BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Connecting Research - ECPv6.0.5//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://research.reading.ac.uk/research-blog
X-WR-CALDESC:Events for Connecting Research
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20241027T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230911
DTEND;VALUE=DATE:20231209
DTSTAMP:20260428T042703
CREATED:20231010T111631Z
LAST-MODIFIED:20231010T111645Z
UID:28368-1694390400-1702079999@research.reading.ac.uk
SUMMARY:Up in Arms: posters for protest\, solidarity\, engagement and action
DESCRIPTION:Up in Arms: posters for protest\, solidarity\, engagement and action puts posters of protest front and centre. \nThe exhibition has been curated to align with our annual conference\, ‘Publishing Anti-fascism’ convened and organised by Ellen Pilsworth. \nThe exhibition includes material from the collection of twentieth-century posters from the Lettering\, Printing and Graphic Design Collections in the Department of Typography & Graphic Communication. It displays posters from a range of sources\, some designed by well-known designers including Robin Fior and David King. The exhibition was curated and designed by Clara Fidler-Brown as part of her experience as a Collections Assistant\, with support from Ellen Pilsworth\, Emma Minns\, Sue Walker and Geoff Wyeth. \n\nThe Up in Arms exhibition space in the Department of Typography & Graphic Communication
URL:https://research.reading.ac.uk/research-blog/event/up-in-arms-posters-for-protest/
LOCATION:Department of Typography & Graphic Communication\, TOB 2\, Earley Gate\, Whiteknights Campus\, University of Reading\, Reading\, Berkshire\, RG6 7BE\, United Kingdom
CATEGORIES:Heritage & Creativity
ATTACH;FMTTYPE=image/png:https://research.reading.ac.uk/research-blog/wp-content/uploads/sites/72/2023/10/upinarms.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230923
DTEND;VALUE=DATE:20240128
DTSTAMP:20260428T042703
CREATED:20230602T133916Z
LAST-MODIFIED:20230605T105611Z
UID:27610-1695427200-1706399999@research.reading.ac.uk
SUMMARY:In the Company of Monsters: New Visions\, Ancient Myths
DESCRIPTION:Free exhibition \n23 September 2023 – 24 February 2024 \nReading Museum \nIn the Company of Monsters: New Visions\, Ancient Myths will be an exhibition of the works of the contemporary artists Eleanor Crook and Paul Reid\, alongside objects\, texts\, and artworks from the University of Reading and Reading Museum. Brought together for the first time\, these detailed and striking works share an interest in retelling ancient myths of body difference\, diversity\, and hybridity. Inspired by the enduring dreams\, or nightmares\, of bodily ‘otherness’\, the weird and wonderful creatures portrayed in this unique exhibition will ask vital questions about humanity’s place in nature\, the biological and artistic meanings of diversity and difference\, and the vital role that history plays in our understandings of the dynamic workings of natural history. \nEleanor Crook is a British sculptor with a special interest in mortality\, anatomy and pathology\, who exhibits internationally in fine art and medical and science museum contexts. She studied Classics and Philosophy at Oxford before training in sculpture at Central St Martins and the Royal Academy Schools in the early 90s\, where she specialised in wax modeling\, lost wax bronze casting and other lifelike media. She pieced together a knowledge of Anatomy from London’s medical museums and the dissection room as a medical artist\, finding figurative art to be not in favour at the time; even so\, her Classical background meant that communing with statues\, and therefore the body\, were second nature. Crook considers her work ‘more effigy than statue’\, as they are imbued with a convincing sense of life. She has developed close\, long-term collaborations with medical museums and historic anatomical wax collections such as the Gordon Museum of Pathology\, Guy’s Hospital\, Ghent University Museum\, and the Vrolik Museum Amsterdam\, where she continues wax modeling traditions and combines research through human dissection and studying the history of anatomical model-making. Most recently\, she has worked with museum project partners on creating a genre of anatomical Expressionism\, uncanny yet rooted in medical investigation\, mythology\, and the mysteries of the mind. To learn more about Eleanor Crook\, her work\, and find selected art for sale\, visit https://www.eleanorcrook.net  \n \nPaul Reid was born in Scone\, Perth\, in 1975.  Between 1994 and 1998\, he studied at Duncan of Jordanstone College of Art\, Dundee\, where he obtained First Class honours in drawing and painting.  Since then his work has been part of a number of major exhibitions\, in Scotland and northern England in particular\, but also in Europe.  He has accompanied the then Prince of Wales on visits to Italy\, Turkey\, Jordan and Canada\, drawing and painting the landscapes and people encountered.  He is firmly established as an artist who combines technical mastery with striking new visions of ancient myths. On the face of it\, Reid’s work is traditional in medium (oil; charcoal)\, though he has more recently moved into the use of digital technology.  