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DTSTART;VALUE=DATE:20171106
DTEND;VALUE=DATE:20171109
DTSTAMP:20260513T043821
CREATED:20171005T083520Z
LAST-MODIFIED:20171005T083520Z
UID:1199-1509926400-1510185599@research.reading.ac.uk
SUMMARY:II IntermIdia Conference: 'The Moving Form of Film: Exploring Intermediality as a Historiographic Method'
DESCRIPTION:From its birth\, the film medium has fuelled debates around its possible specificity versus its obvious connections with other arts and media. In recent days\, with the advent of digital technologies that trigger and depend on media convergence\, it has become indisputable that film is inherently intermedial\, giving scope for reconsidering film history in light of the medium’s moving\, all- encompassing form. As Alain Badiou summarises\, it is impossible to think cinema outside of a general space made of its connections to the other arts. He says: ‘Cinema is the seventh art in a very particular sense. It does not add itself to the other six while remaining on the same level as them. Rather\, it implies them – cinema is the “plus-one” of the arts. It operates on the other arts\, using them as its starting point\, in a movement that subtracts them from themselves’ (2005: 79). This conference will build on such an understanding by investigating the ways in which intermediality\, rather than obstructing\, enhances film’s artistic endeavour. More pointedly\, it will ask: how can intermediality help us to understand the history of cinema as a whole? \nBroadly speaking\, ‘intermediality’ refers to the interbreeding of artistic and technical medial forms. The uses of the term hark back to the 1960s and Higgins (1966; 1981)\,who applied it to an array of countercultural artistic phenomena of the time. Through the years\, the concept has evolved to encompass an ‘inflation’ of definitions (Pethö 2010)\, which concur in the celebration of ‘hybridisation’\, ‘transnationalism’\, ‘multiculturalism’ and cross-fertilisations of all sorts. As for cinema\, intermediality has gained prominence among other more established approaches\, such as comparative\, intertextual\, adaptation and genre-based studies\, for its wider premise that keeps the interrogation into the properties of the medium constantly on the critic’s horizon (Rajewsky 2010). This conference will look at medial interstices\, intercultural encounters and creative clashes where the specificities of cinema are questioned and re-fertilised into new forms. Its ultimate aim will be to stimulate an overarching exploration of and theorising on the uses of intermediality as a historiographic method. \nVisit the II IntermIdia Conference webpage for more information about guest speakers\, venue and bookings.
URL:https://research.reading.ac.uk/research-blog/event/ii-intermidia-conference-the-moving-form-of-film-exploring-intermediality-as-a-historiographic-method/
LOCATION:Minghella Studios\, Minghella Building\, Whiteknights Campus\, RG6 6UR\, United Kingdom
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DTSTART;TZID=Europe/London:20171107T120000
DTEND;TZID=Europe/London:20171107T130000
DTSTAMP:20260513T043821
CREATED:20171012T143247Z
LAST-MODIFIED:20171012T143247Z
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SUMMARY:The MERL Autumn Speaker Series – Mark Allery
DESCRIPTION:Showing\, Doing\, Telling: Craft And Making\nA Season Of Events Exploring Craft And Making At The MERL \nSpecialists in craft and the arts examine different ways of responding to rural life\, exploring how best to nurture old skills\, contemporary creative responses and traditional practice. \nIn this talk\, woodsman\, bodger and scythesman Mark Allery joins the MERL for a hands-on exploration of some of the scythes in the MERL collection and shares the story of his search for the earliest surviving scythes. \nAdmission is free\, although booking is recommended. \n\nBook tickets
URL:https://research.reading.ac.uk/research-blog/event/the-merl-autumn-speaker-series-mark-allery/
LOCATION:Museum of English Rural Life (The MERL)\, Redlands Road\, Reading\, RG1 5EX\, United Kingdom
ORGANIZER;CN="The%20Museum%20of%20English%20Rural%20Life":MAILTO:merl@reading.ac.uk
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