{"id":852,"date":"2021-05-16T15:42:59","date_gmt":"2021-05-16T14:42:59","guid":{"rendered":"https:\/\/research.reading.ac.uk\/cfac\/?p=852"},"modified":"2021-06-16T17:27:32","modified_gmt":"2021-06-16T16:27:32","slug":"pictures-on-the-move-infringement-of-images","status":"publish","type":"post","link":"https:\/\/research.reading.ac.uk\/screen-work-group\/2021\/05\/16\/pictures-on-the-move-infringement-of-images\/","title":{"rendered":"Pictures on the Move &#8211; Infringement of Images"},"content":{"rendered":"<div id=\"pl-852\" class=\"panel-layout\">\n<div id=\"pg-852-0\" class=\"panel-grid panel-no-style\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\" data-ratio=\"1\" data-ratio-direction=\"right\">\n<div id=\"pgc-852-0-0\" class=\"panel-grid-cell\" data-weight=\"1\">\n<div id=\"panel-852-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p>Wednesday 19th May 2021<\/p>\n<p>Film Screening available <strong>from 4pm. <\/strong>Please watch here on <a href=\"https:\/\/vimeo.com\/239840539\">Vimeo<\/a><br \/>\nDiscussion Event <strong>5pm to 6.30pm<\/strong><\/p>\n<p><strong>Please register here on <a href=\"https:\/\/www.eventbrite.co.uk\/e\/pictures-on-the-move-infringement-of-images-tickets-151779700169\">Eventbrite<\/a><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-993 size-full\" src=\"https:\/\/research.reading.ac.uk\/cfac\/wp-content\/uploads\/sites\/4\/2021\/05\/Pictures-on-the-Move_new.jpg\" alt=\"\" width=\"900\" height=\"515\" srcset=\"https:\/\/research.reading.ac.uk\/screen-work-group\/wp-content\/uploads\/sites\/4\/2021\/05\/Pictures-on-the-Move_new.jpg 900w, https:\/\/research.reading.ac.uk\/screen-work-group\/wp-content\/uploads\/sites\/4\/2021\/05\/Pictures-on-the-Move_new-300x172.jpg 300w, https:\/\/research.reading.ac.uk\/screen-work-group\/wp-content\/uploads\/sites\/4\/2021\/05\/Pictures-on-the-Move_new-768x439.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/p>\n<p>Online Film Screening and Discussion<\/p>\n<p>Contributors to the Discussion Event:<\/p>\n<ul>\n<li>Gertrud Koch<\/li>\n<li>James Hellings<\/li>\n<li>Katja Mu\u0308ller-Helle<\/li>\n<li>Johannes Maier<\/li>\n<\/ul>\n<p>To view the\u00a0HUO (trailer) visit\u00a0<a href=\"https:\/\/vimeo.com\/539573503\">https:\/\/vimeo.com\/539573503\u00a0<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-852-1\" class=\"panel-grid panel-no-style\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\">\n<div id=\"pgc-852-1-0\" class=\"panel-grid-cell\" data-weight=\"0.25260147476074\">\n<div id=\"panel-852-1-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"1\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\"><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t<img title=\"Pictures on the Move &#8211; Infringement of Images\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div>\n<\/div>\n<div id=\"pgc-852-1-1\" class=\"panel-grid-cell\" data-weight=\"0.74739852523926\">\n<div id=\"panel-852-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Prof Dr Gertrud Koch<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p>The experience of time switching to slow motion during the Covid 19 pandemic was accompanied by an enormous speeding up in the production of digital images. Museums, galleries, cinemas, opera houses, and theatres transformed their live action events into video streaming, videos on demand etc. The transformation of performative arts in moving images, the transformation of museum\u2019s and galleries\u2019 spatial shows of objects and installations into virtual images is not a new practice, but it signals an infringement of art forms and displays of all kinds through the rapidly growing digital image. Should we look at the digital, technical image as a medium or a message? (Gertrud Koch, 2021)<\/p>\n<p><strong>Prof Dr Gertrud Koch<\/strong>. Professor emerita for Cinema Studies at Freie Universita\u0308t Berlin, Visiting Professor at Brown University, USA. Prof. Koch has been a Research Fellow &amp;\/or a Visiting Professor at NYU, Columbia, Berkeley, Tel Aviv University, Getty Research Centre in Los Angeles et al. Prof. Koch was the director of the research centre Aesthetic Experience in the Sign of the Entanglement of the Arts, in Berlin, from 2006- 2014.