Within the traditional aesthetic\, however\, lies a world of the unexpected: uncanny hybrids of human and animal; juxtapositions of ancient myths with modern landscapes\, faces\, buildings.  Central to every work is storytelling: characters from Greek mythology are caught at tense moments in their narrative\, at some point of shocked discovery or on the very edge of violence; or else they pause in strange stillness\, allowed a moment’s repose even as the next (perhaps final) act of the mythical drama impends.  The seated Minotaur is a perfect example: he sits easily\, casually\, but the ancient story dictates what is shortly to befall him.  To work with ancient myths is to work with stories that have been told and retold for millennia.  This is not to say that they cannot be reshaped; they always have been.  Reid’s reshapings are subtle\, but they leave the viewer in no doubt that ancient men\, women\, monsters and gods have a place in the modern world as they did in the distant world that first created them.To learn more about Paul Reid and his work\, and find selected art for sale\, visit: https://www.paulreidart.co.uk/
URL:https://research.reading.ac.uk/research-blog/event/in-the-company-of-monsters-new-visions-ancient-myths/
LOCATION:Reading Museum\, Blagrave Street\, Reading\, Berkshire\, RG1 1HQ\, United Kingdom
CATEGORIES:Heritage & Creativity
ATTACH;FMTTYPE=image/png:https://research.reading.ac.uk/research-blog/wp-content/uploads/sites/72/2023/06/new-visions-ancient-myths.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231205T180000
DTEND;TZID=Europe/London:20231205T193000
DTSTAMP:20260428T042703
CREATED:20230620T085712Z
LAST-MODIFIED:20230620T085712Z
UID:27719-1701799200-1701804600@research.reading.ac.uk
SUMMARY:Under the Bed and Among the Dead: Monsters in Ancient Egypt
DESCRIPTION:Learn from Dr Jordan Miller from the University of Cambridge about the fearsome qualities of some famous (and lesser-known) supernatural beings from ancient Egypt\, the situations in which ancient Egyptians encountered them\, and whether we might call them monsters.
URL:https://research.reading.ac.uk/research-blog/event/under-the-bed-and-among-the-dead-monsters-in-ancient-egypt/
LOCATION:Reading Museum\, Blagrave Street\, Reading\, Berkshire\, RG1 1HQ\, United Kingdom
CATEGORIES:Heritage & Creativity
ATTACH;FMTTYPE=image/jpeg:https://research.reading.ac.uk/research-blog/wp-content/uploads/sites/72/2023/06/Miller-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231207T170000
DTEND;TZID=Europe/London:20231207T180000
DTSTAMP:20260428T042703
CREATED:20231010T110518Z
LAST-MODIFIED:20231206T091340Z
UID:28365-1701968400-1701972000@research.reading.ac.uk
SUMMARY:Heinemann and Biafractivist Authors: Politics of Publishing the Rebel
DESCRIPTION:Speaker: Dr Abba Abba (University of Reading)\n \nThis research seminar is free & open to all. \nJoin us in person in the Edith Morley Building\, Room 125. \nTo join via MS Teams\, register here. \nDr Abba Abba’s paper interrogates the archival and literary evidence of Heinemann’s minoritization of Biafran voices and politicisation of publishing them during the Nigeria-Biafra war. It argues that some significant publisher-author correspondences and unpublished materials reflecting the perspectives of Biafractivist authors\, which are kept at the African Writers Series’ Archive at the University of Reading\, can function as research tools for engaging and reclaiming the perceived “rebel” authors’ voices and the publisher’s ambivalent circumstances during the war. Relying on a postcolonial reading of Homi Bhabha’s “Third space” as a theoretical strategy\, and deploying archival methodology and its application to literary intersectionality\, it teases out how these materials represent Biafrans as “outsiders within” Nigeria.\, and why Biafran voices fall through the cracks in the war’s historicity through an analysis of their experiences in selected documents and unpublished materials on the war \n♣ \nDr Abba Abba is currently a British Academy Visiting Research Fellow\, Department of English Literature\, University of Reading\, with some research visits at the Special Collections Archive at MERL. He is a Fellow of the German Academic Exchange Service – DAAD (completed a postdoctoral Research Fellowship at Humboldt University\, Berlin\, 2018–2019). He is also a Fellow of the American Council of Learned Societies (completed his another Postdoctoral Fellowship in the African Humanities Programme with Residency at the University of Dar es Salaam\, Tanzania 2021–2022). Abba won the  Nigeria-LNG Prize for Literary Criticism 2019 as well as the Association of Nigerian Authors Prizes for Literary Criticism for both 2019 and 2022. Author of the novel The Ugly Queen\, and the plays Lunatic on the Throne and The Blood Price\, Abba’s research interests cut across the conversations of  literature with cultural\, ecocritical and archival ecologies. A Lecturer in the Department of English and Literary Studies\, Federal University Lokoja\, Nigeria\, Abba has previously served as the Head\, Department of English and Literary Studies\, Edwin Clark University\, Kiagbodo Nigeria. He received his MA and PhD in Comparative Literature at the University of Nigeria\, Nsukka.
