[vc_row][vc_column width=”1\/4″][vc_single_image image=”1422″ img_size=”400×400″ style=”vc_box_shadow_3d”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n
[\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1719827292132-d6afb148-3af1″][vc_column_text]John attended the inaugural \u2018video camp\u2019 workshop <\/span>at <\/span>Middlebury<\/span> College in 2015, and has since been an active publisher, <\/span>teacher<\/span> and researcher of videographic <\/span>scholarship<\/span>. He <\/span>specialises<\/span> in question<\/span>s of form, <\/span>style<\/span> and criticism.\u00a0<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1465″ img_size=”400×400″ style=”vc_box_shadow_3d”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1719827647020-acadf8d6-5da4″][vc_column_text]Professor L\u00facia Nagib<\/span> FBA<\/span> is an internationally <\/span>recognised<\/span> specialist in world cinema, cinematic realism and cinematic <\/span>intermediality<\/span>, which she has explored in <\/span>numerous<\/span> publications. She is the director, with Samuel Paiva, of the award-winning feature-length documentary <\/span><\/span>Passages <\/span><\/span>(UK, 2019).<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1446″ img_size=”400×400″ style=”vc_box_shadow_3d”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1719827735124-907cebe8-4090″][vc_column_text]Lisa <\/span>participated<\/span> in the 202<\/span>2<\/span> SW<\/span>G Videographic Summer School, in which she developed work around questions of female agency and violence in superhero cinema. She is <\/span>currently <\/span>leading an <\/span>AHRC-funded research <\/span>project, <\/span><\/span>Screen Industries Voices<\/span><\/span>.\u00a0<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1448″ img_size=”400×400″ style=”vc_box_shadow_3d”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1719827735301-3816b9ea-88f3″][vc_column_text]Shweta has helped to run participatory-video training with <\/span>SWG, and<\/span> is herself the maker of four feature-length documentaries. Much of her work explores questions around disability, <\/span>access<\/span> and community-led film practice.<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1461″ img_size=”400×400″ style=”vc_box_shadow_3d”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1720020319003-5cd86af9-b3c0″][vc_column_text]Dominic is the leader of the Synthetic Media Research Network, an expert on generative AI in the screen industries, and Specialist Advisor to the UK Parliament on film and television. His recent research projects have included explorations of \u2018deepfake\u2019 technology in both fiction and documentary <\/span>film<\/span>. He also has considerable professional experience as a director of television drama and feature film.<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1467″ img_size=”400×400″ style=”vc_box_shadow_3d”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1720020319218-8c7025fd-c28b”][vc_column_text]Andrew is an early-career researcher who combines theoretical study <\/span>(especially feminist and queer philosophies) with experimental <\/span>documentary <\/span>practice<\/span>.<\/span> He co-convenes the SWG Video<\/span>graphic <\/span>Summer School, and<\/span> is <\/span><\/span>Knowledge<\/span> Exchange Fellow on the AHRC-funded <\/span><\/span>Screen Industries Voices<\/span><\/span> project.<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1469″ img_size=”400×400″ style=”vc_box_shadow_3d”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1720021641137-2ed2473e-10f2″][vc_column_text]Teresa has considerable practice-as-research <\/span>experience, and<\/span> is also one of two Academic Champions for Public Engagement with Research at the university. She attended the 2022 SWG Videographic Summer School, and her research outputs include innovative web- and film-based projects, such as <\/span><\/span>I, Sheep<\/span><\/span>.<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1720021641294-83d22379-d092″][vc_column_text]Ma<\/span>tthew <\/span>is<\/span> Co-Director of the Beckett International Foundation, <\/span>with <\/span>particular expertise<\/span> in <\/span>histories<\/span> and aesthetics of <\/span>scenographic<\/span> design. At the 2023 SWG Summer School, he developed videographic<\/span> work using televised recordings of <\/span><\/span>Krapp\u2019s Last Tape.<\/span><\/span>\u00a0<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1470″ img_size=”400×400″ style=”vc_box_shadow_3d”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1720021724144-78b46b38-27b4″][vc_column_text]As well as attending the <\/span>2023 SWG Videographic Summer School, James has <\/span>included video-essay practice in <\/span>many<\/span> undergraduate classes. His research <\/span>expertise<\/span> is Iranian cinema and theories of realism.<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1471″ img_size=”400×400″ style=”vc_box_shadow_3d”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1720021724307-8ba85d45-3c67″][vc_column_text]Simone is predominantly a scholar of television <\/span>studies, and<\/span> is currently developing a project on <\/span>European <\/span>dubbing<\/span> practices. She attended the 2023 SWG Videographic Summer School, <\/span>where her work focused on dubbing, <\/span>sound<\/span> and translation.<\/span>\u00a0<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1494″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723474772092-b5f3904f-c987″][vc_column_text]An anthropologist with a special interest in material culture and digital methods, Katie is also an active participant with the Screen Work Group. In 2023, she undertook training in participatory video and videographic methods.<\/span>\u00a0<\/span><\/p>\n \u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1493″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723474772180-dd171284-e96d”][vc_column_text]Amy is the Curator of the Ure Museum of Greek Archaeology, with a special interest and expertise in digital museology. She attended the 2023 SWG Participatory Video Workshop.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1492″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723474937889-73aeb335-e96c”][vc_column_text]Mara specialises in modern US history, and also leads Reading\u2019s Digital Humanities Community of Practice. Since attending the 2023 SWG Videographic Summer School, she has developed a full-length video essay about the 1936 World\u2019s Fair in Queens, New York.