University of Leicester, 30 October 2014
– Matt Grimes: ‘”Where There’s a Will There’s a Way”: Methodology, Investigating Memory and the Life-Courses of 1980s British Anarcho-Punks.’
– Sophie Sparham: ‘How Close is Close? The Role of the Punk Rock Ethnographer and Their Relationship With Their Research Subjects.’
– Laura Way: A Virtual Moshpit? Dilemmas in research post-youth punk women online.
– Tanja Walty: ‘¡Sirenas al ataque! Punk women in Mexico City.’
– Karis Hanson: ‘Challenging
“whitestraightboy” Hegemony: A Phenomenological Exploration of Gender, “race” and Sexuality Within the London Punk Scene.’
– Oliver Ward: ‘Unity in Diversity: An Exploration of Punk in Indonesia.’
– Rebecca Binns: ‘A Humorous Offensive: Tracing the Development of an ‘Anarcho-Punk’ Aesthetic in Gee Vaucher’s Images for Crass.’
– James Newton: ‘The Anarchist Cinema.’
– Simon Licourinos: ‘Anarcho-punk: Defining a Retrospective Rock History Using Connections, Relationships and Traits [CRT].’
– Birce Pakkan: ‘Is Punk a Subculture in Turkey?’
– Vincent Bedu: Reception and Appropriation of the Straight Edge Culture in the French Hardcore Punk Scene
– Tony McMahon: ‘Johnny Rotten Can Save Your Life: Punk’s Healing Pedagogy.’
– Richard Foster: ‘To what extent did the Dutch ULTRA Movement Create and Express a Lasting and Unique Identity?’
– Zoe Armour: ‘Beyond Nocturnal Visibility in the Late ’90s UK Club Scene: Sartorial Differences in Gatecrasher PaSSion and Sundissential?’
– Guy Mankowski: ‘Pop Manifestos and Nosebleed Art Rock: What Was The Point Of Post-Punk?’
For more information see:
http://psnpostgradconf.wordpress.com/