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X-ORIGINAL-URL:https://research.reading.ac.uk/research-blog
X-WR-CALDESC:Events for Connecting Research
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DTSTART:20221030T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220201T180000
DTEND;TZID=Europe/London:20220201T180000
DTSTAMP:20260501T114548
CREATED:20220125T114428Z
LAST-MODIFIED:20220125T114428Z
UID:23418-1643738400-1643738400@research.reading.ac.uk
SUMMARY:Speech and Language Therapy Done Right is Social Justice Work
DESCRIPTION:Join the Centre for Literacy and Multilingualism (CeLM) for a free online talk by Warda Farah on speech and language therapy and social justice\, taking place Tuesday February 1st\, at 6.00pm (UK time). \nSpeech and Language Therapy Done Right is Social Justice Work \nOur profession cannot move to the future without confronting and acknowledging its racist and colonial knowledge base. We know that children from Black backgrounds are overrepresented as having Speech & Language Impairments\, due to biased assessment protocols. We know that our current models\, practice base & service delivery is not good enough to bring about equitable change for these children/families. This will be a personal talk sharing my journey in trying to address the above issues and how I believe that we can all use our SLT skills to create meaningful change and social impact. \nWarda Farah (BSc\, PGCert\, HCPC\, MRCSLT) is a Speech and Language Therapist and Founder of Language Waves. Language Waves specialises in using an array of methods to provide culturally diverse therapeutic input for schools and local communities. The service was specifically set up to address the barriers that “minority” families face when accessing speech and language therapy services. \nTo register to attend this online talk please click here.
URL:https://research.reading.ac.uk/research-blog/event/speech-and-language-therapy-done-right-is-social-justice-work/
CATEGORIES:Prosperity & Resilience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220202T140000
DTEND;TZID=Europe/London:20220202T170000
DTSTAMP:20260501T114548
CREATED:20211116T142030Z
LAST-MODIFIED:20230208T094259Z
UID:23051-1643810400-1643821200@research.reading.ac.uk
SUMMARY:IFNH 4th Annual Forum - Sustainable and Nutritious Food: Are these values irreconcilable?
DESCRIPTION:The Institute for Food\, Nutrition and Health (IFNH) is delighted to invite you to the 4th Annual Forum on Wednesday 2 February 2022 at 14.00 – 17.00 (GMT) which will be held online via Microsoft Teams. \nThe theme of this year’s Forum is about the potential conflict between the environmental cost of food and its importance as a source of important nutrients\, including the importance of good public communications and the consumer attitudes on this topic. \nWe will have a range of speakers including two externals from the Cranfield University and University of Aberdeen. \nPlease download a copy of the event programme. \nThe event is free to attend. \nFor further information\, please contact Elena Carp\, Executive Administration Manager\, Institute for Food\, Nutrition and Health (IFNH) at E.Carp@reading.ac.uk
URL:https://research.reading.ac.uk/research-blog/event/ifnh-4th-annual-forum-sustainable-and-nutritious-food-are-these-values-irreconcilable/
LOCATION:Microsoft Teams
CATEGORIES:Agriculture, Food & Health,Environment
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220203T170000
DTEND;TZID=Europe/London:20220203T180000
DTSTAMP:20260501T114548
CREATED:20220125T102339Z
LAST-MODIFIED:20220125T102413Z
UID:23408-1643907600-1643911200@research.reading.ac.uk
SUMMARY:Read the World: Picture Books and Translation
DESCRIPTION:This event organised by the Centre for Book Cultures and Publishing (CBCP) is free and open to all. This research seminar will be online. \nPlease register your interest to receive the Zoom link here: https://www.eventbrite.co.uk/x/read-the-world-picture-books-and-translation-tickets-251121821127 \nThe Centre for Book Cultures and Publishing in partnership with Outside in World\, the organisation dedicated to promoting and exploring world literature and children’s books in translation\, are delighted to announce the latest event in their seminar series on translation for children: \nRead the World: Picture Books and Translation \nA Reading Library Exhibition at The Eric Carle Museum of Picture Book Art (Amherst\, MA) \nThe Eric Carle Museum of Picture Book’s current library exhibition “Read the World: Picture Books and Translation” highlights the role of translators\, showcases multilingual books\, and introduces readers to recent English translations and their publishers. \nJoin Professor Regina Galasso (UMass Amherst)\, Caroline Seitz (Amherst College)\, Education Director Courtney Waring (The Carle) and Literacy Educator David Feinstein (The Carle) as they share themes and highlights from the exhibition\, and discuss their process curating and creating interpretive materials for young readers. \nParticipants: \nDavid Feinstein (The Eric Carle Museum of Picture Book Art) \nRegina Galasso (University of Massachusetts Amherst) \nCaroline Seitz (Amherst College) \nCourtney Waring (The Eric Carle Museum of Picture Book Art) \nFor details of further CBCP events\, please see the events schedule.