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1491″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723474937970-a47c0f81-d1a9″][vc_column_text]Daniela is an expert in modern Italian culture, and Co-Director of the Centre for Book Cultures and Publishing. She attended the 2023 SWG Videographic Summer School, where she focused on images of the human corpse in Cronenberg, Almodovar and the Venere Anatomica.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1490″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723474941002-1765915a-b7b6″][vc_column_text]Based in the School of Pharmacy, Rosemary researches the safety and quality of healthcare. One area of focus is care for (and communication with) people with dementia. During her work at the SWG Videographic Summer School, Rosemary drew on photographs and sound recordings from her qualitative research.\u00a0<\/span>\u00a0<\/span><\/p>\n \u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1489″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723474941087-14276dd7-9a40″][vc_column_text]James researches and teaches art in relation to critical theory, particularly the Frankfurt School. He has collaborated with filmmakers in a practice-as-research capacity, and his forthcoming book looks at contemporary artists’ film and moving image in relation to Adorno’s aesthetic theory.<\/span>\u00a0<\/span><\/p>\n \u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1488″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475005052-63e523a2-764b”][vc_column_text]In his research on the cultural politics of food, humanitarianism and the environment, Mike has engaged extensively with various forms and modes of screen communication and media activism. He also uses a range of creative methods and sources in his teaching, and has published work on critical pedagogy.\u00a0\u00a0<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1487″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475005148-e3197e25-aecd”][vc_column_text]Amy is an architect and the co-founder of Involve Architecture Collective. She has a particular interest in narrative worlds (especially science fiction literature and film), and their capacity to help us reflect on our own built environments.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1486″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475007925-c58bed3a-7882″][vc_column_text]Anna brings to SWG a research expertise in political geographies of technology. She lead an Economic and Social Research Council (ESRC) New Investigator Award (December 2021 \u2013 July 2023), <\/span>Diversifying Drone Stories, <\/span><\/i>and more recently has addressed AI through a feminist critical lens.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1485″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475008020-df2df3d3-219c”][vc_column_text]Catriona researches the histories, literatures and cultures of Argentina. During her time at the 2022 SWG Videographic Summer School, she explored the representation of contested political histories in children\u2019s cartoons.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475120561-78ac358e-c95d”][vc_column_text]Claire is the Co-Lead of the Screen Work Group. Her postgraduate research explores questions of nostalgia and geography in 1930s British cinema, a topic she has begun to explore videographically since joining the Summer School in 2023.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1484″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475120660-3d9c7427-4b12″][vc_column_text]Cherilyn researches women\u2019s writing and feminism in Latin America, with a particular focus onDe Colombia. At the 2022 SWG Videographic Summer School, she worked closely with XXXXX<\/span>\u00a0<\/span>[\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1483″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475156727-05d31004-17d5″][vc_column_text]Neil\u2019s diverse research expertise encompasses children\u2019s literature, \u017di\u017eekean theory and GRT identity \u2013 as well as film theory. With the support of SWG, Neil produced a short essay film about \u017di\u017eek\u2019s signature sniff; he also attended the 2022 SWG Videographic Summer School.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”1481″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475156836-370ef278-9c5d”][vc_column_text]Denisse is an interdisciplinary scholar, working across Latina American film and literature. Her current research focuses on the politics of film through a study of representations of the ethical, political, and practical relationship between women in Latin American fiction film.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”1482″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475195853-1843aac2-3276″][vc_column_text]A specialist in German cinema and culture, Ute has published on a range of screen-related topics, including an editorial collaboration with Lisa Purse: <\/span>Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation <\/span><\/i>(Edinburgh UP, 2020).\u00a0<\/span>\u00a0<\/span><\/p>\n \u00a0<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475195969-5ea409c1-9c88″][vc_column_text][\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475267765-9e2b97db-205f”][vc_column_text][\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475267873-56d59693-4a54″][vc_column_text][\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][vc_tta_accordion style=”flat” shape=”square” color=”black” active_section=”0″ collapsible_all=”true”][vc_tta_section title=”About” tab_id=”1723475469227-0e376c61-7260″][vc_column_text][\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"L\u00facia Nagib<\/span> FBA<\/span><\/span><\/h3>\n
Lisa Purse<\/span><\/span><\/h3>\n
Shweta Ghosh<\/span><\/span>\u00a0<\/span><\/h3>\n
Dominic Lees<\/span><\/span><\/h3>\n
Andrew Philip<\/h3>\n
Teresa Murjas<\/h3>\n
Matthew McFrederick<\/h3>\n
\u00a0James Kenward-Abdollahyan<\/h3>\n
Simone Knox<\/h3>\n
Katie Sampeck<\/h3>\n
Amy Smith<\/h3>\n
Mara Oliva<\/h3>\n
Daniela La Penna<\/h3>\n
Rosemary Lim<\/h3>\n
James Hellings<\/h3>\n
Mike Goodman<\/h3>\n
Amy Butt<\/h3>\n
Anna Jackman<\/h3>\n
Catriona McAllister<\/h3>\n
Claire Gould<\/h3>\n
Cherilyn Elston<\/h3>\n
Neil Cocks<\/h3>\n
Denisse Lazo-Gonz\u00e1lez<\/h3>\n
Ute W\u00f6lfel<\/h3>\n
Beverley Benett<\/h3>\n
Grady Walker<\/h3>\n
Tonia Kazakopoulou<\/h3>\n
Faye Woods<\/h3>\n