URL:https://research.reading.ac.uk/research-blog/event/heinemann-biafractivist-publishing-the-rebel/
LOCATION:Edith Morley\, Room 125\, Edith Morley Building\, University of Reading\, Reading\, Berkshire\, RG6 6UR\, United Kingdom
CATEGORIES:Heritage & Creativity
ATTACH;FMTTYPE=image/jpeg:https://research.reading.ac.uk/research-blog/wp-content/uploads/sites/72/2023/10/kimberly-farmer-lUaaKCUANVI-unsplash.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231215T110000
DTEND;TZID=Europe/London:20231215T123000
DTSTAMP:20260428T042703
CREATED:20231212T093047Z
LAST-MODIFIED:20231212T093047Z
UID:28766-1702638000-1702643400@research.reading.ac.uk
SUMMARY:What really happened at COP28?
DESCRIPTION:[vc_row][vc_column][vc_column_text] \nThe 28th Conference of Parties\, COP28\, is currently in full swing in Dubai. With heated debates on the phase out of fossil fuel and climate finance currently happening on the ground\, we are yet to see the final outcomes of this year’s climate conference such as the Global Stocktake.    \n   \nWhat are the topics we have made progress on this year? How is it like to be at COP on the ground? Why do we need these climate conferences anyway? To explore some of these questions together\, we invite you to join our What really happened at COP28?event held on Friday\, December 15th at 11am in the Sutcliffe Theatre\, Brian Hoskins Building in the Department of Meteorology. Students and staff from the University of Reading who attended COP on the ground in Dubai and in the Newsroom in Reading\, will share their perspectives on the conference. We will cover the overall outcomes as well as specific topics that we have engaged with more deeply such as biodiversity\, loss and damages and the rights and perspective of indigenous peoples.  \n   \nThe event will showcase videos and other media output produced by students\, reflect on the role of the University at these climate conferences and provide a space for you to ask and discuss all the questions you have around COP28.   \n   \nWe hope to see many of you there\, \nThe COP Climate Action Studio Team of 2023 \n[/vc_column_text][/vc_column][/vc_row]
URL:https://research.reading.ac.uk/research-blog/event/what-really-happened-at-cop28/
LOCATION:Sutcliffe Lecture Theatre\, Room GU01\, Department of Meteorology\, University of Reading\, Whiteknights\, RG6 6AH
CATEGORIES:Environment
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231220T163000
DTEND;TZID=Europe/London:20231220T173000
DTSTAMP:20260428T042703
CREATED:20231102T125846Z
LAST-MODIFIED:20231102T125846Z
UID:28489-1703089800-1703093400@research.reading.ac.uk
SUMMARY:The Reign of the Dinosaurs | Children's Christmas Lecture
DESCRIPTION:[vc_row][vc_column][vc_single_image image=”28490″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.reading.ac.uk/events/Feed/2023/December/Childrens-Winter-Lecture”][vc_column_text] \nBook your place\n[/vc_column_text][vc_column_text] \nHave you ever wondered how the dinosaurs came to rule the world? Join Dr Ciara O’Donovan as we travel back 230 million years to revisit the Mesozoic Earth.\nWe will meet the ancestor of all dinosaurs (who may surprise you!) and follow the dinosaurs as they spread across the globe. Journeying through time\, we’ll watch as one species evolved into hundreds with varying shapes and sizes. Finally\, find out what happened when the world was filled with dinosaurs and how a gigantic asteroid colliding with Earth ended their story. Or did it? \nAdmission is free. Booking essential\, reservations on a first-come\, first-served basis. \nSuitable for children 7-12 years. \nThe lecture will be interpreted in British Sign Language (BSL) by an interpreter.[/vc_column_text][/vc_column][/vc_row]
URL:https://research.reading.ac.uk/research-blog/event/the-reign-of-the-dinosaurs-childrens-christmas-lecture/
LOCATION:Palmer Building\, G10
CATEGORIES:Agriculture, Food & Health
END:VEVENT
END:VCALENDAR