URL:https://research.reading.ac.uk/research-blog/event/read-the-world-picture-books-and-translation/
CATEGORIES:Heritage & Creativity
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220207T180000
DTEND;TZID=Europe/London:20220207T180000
DTSTAMP:20260501T114548
CREATED:20220204T153250Z
LAST-MODIFIED:20220204T162512Z
UID:23460-1644256800-1644256800@research.reading.ac.uk
SUMMARY:Dwoskino: Outside In + intro by author Allan Sutherland
DESCRIPTION:Part of Experimenta focus: Stephen Dwoskin\, a series of film screenings and talks at the BFI Southbank from 1-24 February \nOutside In + intro by author Allan Sutherland\nMonday 07 February 2022 18:00 NFT3 \nDwoskin’s autofictional comedy about life among the non-disabled moves from documentary to the surreal. \n\nDirector – Stephen Dwoskin\nWith Olimpia Carlisi\, Beatrice Cordua\, Stephen Dwoskin\, Merdelle Jordine\nWest Germany 1981. 110min\nDigital premiere\n\n\n\n\n\n\n\n\n\n\n\nA comedy about life among the non-disabled\, with Outside In (1981) Dwoskin turned the camera’s gaze upon himself\, to show the full variety of reactions that his disabled body provoked\, from horror to pity to awkwardness. “I tend to forget that my disability is seen as abnormal by the greater part of society”\, he once said. \nShot on location in Dwoskin’s adoptive home in London\, and drawing on experience\, Dwoskin called Outside In ‘a combination of memories from the visual diary of a disabled person’. Raymond Durgnat wrote of its ‘abrupt switches between documentary interest and fiction\, jokiness and lyricism\, slapstick and sadness’. \n“To some people”\, Dwoskin recalled\, “it was disturbing because it broke into some of the taboos regarding people with disabilities especially in areas such as sexuality.” The result is Dwoskin’s most entertaining and accessible film. \n“Dwoskin is inexplicable. Beyond analysis\, description\, exegesis. With an impertinent\, unprecedented\, truly radical ease\, he goes beyond the structured\, intelligent\, intelligible words that could be uttered on his films. So much oratorical precaution to arrive at this: all I want to announce – yes\, as good news\, a last-minute surprise – is that the death of cinema is temporarily postponed\, and that there is still a filmmaker.” – Louis Skorecki\, “Dwoskin: le dernier cinéaste”\, Cahiers du cinéma\, July–August 1982 \nWinner of the 1982 Prix L’Age d’Or. \nOutside In will be introduced by Allan Sutherland\, author of the landmark book Disabled We Stand\, published in the year the film was made. \nBiography \nAllan Sutherland is a writer\, performer\, disability arts activist and leading historian of disability arts. In 1981\, with Stephen Dwoskin\, he programmed for the National Film Theatre ‘Carry On Cripple’\, a season of feature films about disability\, the UK’s first such. He created the Chronology of Disability Arts and\, with Tony Heaton\, developed the thinking behind what would become the National Disability Arts Collection and Archive. \nBuy tickets from BFI Southbank \n\n\n\n\n  \nExperimenta focus: Stephen Dwoskin season\nA unique and challenging filmmaker whose themes include disability\, sexuality\, diaspora\, and memory. \nStephen Dwoskin arrived in London from New York in 1964\, aged 25\, with a trunk of 16mm films shot in the milieu of Andy Warhol and Jonas Mekas. He became known for a series of films in which the camera’s unblinking gaze is returned by his female subjects. Laura Mulvey wrote that he ‘opened a completely new perspective for me on cinematic voyeurism’. In the mid-70s\, Dwoskin turned his gaze on his own body\, disabled in childhood by polio\, before making a number of personal documentaries about disability and diaspora. In the 2000s\, with his mobility severely impaired\, he embraced the possibilities of digital technology to return to the underground and the erotic obsessions that powered his extraordinary 50-year career. \nRachel Garfield and Henry K Miller\, co-programmers \nFor details of the entire programme\, please visit the Experimenta focus: Stephen Dwoskin page. \n 