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-852-2\" class=\"panel-grid panel-no-style\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\">\n<div id=\"pgc-852-2-0\" class=\"panel-grid-cell\" data-weight=\"0.25260147476074\">\n<div id=\"panel-852-2-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"3\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\"><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t<img title=\"Pictures on the Move &#8211; Infringement of Images\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div>\n<\/div>\n<div id=\"pgc-852-2-1\" class=\"panel-grid-cell\" data-weight=\"0.74739852523926\">\n<div id=\"panel-852-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Dr James Hellings<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p>In his autobiography, Little Did I Know, Stanley Cavell notes that \u2018the eye teaches scepticism; the eyelid teaches faith.\u2019 I take this pense\u0301e and repurpose it through Theodor W. Adorno\u2019s aesthetic theory of (experimental) film and (expanded) cinema, wherein moving images are said to be based \u2018on a subjective mode of experience which film resembles and which constitutes its artistic character.\u2019 In this context, the pictures that constitute Alexander Kluge\u2019s films are especially illuminating insofar as they are \u2018icono- clastic,\u2019 \u2018diminishing pictures, never augmenting pictures.\u2019 They are, as \u2018perpendicular\u2019 pictures, \u2018set off against each other in the course of their appearance.\u2019 Kluge, too, privileges film as taking place \u2018in the head of the spectator,\u2019 which, perhaps, suggests that &#8211; for both Adorno and Kluge &#8211; film spectators would do well to see by shutting their eyes, and film- makers would do well to edit by opening their inner-eye! Kluge\u2019s films are, perhaps, best encountered as poetic\/political pictures operating between Walter Benjamin\u2019s dialectical images and Adorno\u2019s conceptualisation of after-images. In this discussion event, I am particularly interested in thinking through such filmic and cinematic pictures as an \u2018infringement of art forms\u2019 and as new \u2018media arrangements.\u2019 (James Hellings, 2021)<\/p>\n<p><strong>Dr James Hellings<\/strong>\u00a0is Lecturer in Art at the University of Reading. James is also the Co-Director of the University of Reading interdisciplinary research Centre for Film Aesthetics and Cultures (CFAC), and regularly talks and publishes on modern and contemporary art, film, and visual culture (UAL, Artwords Press, Eastside Projects, Spector Books, Telos, New German Critique, Palgrave, European University of St. Petersburg, RCA, Universite\u0301 Rennes, Tate Modern, BFI). James is doing his best, given limited research support, to pre- pare a book for Bloomsbury entitled, Adorno and Film: Thinking in Images. James\u2019 first monograph, Adorno and Art: Aesthetic Theory Contra Critical Theory, is available in paperback with Palgrave.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-852-3\" class=\"panel-grid panel-no-style\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\">\n<div id=\"pgc-852-3-0\" class=\"panel-grid-cell\" data-weight=\"0.25260147476074\">\n<div id=\"panel-852-3-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"5\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\"><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t<img title=\"Pictures on the Move &#8211; Infringement of Images\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div>\n<\/div>\n<div id=\"pgc-852-3-1\" class=\"panel-grid-cell\" data-weight=\"0.74739852523926\">\n<div id=\"panel-852-3-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Dr Katja Mu\u0308ller-Helle<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p>In pandemic times, places of work and production are encoded by different types of media: Artists\u2019 spaces become live video streams, work conversation become tiled events on ZOOM. This mediatization of the places of production means more than a simple reproduction of \u201cnormal conditions\u201d transferred to realms of digital media: the technical logics, time regimes and glitches inscribe themselves in the production and circulation