophagy and Intermediality: uses of colonial literature in modernist Brazilian cinema\u201d. The keynote addressed the relations between anthropophagy and intermediality by studying the film <em>How Tasty Was My Little Frenchman<\/em> (<em>Como era gostoso o meu franc\u00eas<\/em>, 1970-72), directed by Nelson Pereira dos Santos during the Brazilian military dictatorship. Secondly, the panel titled \u2018Intermediality and History in Brazilian Cinema\u2019 included the papers \u201cThe Transition to Colour in <em>Antonio das Mortes<\/em>\u201c, by Dr. Stefan Solomon (University of Reading), and \u201cThe filmed song as a historical account\u201d, by Dr. Albert Elduque (University of Reading), and was focused in the relation between cinema and history taking particular account of colours and songs.<\/p>\n<p>Therefore, both the keynote speech and the panel explored how the interaction between different arts makes possible a new and rich approach to history, offering an alternative to traditional accounts. In this way, in the context of studies on history, literature and film, intermediality was presented as a strong and promising historiographical method.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>International Conference Towards an Intermedial History of Brazilian Cinema &#8211; 9\u201311 November 2016<\/h2>\n<p>The first IntermIdia International Conference, &#8216;Towards an Intermedial History of Brazilian Cinema&#8217;, took place on 9\u201311 November 2016, at the Federal University of S\u00e3o Carlos, Brazil.<\/p>\n<figure id=\"attachment_745\" aria-describedby=\"caption-attachment-745\" style=\"width: 590px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-745 size-full\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Macunaima.jpg\" alt=\"Macuna\u00edma (Joaquim Pedro de Andrade, 1969).\" width=\"590\" height=\"433\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Macunaima.jpg 590w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/Macunaima-300x220.jpg 300w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><figcaption id=\"caption-attachment-745\" class=\"wp-caption-text\">Macuna\u00edma (Joaquim Pedro de Andrade, 1969).<\/figcaption><\/figure>\n<p>As part of the FAPESP\/AHRC-funded project &#8216;IntermIdia &#8211; Towards an Intermedial History of Brazilian Cinema: Exploring Intermediality as a Historiographic Method&#8217;, led by investigators from Federal University of S\u00e3o Carlos (UFSCar) and University of Reading, (UoR), this international conference sought to invite discussion of intermediality as a historiographic method as applied to Brazilian cinema.<\/p>\n<p>The conference was organised by the research group Cinem\u00eddia, which is coordinated by the IntermIdia project investigators from UFSCar.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>Where To Sit At The Dinner Table? Happy Hour Discussion with Writer and Director Pedro Neves Marques &#8211; 7 June 2016<\/h2>\n<p>Pedro Neves Marques is an artist, writer, and filmmaker, whose work draws surprising connections between technology and the natural world. His 2013 experimental film, Where to Sit at the Dinner Table?, explores the genealogies of colonialism, anthropology, and ecology, and focuses especially on the resonance of cannibalism in the history of Brazil. This intimate event featured a discussion of the film with the director.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-747 size-full\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/where-to-sit-at-table.jpg\" alt=\"Where to Sit at the Dinner Table flyer\" width=\"580\" height=\"750\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/where-to-sit-at-table.jpg 580w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/where-to-sit-at-table-232x300.jpg 232w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/p>\n<h2><\/h2>\n<hr \/>\n<h2>Workshop Understanding Intermediality &#8211; 13 April 2016<\/h2>\n<p>The first IntermIdia Workshop, &#8216;Understanding Intermediality&#8217;, took place on 13 April, at the University of Reading. It finished with a keynote speech, open to the public, given by Prof \u00c1gnes Peth\u00f6 on &#8216;Understanding Intermediality in Contemporary Cinema: Changing shapes of In-Betweenness&#8217;. The full programme can be seen here: <a href=\"http:\/\/www.reading.ac.uk\/nmsruntime\/saveasdialog.aspx?lID=116130&amp;sID=415383\" name=\"IntermIdia_Workshop_1_Programme_final\">IntermIdia Workshop Programme<\/a>.