URL:https://research.reading.ac.uk/research-blog/event/dwoskino-outside-in-intro-by-author-allan-sutherland/
LOCATION:BFI Southbank
CATEGORIES:Heritage & Creativity
ORGANIZER;CN="Dr%20Rachel%20Garfield%2C%20Professor%20of%20Fine%20Art":MAILTO:r.s.garfield@reading.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220209T130000
DTEND;TZID=Europe/London:20220209T170000
DTSTAMP:20260501T114548
CREATED:20220119T084741Z
LAST-MODIFIED:20230208T094252Z
UID:23368-1644411600-1644426000@research.reading.ac.uk
SUMMARY:ECR Networking Event
DESCRIPTION:Are you interested in collaborative research? Looking to engage in ECR-led research? Have you got ideas that could benefit from others skills and expertise? Then this event is for you! \nCINNergies\, part of the the Centre for Integrative Neuroscience and Neurodynamics (CINN)\, is running an online ECR networking event on 9 February from 13:00-17:00. \nCINNergies has donated £2\,500 to support ECR-led collaborative pilot projects. \nApplications for this research funding must be interdisciplinary. This event is designed to help you build collaborations and make connections so that you can apply for this CINNergies research funding. \nThe CINNergies ECR networking event is an online event including round-robin structured networking\, elevator pitches for those looking for collaborators on a specific idea\, and an open networking session. You’re also welcome to join us at the SCR for a drink after. \nSo\, if you would like to meet other ECRs and exchange ideas… \nClick here to register for the networking event \nFor more information\, contact CINNergies@reading.ac.uk or see the event poster.
URL:https://research.reading.ac.uk/research-blog/event/ecr-networking-event/
LOCATION:gather.town
CATEGORIES:Agriculture, Food & Health,Environment,Heritage & Creativity,Prosperity & Resilience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220210T090000
DTEND;TZID=Europe/London:20220210T130000
DTSTAMP:20260501T114548
CREATED:20220106T163613Z
LAST-MODIFIED:20230208T094241Z
UID:23291-1644483600-1644498000@research.reading.ac.uk
SUMMARY:HortQFLNet Conference (Part 1)
DESCRIPTION:To align with their 2022 Funding Call\, HortQFLNet are holding a conference event to explain more about the funding call\, provide an opportunity for networking with other members from academia and industry and to find out about progress and results of the funded projects from our 2020 awardees. \nThe conference will be held on 10 Feb (09:00-13:00) and 14 Feb 2022 (14:00-17:00). Your registration on Eventbrite will register you for both days. You will be sent separate Zoom invitations for the two sessions following registration. \nRegistration is free for all Network members – click here to register. \nFor more information or to become a member\, please visit https://foodlossnetwork.com/
URL:https://research.reading.ac.uk/research-blog/event/hortqflnet-conference/
CATEGORIES:Agriculture, Food & Health
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220212T120000
DTEND;TZID=Europe/London:20220212T170000
DTSTAMP:20260501T114548
CREATED:20220204T155206Z
LAST-MODIFIED:20220204T162615Z
UID:23473-1644667200-1644685200@research.reading.ac.uk
SUMMARY:Dwoskino: Study Day + Acting Out - Stephen Dwoskin film screening