of knowledge. It could be fruitful to confront the current media-technological transformation and the displacement of spaces of labour with a historical constellation at the fringes of pictorial production, film-technical encoding and theory site: In Siegfried Kracauer\u2019s last book, History \u2013 The Last Things Before the Last (1969), the artist\u2019s film Le Myste\u0300re Picasso (Clouzot, 1955), appears as a \u201cDenkbild\u201d that opens up a space between painterly production and filmic time in order to reflect on different regimes of temporality and their mediatic emergence. (Katja M\u00fcller-Helle, 2021)<\/p>\n<p><strong>Dr Katja Mu\u0308ller-Helle<\/strong>\u00a0is head of the Research Centre The Technical Image at Humboldt University of Berlin. 2013- 2019 she was a post- doctoral scholar at the Centre for Advanced Studies BildEvidenz, History and Aesthetics at the Free University of Berlin. In 2014\/15 and 2018 Katja Mu\u0308ller-Helle was a fellow of the Volkswagen Foundation at the Getty Research Institute in Los Angeles. She is co-editor of \u201cBildwelten des Wissens. Jahrbuch fu\u0308r Bildkritik.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-852-4\" class=\"panel-grid panel-no-style\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\">\n<div id=\"pgc-852-4-0\" class=\"panel-grid-cell\" data-weight=\"0.25260147476074\">\n<div id=\"panel-852-4-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"7\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\"><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t<img title=\"Pictures on the Move &#8211; Infringement of Images\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div>\n<\/div>\n<div id=\"pgc-852-4-1\" class=\"panel-grid-cell\" data-weight=\"0.74739852523926\">\n<div id=\"panel-852-4-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Dr Johannes Maier<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p>The film HUO is a semi-fictional portrait of the curator Hans Ulrich Obrist in which he asks questions that remain unanswered. In the last three decades Obrist has conducted, archived and published more than 4000 interviews with artists, architects, writers, musicians, designers, philosophers and scientists. His interview project is the starting point for the film, in which he appears in various locations in London over a period of ten years. Questions are asked, reflected on and recited. He studies an interview by the filmmaker Alexander Kluge with Jean-Luc Godard and performs the addressing of questions in front of the camera. Obrist comes to the conclusion that some interviews remain unrealised. HUO will be available here on\u00a0<a href=\"https:\/\/vimeo.com\/239840539\">Vimeo<\/a>\u00a0from 4pm on the day of the event. (Johannes Maier, 2018)<\/p>\n<p><strong>Dr Johannes Maier<\/strong>\u2019s work has been shown internationally in group and solo exhibitions, as well as in film festivals including: New Contemporaries, East International Norwich, Short Film Festival of Oberhausen, Kunstverein Bielefeld and the Short Film Corner in Cannes. Johannes is co-course leader in the undergraduate film course at the University of East London. His work documents events in which he collaborates with people and institutions such as interpreters at the European Commission and a news- room picture editor at the BBC. The focus of Maier\u2019s work, intentionally positioned at the boundaries of art, documentary, and media is a critical engagement with televisual forms.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Wednesday 19th May 2021 Film Screening available from 4pm. Please watch here on Vimeo Discussion Event 5pm to 6.30pm Please register here on Eventbrite Online Film Screening and Discussion Contributors&#8230;<a class=\"read-more\" href=\"&#104;&#116;&#116;&#112;&#115;&#58;&#47;&#47;&#114;&#101;&#115;&#101;&#97;&#114;&#99;&#104;&#46;&#114;&#101;&#97;&#100;&#105;&#110;&#103;&#46;&#97;&#99;&#46;&#117;&#107;&#47;&#115;&#99;&#114;&#101;&#101;&#110;&#45;&#119;&#111;&#114;&#107;&#45;&#103;&#114;&#111;&#117;&#112;&#47;&#50;&#48;&#50;&#49;&#47;&#48;&#53;&#47;&#49;&#54;&#47;&#112;&#105;&#99;&#116;&#117;&#114;&#101;&#115;&#45;&#111;&#110;&#45;&#116;&#104;&#101;&#45;&#109;&#111;&#118;&#101;&#45;&#105;&#110;&#102;&#114;&#105;&#110;&#103;&#101;&#109;&#101;&#110;&#116;&#45;&#111;&#102;&#45;&#105;&#109;&#97;&#103;&#101;&#115;&#47;\">Read