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X-ORIGINAL-URL:https://research.reading.ac.uk/research-blog
X-WR-CALDESC:Events for Connecting Research
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TZID:Europe/London
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TZOFFSETFROM:+0000
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DTSTART:20230326T010000
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DTSTART:20231029T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230417T100000
DTEND;TZID=Europe/London:20230721T170000
DTSTAMP:20260429T070339
CREATED:20230426T153238Z
LAST-MODIFIED:20230426T153238Z
UID:27384-1681725600-1689958800@research.reading.ac.uk
SUMMARY:Way of type Evolution of Chinese typeforms
DESCRIPTION:This exhibition charts the development of Chinese type and type making technologies in China from the invention of movable type in the eleventh century to the design of digital typefaces today. It documents numerous Chinese typefaces created in different eras using varied techniques and technologies presented in high quality digital reproductions.  The exhibition is an abridged version of Way of Type  Modernisation of Chinese Typography in China which toured seven cities in China before travelling to the UK\, and is a collaboration between the University of Reading and the Central Academy of Fine Arts Beijing. \nNo booking is required for members of the University of Reading and off-campus attendees need to email typography@reading.ac.uk. 
URL:https://research.reading.ac.uk/research-blog/event/chinese-typeforms/
LOCATION:Building 21 (TOB2)\, University of Reading\, Whiteknights\, Building 21 (TOB2)\, Department of Typography & Graphic Communication\, T-Spur exhibition space\, Reading\, RG6 6ER\, United Kingdom
CATEGORIES:Heritage & Creativity
ATTACH;FMTTYPE=image/jpeg:https://research.reading.ac.uk/research-blog/wp-content/uploads/sites/72/2023/04/joshua-fernandez-34LkNGdzAfI-unsplash.jpg
ORGANIZER;CN="Department%20of%20Typography%20%26amp%3B%20Graphic%20Communication":MAILTO:typography@reading.ac.uk
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230614T140000
DTEND;TZID=Europe/London:20230614T160000
DTSTAMP:20260429T070339
CREATED:20230531T185051Z
LAST-MODIFIED:20230531T195703Z
UID:27602-1686751200-1686758400@research.reading.ac.uk
SUMMARY:Shifting the focus of the global warming agenda to deal with adaptation and loss & damage (AL&D)
DESCRIPTION:[vc_row][vc_column][vc_column_text] \nIn this workshop\, Dr Terry Cannon\, Research Fellow at the Institute of Development Studies\, will be presenting a paper and leading a discussion on the global political realities of policies and practices relating to climate change adaptation and loss and damage (AL&D). It should be a lively and provocative discussion so please come along. Please RSVP to a.h.arnall@reading.ac.uk by Wed 7 June to confirm attendance. \nEveryone attending the workshop will be sent Terry’s short paper in advance. The paper has been discussed by a group at the Edinburgh Climate Change Institute\, by a group from Toronto\, York and Montreal Universities in Canada\, and now at Reading and soon at Cambridge.  There are many additions and some corrections to be made following the earlier discussions\, and Terry hopes that new ideas and responses will emerge at Reading. \n[/vc_column_text][/vc_column][/vc_row]
URL:https://research.reading.ac.uk/research-blog/event/shifting-the-focus-of-the-global-warming-agenda-to-deal-with-adaptation-and-loss-damage-ald/
CATEGORIES:Prosperity & Resilience
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230614T150000
DTEND;TZID=Europe/London:20230614T163000
DTSTAMP:20260429T070339
CREATED:20230606T100359Z
LAST-MODIFIED:20230606T100632Z
UID:27618-1686754800-1686760200@research.reading.ac.uk
SUMMARY:Screen Work Group: Practice as Research screening
DESCRIPTION:The University of Reading’s Screen Work Group is delighted to present an afternoon programme of practice work (at various stages of development) by research staff: Wed June 14th\, 3.00 – 4.30. \nThe screening will take place in the cinema at Minghella Studios\, and will be followed by a drinks reception. All welcome; no booking required. \nProgramme\nFilms to Die For: Wim Wenders and the Death of Glauber Rocha [PILOT] (Lúcia Nagib) \nThis essay film revolves around Wim Wenders’ The State of Things (1982)\, an emblematic cinephilic film that brings Hollywood and European cinemas together in a passionate\, but ill-fated\, affair\, fed on allusion and self-reflexivity. \nCreative Geography\, Creative Connections: Candyman (John Gibbs) \nAn audiovisual essay foregrounding creative connections and overlooked histories in the relationships between a number of films\, their creators and the spaces and social contexts with which they interact. Making use of a concept map\, the video centres on Candyman (Rose\, 1992) and its ‘spiritual sequel’\, Candyman (DaCosta\, 2021). \nsomething is Happening (Christine Ellison) \nThis film documents a residency at the Bonotto Foundation in Veneto\, Italy\, home to the Bonotto Collection of Fluxus scores and concrete poetry. Here\, Christine collaborated with filmmaker Robbie McKane (UoR Art and Film & Theatre graduate) and an international team of designers\, dancers and musicians\, in the development of a live performance and documentary\, in which experimental scores from the collection become access points to open up critical questions around digital devices and the language of the interface. \nGreen Hills and Fresh Fish [WORK IN PROGRESS] (Adam O’Brien) \nAn experimental documentary\, bringing together an audio recording of a poetry seminar (exploring Roger Robinson’s ‘A Portable Paradise’) with images taken by the photographer Peter Adams\, sourced from the MERL archive. It probes the relationship between spectacle and language in our conceptions of better worlds (and how these worlds might work).
URL:https://research.reading.ac.uk/research-blog/event/screen-work-group-practice-research-screening/
LOCATION:Minghella Studios\, Minghella Building\, Whiteknights Campus\, RG6 6UR\, United Kingdom
CATEGORIES:Heritage & Creativity
ATTACH;FMTTYPE=image/jpeg:https://research.reading.ac.uk/research-blog/wp-content/uploads/sites/72/2023/06/jonatan-moerman-4nUQH0EXzfg-unsplash.jpg
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