DESCRIPTION:Part of Experimenta focus: Stephen Dwoskin\, a series of film screenings and talks at the BFI Southbank from 1-24 February \nStudy Day + Acting Out: Stephen Dwoskin film screening\nSaturday 12 February 2022 12:00 NFT3 \nAn introduction to Dwoskin through talks\, a keynote presentation by Adrian Martin plus a screening of Acting Out: Stephen Dwoskin\, a film by artist Philomène Hoël. \nDwoskin’s career\, not only as a filmmaker but as a painter\, designer\, writer\, and campaigner\, cut across many central questions of the era: disability\, sexuality\, diaspora\, and technology – especially technologies of memory. On his death in 2012 he left behind an extraordinarily rich archive\, which for more than three years has been the focus of a multi-institutional research team based at the University of Reading. \nThis Study Day will include presentations from in and outside the project\, culminating in a keynote talk from critic Adrian Martin. \nThe Study Day will be followed by the first live screening of Acting Out: Stephen Dwoskin\, a film by artist Philomène Hoël starring researchers Henry K. Miller and Darragh O’Donoghue. \nStudy Day 12pm to 4pm \nThese talks will introduce Dwoskin from a variety of perspectives\, addressing such key themes in his work as disability\, diaspora\, and memory\, and drawing on new research in the Dwoskin archive. The day will include a keynote talk from critic and audiovisual essayist Adrian Martin\, on Dwoskin’s project of ‘a complex\, hybrid cinema\, in which disorientation is a major source of pleasure’. \nRachel Garfield and Will Fowler introduction \nPanel 1– Elisa Adami: Between the Archive and Repertoire: Embodied Memory in Stephen Dwoskin’s Ballet Black (1986)– Darragh O’Donoghue: Inside out and outside in: some thoughts on Dwoskin\, Paula Rego\, disability\, and feminism– Tom Cuthbertson: Before the Beginning/Avant le début: autobiography\, imitation\, control \nPanel 2– Jenny Chamarette and Henry K. Miller: Intoxicated By My Archive \nKeynote talk –  Adrian Martin: Getting Lost in Dwoskin (chaired by Alison Butler) \n\n\n\n\n\n\n\n\nDisorientation\, on every level\, is a powerful and disconcerting force in the work of Stephen Dwoskin. Focussing on the feature-length films he made in the 1970s\, this talk will explore the productive tension (as identified by Raymond Durgnat in the ’80s) between Dwoskin’s rigorous ‘plastic aesthetics’ (of space\, colour\, composition\, etc.) and his remarkable experimentation with narrative forms. Today\, artists who work in a similar way are frequently told that their films would best ‘fit into an art gallery context’. Yet Dwoskin\, in his time\, held on to the project of a complex\, hybrid cinema\, in which disorientation is a major source of pleasure. \nFilm Screening 4pm to 5pm\nActing Out: Stephen Dwoskin (dir. Philomène Hoël\, 2020) \nThe day will end with the first in-person screening of artist Philomène Hoël’s film Acting Out: Stephen Dwoskin\, in which ‘Hoël plays a high-wire game with her fellow researchers\, exploring the nature of their mutual obsession; filmmaker Stephen Dwoskin\, whose life and fictive world bleeds into their encounter through a series of interventions in disconcerting and hilarious ways’ (Ben Cook). \nBuy tickets from BFI Southbank. \n  \nExperimenta focus: Stephen Dwoskin season\nA unique and challenging filmmaker whose themes include disability\, sexuality\, diaspora\, and memory. \nStephen Dwoskin arrived in London from New York in 1964\, aged 25\, with a trunk of 16mm films shot in the milieu of Andy Warhol and Jonas Mekas. He became known for a series of films in which the camera’s unblinking gaze is returned by his female subjects. Laura Mulvey wrote that he ‘opened a completely new perspective for me on cinematic voyeurism’. In the mid-70s\, Dwoskin turned his gaze on his own body\, disabled in childhood by polio\, before making a number of personal documentaries about disability and diaspora. In the 2000s\, with his mobility severely impaired\, he embraced the possibilities of digital technology to return to the underground and the erotic obsessions that powered his extraordinary 50-year career. \nRachel Garfield and Henry K Miller\, co-programmers \nFor details of the entire programme\, please visit the Experimenta focus: Stephen Dwoskin page.