More ><\/a><\/p>\n","protected":false},"author":469,"featured_media":993,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[20],"tags":[21,45,46,47,44,43],"class_list":["post-852","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-centre-for-film-aesthetics-and-cultures","tag-gertrud-koch","tag-james-hellings","tag-johannes-maier","tag-katja-muller-helle","tag-pictures-on-the-move-infringement-of-images"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Pictures on the Move - Infringement of Images - Screen Work Group<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/research.reading.ac.uk\/screen-work-group\/2021\/05\/16\/pictures-on-the-move-infringement-of-images\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pictures on the Move - Infringement of Images - Screen Work Group\" \/>\n<meta property=\"og:description\" content=\"Wednesday 19th May 2021 Film Screening available from 4pm. Please watch here on Vimeo Discussion Event 5pm to 6.30pm Please register here on Eventbrite Online Film Screening and Discussion Contributors...Read More &gt;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/research.reading.ac.uk\/screen-work-group\/2021\/05\/16\/pictures-on-the-move-infringement-of-images\/\" \/>\n<meta property=\"og:site_name\" content=\"Screen Work Group\" \/>\n<meta property=\"article:published_time\" content=\"2021-05-16T14:42:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-16T16:27:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/research.reading.ac.uk\/screen-work-group\/wp-content\/uploads\/sites\/4\/2021\/05\/Pictures-on-the-Move_new.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"515\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Donna Walton\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Donna Walton\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/2021\/05\/16\/pictures-on-the-move-infringement-of-images\/\",\"url\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/2021\/05\/16\/pictures-on-the-move-infringement-of-images\/\",\"name\":\"Pictures on the Move - Infringement of Images - Screen Work Group\",\"isPartOf\":{\"@id\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/#website\"},\"datePublished\":\"2021-05-16T14:42:59+00:00\",\"dateModified\":\"2021-06-16T16:27:32+00:00\",\"author\":{\"@id\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/#\/schema\/person\/ed94c3d9e2aa2dce8ea35fee5b9664bf\"},\"breadcrumb\":{\"@id\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/2021\/05\/16\/pictures-on-the-move-infringement-of-images\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/research.reading.ac.uk\/screen-work-group\/2021\/05\/16\/pictures-on-the-move-infringement-of-images\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/2021\/05\/16\/pictures-on-the-move-infringement-of-images\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Pictures on the Move &#8211; Infringement of Images\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/#website\",\"url\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/\",\"name\":\"Screen Work Group\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/#\/schema\/person\/ed94c3d9e2aa2dce8ea35fee5b9664bf\",\"name\":\"Donna Walton\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/96cdf5ace3b619fa34625ee0dc43cc24a03354aaf4e0f4c43cc1b11ddfe7929b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/96cdf5ace3b619fa34625ee0dc43cc24a03354aaf4e0f4c43cc1b11ddfe7929b?s=96&d=mm&r=g\",\"caption\":\"Donna Walton\"},\"url\":\"https:\/\/research.reading.ac.uk\/screen-work-group\/author\/xd923591reading-ac-uk\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Pictures on the Move - Infringement of Images - Screen Work Group","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/research.reading.ac.uk\/screen-work-group\/2021\/05\/16\/pictures-on-the-move-infringement-of-images\/","og_locale":"en_GB","og_type":"article","og_title":"Pictures on the Move - Infringement of Images - Screen Work Group","og_description":"Wednesday 19th May 2021 Film Screening available from 4pm. 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