<\/p>\n<p>The full workshop can be viewed here:<\/p>\n<p><iframe loading=\"lazy\" title=\"IntermIdia Workshop \u2018Understanding Intermediality\u2019\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/GcVb6-uc0jo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2><\/h2>\n<hr \/>\n<h2>IntermIdia Launch Event &#8211; 30 September 2015<\/h2>\n<p><strong>PROGRAMME<\/strong><\/p>\n<ul>\n<li><strong>17:30: <\/strong>Introduction by Professor Steve Mithen (UoR Deputy Vice-Chancellor; PVC Research)<\/li>\n<li><strong>17:40: <\/strong>Presentation of the Project by Professor L\u00facia Nagib (UoR PI)<\/li>\n<li><strong>18:00: <\/strong>Presentations by Dr John Gibbs, Dr Lisa Purse, Alison Butler (UoR Co-Is)<\/li>\n<li><strong>18:15: <\/strong>Virtual presentations by Dr Luciana Ara\u00fajo (UFSCar PI), Dr Fl\u00e1via Cesarino Costa, Dr Samuel Paiva, Dr Suzana Reck Miranda (UFSCar Co-Is)<\/li>\n<li><strong>18:45: <\/strong>Wine Reception<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-744 size-full\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/intermidia-launch-event.jpg\" alt=\"IntermIdia launch event conference\" width=\"600\" height=\"442\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/intermidia-launch-event.jpg 600w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/intermidia-launch-event-300x221.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-748 size-full\" src=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/logos.jpg\" alt=\"Arts &amp; Humanities Research Council, FAPESP, Tate, RFT and cinemateca brasileira logos\" width=\"566\" height=\"81\" srcset=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/logos.jpg 566w, https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/logos-300x43.jpg 300w\" sizes=\"auto, (max-width: 566px) 100vw, 566px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are delighted to announce the \u2018Contemporary Brazilian Music Film Season\u2019, to take place at the Reading Film Theatre over a period of 10 weeks \u2013 17 January to 23 March 2018. The Season will be held in combination with the Course \u2018Brazilian Music and Film\u2019, focusing on the ways in which these two media combine and cross-pollinate.<\/p>\n","protected":false},"author":8,"featured_media":1700,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-732","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Events - Intermidia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/research.reading.ac.uk\/intermidia\/all-events\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Events - Intermidia\" \/>\n<meta property=\"og:description\" content=\"We are delighted to announce the \u2018Contemporary Brazilian Music Film Season\u2019, to take place at the Reading Film Theatre over a period of 10 weeks \u2013 17 January to 23 March 2018. The Season will be held in combination with the Course \u2018Brazilian Music and Film\u2019, focusing on the ways in which these two media combine and cross-pollinate.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/research.reading.ac.uk\/intermidia\/all-events\/\" \/>\n<meta property=\"og:site_name\" content=\"Intermidia\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-03T11:07:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/research.reading.ac.uk\/intermidia\/wp-content\/uploads\/sites\/6\/slider11\/pic25.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/all-events\/\",\"url\":\"https:\/\/research.reading.ac.uk\/intermidia\/all-events\/\",\"name\":\"Events - Intermidia\",\"isPartOf\":{\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/#website\"},\"datePublished\":\"2017-10-09T15:10:45+00:00\",\"dateModified\":\"2021-09-03T11:07:18+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/all-events\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/research.reading.ac.uk\/intermidia\/all-events\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/all-events\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/research.reading.ac.uk\/intermidia\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Events\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/research.reading.ac.uk\/intermidia\/#website\",\"url\":\"https:\/\/research.reading.ac.uk\/intermidia\/\",\"name\":\"Intermidia\",\"description\":\"AHRC-FAPESP Collaborative Project\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/research.reading.ac.uk\/intermidia\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-GB\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Events - Intermidia","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/research.reading.ac.uk\/intermidia\/all-events\/","og_locale":"en_GB","og_type":"article","og_title":"Events - Intermidia","og_description":"We are delighted to announce the \u2018Contemporary Brazilian Music Film Season\u2019, to take place at the Reading Film Theatre over a period of 10 weeks \u2013 17 January to 23 March 2018. 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