URL:https://research.reading.ac.uk/research-blog/event/dwoskino-study-day-acting-out-stephen-dwoskin-film-screening/
LOCATION:BFI Southbank
CATEGORIES:Heritage & Creativity
ORGANIZER;CN="Dr%20Rachel%20Garfield%2C%20Professor%20of%20Fine%20Art":MAILTO:r.s.garfield@reading.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220214T140000
DTEND;TZID=Europe/London:20220214T170000
DTSTAMP:20260501T114548
CREATED:20220106T164410Z
LAST-MODIFIED:20230208T094235Z
UID:23299-1644847200-1644858000@research.reading.ac.uk
SUMMARY:HortQFLNet Conference (Part 2)
DESCRIPTION:To align with their 2022 Funding Call\, HortQFLNet are holding a conference event to explain more about the funding call\, provide an opportunity for networking with other members from academia and industry and to find out about progress and results of the funded projects from our 2020 awardees. \nThe conference will be held on 10 Feb (09:00-13:00) and 14 Feb 2022 (14:00-17:00). Your registration on Eventbrite will register you for both days. You will be sent separate Zoom invitations for the two sessions following registration. \nRegistration is free for all Network members – click here to register. \nFor more information or to become a member\, please visit https://foodlossnetwork.com/
URL:https://research.reading.ac.uk/research-blog/event/hortqflnet-conference-part-2/
CATEGORIES:Agriculture, Food & Health
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220215T180000
DTEND;TZID=Europe/London:20220215T180000
DTSTAMP:20260501T114548
CREATED:20220204T160211Z
LAST-MODIFIED:20220204T162746Z
UID:23478-1644948000-1644948000@research.reading.ac.uk
SUMMARY:Dwoskino: Ballet Black + discussion with two of the film’s stars\, Jacqueline Boatswain and Colin Charles
DESCRIPTION:Part of Experimenta focus: Stephen Dwoskin\, a series of film screenings and talks at the BFI Southbank from 1-24 February \nBallet Black\n+ discussion with two of the film’s stars\, Jacqueline Boatswain and Colin Charles\nTuesday 15 February 2022 18:10 NFT3 \nA very personal documentary about pioneering Black British dance troupe Ballets Nègres. \n\n\nDirector – Stephen Dwoskin\nWith Jacqueline Boatswain\, Colin Charles\, Astley Harvey\, Joy Richardson\nUK 1986. 83min. 16mm\n\n\n\nDwoskin’s lifelong love of dance culminated in this very personal documentary about the Ballets Nègres\, the pioneering Black British dance troupe\, founded in London in 1946. Using a wealth of rare archival material and interviews\, Ballet Black tells a story about pre-Windrush Black British culture that is still little-known today. \nThe story is brought alive by Dwoskin’s cast of younger dancers\, seen rehearsing and performing the original troupe’s dances in a variety of inventive styles\, and at a reunion party with the older generation. On its first release in 1987 it was shown in a double-bill with Black Audio Film Collective’s Handsworth Songs. \n“The film climaxes with a spectacular and vibrant performance of ‘They Came’ by young black dancers. The fact that a ballet 40 years old appears exciting and contemporary is surely a tribute to the company’s place in the development of ballet and British culture.”– Chinyelu Onwurah\, Guardian\, 1986 \nBallet Black will be followed by a discussion of the making of the film and its legacy by two of its stars\, Jaqueline Boatswain (Shameless\, Cuckoo) and Colin Charles (Cats – original production\, English National Opera). \nBiographies\nJacqueline Boatswain is an actor\, dancer\, and singer whose West End roles include Kiss Me Kate\, Chicago\, and Jesus Christ Superstar. She has numerous television credits\, including long-running characters in Grange Hill\, Hollyoaks and Doctors. Her recent roles include Shameless\, Vera\, Bancroft\, Miracle Workers\, Shakespeare & Hathaway\, David Hare’s Collateral\, and alongside Orlando Bloom and Cara Delevingne in Carnival Row. \nColin Charles trained at the Rambert School of Ballet and Contemporary Dance. His West End credits include We Will Rock You\, Joseph and the Amazing Technicolor Dreamcoat\, Miss Saigon\, Cats\, and Five Guys Named Moe; and he has appeared in in English National Opera productions of Orpheus in the Underworld\, Faust\, and Aida. He is current performing in Dirty Dancing at the Dominion Theatre. \n\n\n\n\nBuy tickets from BFI Southbank \n\n\n\n\n  \nExperimenta focus: Stephen Dwoskin season\nA unique and challenging filmmaker whose themes include disability\, sexuality\, diaspora\, and memory. \nStephen Dwoskin arrived in London from New York in 1964\, aged 25\, with a trunk of 16mm films shot in the milieu of Andy Warhol and