{"id":27618,"date":"2023-06-06T11:03:59","date_gmt":"2023-06-06T10:03:59","guid":{"rendered":"https:\/\/research.reading.ac.uk\/research-blog\/?post_type=tribe_events&p=27618"},"modified":"2023-06-06T11:06:32","modified_gmt":"2023-06-06T10:06:32","slug":"screen-work-group-practice-research-screening","status":"publish","type":"tribe_events","link":"https:\/\/research.reading.ac.uk\/research-blog\/event\/screen-work-group-practice-research-screening\/","title":{"rendered":"Screen Work Group: Practice as Research screening"},"content":{"rendered":"

The University of Reading’s\u00a0Screen Work Group<\/strong>\u00a0is delighted to present an afternoon programme of practice work (at various stages of development) by research staff:\u00a0Wed June 14th, 3.00 – 4.30.<\/strong><\/p>\n

The screening will take place in the cinema at\u00a0Minghella Studios<\/strong>, and will be followed by a drinks reception. All welcome;\u00a0no booking required<\/strong>.<\/p>\n

Programme<\/h3>\n

Films to Die For: Wim Wenders and the Death of Glauber Rocha\u00a0<\/em>[PILOT]\u00a0(L\u00facia Nagib)<\/strong><\/p>\n

This essay film revolves around Wim Wenders\u2019\u00a0The State of Things<\/em>\u00a0(1982), an emblematic cinephilic film that brings Hollywood and European cinemas together in a passionate, but ill-fated, affair, fed on allusion and self-reflexivity.<\/p>\n

Creative Geography, Creative Connections:<\/em><\/strong>\u00a0<\/strong>Candyman (John Gibbs)<\/strong><\/p>\n

An audiovisual essay foregrounding creative connections and overlooked histories in the relationships between a number of films, their creators and the spaces and social contexts with which they interact. Making use of a concept map, the video centres on\u00a0Candyman<\/em>\u00a0(Rose, 1992) and its \u2018spiritual sequel\u2019,\u00a0Candyman<\/em>\u00a0(DaCosta, 2021).<\/p>\n

something is Happening<\/em><\/strong>\u00a0<\/em><\/strong>(Christine Ellison)<\/strong><\/p>\n

This film documents a residency at the Bonotto Foundation in Veneto, Italy, home\u00a0to the\u00a0Bonotto Collection of Fluxus scores and concrete poetry. Here, Christine collaborated with filmmaker Robbie McKane (UoR Art and Film & Theatre graduate) and an international\u00a0team of designers, dancers and musicians, in the development\u00a0of a live performance and documentary, in which experimental scores from the collection become access points to open up critical questions around digital devices and the language of the interface.<\/p>\n

Green Hills and Fresh Fish<\/em><\/strong>\u00a0[WORK IN PROGRESS]<\/strong>\u00a0(Adam O’Brien)<\/strong><\/p>\n

An experimental documentary, bringing together an audio recording of a poetry seminar (exploring Roger Robinson’s ‘A Portable Paradise’) with images taken by the photographer Peter Adams, sourced from the MERL archive. It probes the relationship between spectacle and language in our conceptions of better worlds (and how these worlds might work).<\/p>\n","protected":false},"excerpt":{"rendered":"

The University of Reading’s\u00a0Screen Work Group\u00a0is delighted to present an afternoon programme of practice work (at various stages of development) by research staff:\u00a0Wed June 14th, 3.00 – 4.30. 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