Jonas Mekas. He became known for a series of films in which the camera’s unblinking gaze is returned by his female subjects. Laura Mulvey wrote that he ‘opened a completely new perspective for me on cinematic voyeurism’. In the mid-70s\, Dwoskin turned his gaze on his own body\, disabled in childhood by polio\, before making a number of personal documentaries about disability and diaspora. In the 2000s\, with his mobility severely impaired\, he embraced the possibilities of digital technology to return to the underground and the erotic obsessions that powered his extraordinary 50-year career. \nRachel Garfield and Henry K Miller\, co-programmers \nFor details of the entire programme\, please visit the Experimenta focus: Stephen Dwoskin page. \n 
URL:https://research.reading.ac.uk/research-blog/event/dwoskino-ballet-black-discussion-with-two-of-the-films-stars-jacqueline-boatswain-and-colin-charles/
LOCATION:BFI Southbank
CATEGORIES:Heritage & Creativity
ORGANIZER;CN="Dr%20Rachel%20Garfield%2C%20Professor%20of%20Fine%20Art":MAILTO:r.s.garfield@reading.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220217T130000
DTEND;TZID=Europe/London:20220217T140000
DTSTAMP:20260501T114548
CREATED:20220214T174951Z
LAST-MODIFIED:20230208T094229Z
UID:23538-1645102800-1645106400@research.reading.ac.uk
SUMMARY:Become an Open Research Champion - information session
DESCRIPTION:There will an information session at 13.00-14.00 on Thursday 17th February for anyone interested in becoming an Open Research Champion. \nThe University is seeking researchers\, members of staff connected with research\, and research students (second year onwards) in any discipline who are willing to spend a few hours a month helping to build a culture of Open Research at the University. \nAs a Champion\, you will become part of a collaborative community working to promote open and reproducible research practices. \nThe main qualifications to be a Champion are enthusiasm for Open Research\, and a willingness to learn and share. You don’t need to be an expert – we will provide training ­– but knowledge and skills in specific open practices are welcome. \nThe call is open for applications until 11th March. \nThe information session will provide an overview of the Champions programme by Robert Darby\, Research Data Manager. Current Champions Auvikki de Boon (PhD student\, Agriculture\, Policy and Development) and Marzia Briel (Associate Lecturer/PhD student\, Law) will discuss their experiences of the programme. \nFor call details and to book your place at the information session\, visit this page.
URL:https://research.reading.ac.uk/research-blog/event/become-an-open-research-champion-information-session/
CATEGORIES:Agriculture, Food & Health,Environment,Heritage & Creativity,Prosperity & Resilience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220221T180000
DTEND;TZID=Europe/London:20220221T193000
DTSTAMP:20260501T114548
CREATED:20220107T152216Z
LAST-MODIFIED:20220114T104137Z
UID:23306-1645466400-1645471800@research.reading.ac.uk
SUMMARY:Multilingualism and Social Justice
DESCRIPTION:Join the Centre for Literacy and Multilingualism (CeLM) on International Mother Language Day (21st February) for their online public lecture “Multilingualism and Social Justice”. \nLeading academics from across disciplines from CeLM at the University of Reading will come together to present and discuss their international research with multilingual children and adults; research that challenges social inequality. How do minoritized young people experience education\, migration and health provision and how does their multilingualism sit within wider issues of race\, disability and access to services? \nA round table discussion format will provide an opportunity for the audience to engage with experts in the field. \n\nDr Naomi Flynn will talk about her research in US schools examining a language-rich pedagogy shown to improve educational outcomes of minoritized groups of learners.\nDr Vishnu Nair will talk about racial disproportionality of minoritized children in speech and language services through the intersecting lens of race and disability.\nDr Tony Capstick will talk about Multilingual pedagogies and social justice in language education in the Global South.\nDr Federico Faloppa will talk about Multilingualism (and mother tongues) through multilingual unaccompanied minors’ perspectives. A round table discussion will provide an opportunity for the audience to engage in discussion with experts in the field.\n\nAdmission free. Booking essential. \nPlease visit the event page to book your place.
URL:https://research.reading.ac.uk/research-blog/event/multilingualism-and-social-justice/
LOCATION:Online event
CATEGORIES:Prosperity & Resilience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220223T183000
DTEND;TZID=Europe/London:20220223T183000
DTSTAMP:20260501T114548
CREATED:20220204T160655Z
LAST-MODIFIED:20220204T162230Z
UID:23480-1645641000-1645641000@research.reading.ac.uk
SUMMARY:Dwoskino: The Gaze of Stephen Dwoskin
DESCRIPTION:Part of Experimenta focus: Stephen Dwoskin\, a series of film screenings and talks at the BFI Southbank from 1-24 February \nThe Gaze of Stephen Dwoskin\nWednesday 23 February 2022 18:45 BFI Reuben Library \nIn this library talk we’re joined by the editors of new book DWOSKINO: The Gaze of Stephen Dwoskin. \n\n\nTotal running time 60min\n\n\n\nThe newly published DWOSKINO: The Gaze of Stephen Dwoskin is a collection of images\, texts\, and documents\, providing a vivid portrait of Dwoskin’s life and times. In this library talk\, editors Rachel Garfield and Henry K Miller will discuss the book’s circuitous journey to the page under the shadow of Covid\, when access to archives and libraries was dramatically curtailed. \nTickets £6.50 \nBuy tickets from BFI Southbank \n  \nExperimenta focus: Stephen Dwoskin season\nA unique and challenging filmmaker whose themes include disability\, sexuality\, diaspora\, and memory. \nStephen Dwoskin arrived in London from New York in 1964\, aged 25\, with a trunk of 16mm films shot in the milieu of Andy Warhol and Jonas Mekas. He became known for a series of films in which the camera’s unblinking gaze is returned by his female subjects. Laura Mulvey wrote that he ‘opened a completely new perspective for me on cinematic voyeurism’. In the mid-70s\, Dwoskin turned his gaze on his own body\, disabled in childhood by polio\, before making a number of personal documentaries about disability and diaspora. In the 2000s\, with his mobility severely impaired\, he embraced the possibilities of digital technology to return to the underground and the erotic obsessions that powered his extraordinary 50-year career. \nRachel Garfield and Henry K Miller\, co-programmers \nFor details of the entire programme\, please visit the Experimenta focus: Stephen Dwoskin page. \n 
URL:https://research.reading.ac.uk/research-blog/event/dwoskino-the-gaze-of-stephen-dwoskin/
LOCATION:BFI Southbank
CATEGORIES:Heritage & Creativity
ORGANIZER;CN="Dr%20Rachel%20Garfield%2C%20Professor%20of%20Fine%20Art":MAILTO:r.s.garfield@reading.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220224T170000
DTEND;TZID=Europe/London:20220224T180000
DTSTAMP:20260501T114548
CREATED:20220125T102902Z
LAST-MODIFIED:20220125T103603Z
UID:23410-1645722000-1645725600@research.reading.ac.uk
SUMMARY:Researching the history of printing in Iran: particularities and challenges
DESCRIPTION:Dr Borna Izadpanah\, Department of Typography\, University of Reading \nThis event organised by the Centre for Book Cultures and Publishing (CBCP) is free and open to all. This research seminar will be a hybrid event\, taking place on the University of Reading campus\, Typography Department\, Room A6\, and online. \nPlease register your interest to receive the Zoom link here: \nhttps://www.eventbrite.co.uk/e/researching-the-history-of-printing-in-iran-particularities-and-challenges-tickets-242664866147  \nThis seminar introduces some of the particularities and challenges that Borna’s recently completed PhD research faced in developing the chapter that deals with the introduction of Arabic-script printing to nineteenth-century Iran. One of the significant aspects of Arabic-script metal types produced in Iran is their extremely minimal use. This is also true of the number of surviving copies of the early Persian publications in Iran which were printed with those types. For example\, the first Qurʾān printed with both typography (1827) and lithography (1834) are limited to two identified copies. Additionally\, the condition of extant copies of books printed in Iran during this period are often extremely poor and\, in many cases\, incomplete. \nThis presentation demonstrates Borna’s experience of investigating the early Persian publications in Iran\, which shows that many of these publications have yet to be identified. As will be shown\, the discovery of previously unknown publications in libraries or private collections – which is not an infrequent occurrence – often overturns the received history of printing in Iran. \nBorna Izadpanah is a typeface designer and researcher based in London. He holds a PhD in Typography & Graphic Communication from the University of Reading\, where he also graduated with an MA in Typeface Design. His doctoral research explored the history of the early typographic representation of the Persian language. Borna has received numerous prestigious awards for his research and typeface design including the Grand Prize and the First Prize in Arabic Text Typeface in Granshan Type Design Competition\, TDC Certificate of Typographic Excellence\, and the Symposia Iranica Prize for the best paper in Art History. \nThis research seminar will be a hybrid event\, taking place online and on the University of Reading campus\, Room A6\, Typography Department http://www.reading.ac.uk/web/files/maps/whiteknights-campus-map.pdf (Building number 21 on this map). \nFor details of further CBCP events\, please see the events schedule.
URL:https://research.reading.ac.uk/research-blog/event/researching-the-history-of-printing-in-iran-particularities-and-challenges/
LOCATION:Hybid event
CATEGORIES:Heritage & Creativity
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220224T180000
DTEND;TZID=Europe/London:20220224T180000
DTSTAMP:20260501T114548
CREATED:20220204T161300Z
LAST-MODIFIED:20220204T171719Z
UID:23482-1645725600-1645725600@research.reading.ac.uk
SUMMARY:Dwoskino: The Sun and the Moon + intro by writer Paul Clinton
DESCRIPTION:Part of Experimenta focus: Stephen Dwoskin\, a series of film screenings and talks at the BFI Southbank from 1-24 February \nThe Sun and the Moon + intro by writer Paul Clinton\nThursday 24 February 2022 18:20 NFT3 \nStephen Dwoskin’s late masterpiece is distantly inspired by the Beauty and the Beast tale. \n\n\nDirector – Stephen Dwoskin\nWith Beatrice Cordua\, Stephen Dwoskin\, Helga Wretman\nUK 2008. 59min. Digital\n\n\n\nDwoskin began as an underground filmmaker\, and ended his career as one. Distantly inspired by Beauty and the Beast\, The Sun and the Moon features Dwoskin as the Beast\, all but confined to his bed and hooked up to a breathing machine\, opposite performance artist and stunt performer Helga Wretman\, and dancer Beatrice ‘Trixie’ Cordua (Dwoskin’s muse of many years). The high point of Dwoskin’s late period\, the film was described by scholar Raymond Bellour as an ‘absolute masterpiece’. \n+ Me Myself and I \n\n\n\nUK 1968. Stephen Dwoskin. 18min Digital 4K \n\n\nBuy tickets from BFI Southbank \n\nExperimenta focus: Stephen Dwoskin season\nA unique and challenging filmmaker whose themes include disability\, sexuality\, diaspora\, and memory. \nStephen Dwoskin arrived in London from New York in 1964\, aged 25\, with a trunk of 16mm films shot in the milieu of Andy Warhol and Jonas Mekas. He became known for a series of films in which the camera’s unblinking gaze is returned by his female subjects. Laura Mulvey wrote that he ‘opened a completely new perspective for me on cinematic voyeurism’. In the mid-70s\, Dwoskin turned his gaze on his own body\, disabled in childhood by polio\, before making a number of personal documentaries about disability and diaspora. In the 2000s\, with his mobility severely impaired\, he embraced the possibilities of digital technology to return to the underground and the erotic obsessions that powered his extraordinary 50-year career. \nRachel Garfield and Henry K Miller\, co-programmers \nFor details of the entire programme\, please visit the Experimenta focus: Stephen Dwoskin page. \n 
URL:https://research.reading.ac.uk/research-blog/event/dwoskino-the-sun-and-the-moon-intro-by-writer-paul-clinton/
LOCATION:BFI Southbank
CATEGORIES:Heritage & Creativity
ORGANIZER;CN="Dr%20Rachel%20Garfield%2C%20Professor%20of%20Fine%20Art":MAILTO:r.s.garfield@reading.ac.uk
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