{"id":272,"date":"2019-09-10T14:10:28","date_gmt":"2019-09-10T13:10:28","guid":{"rendered":"https:\/\/research.reading.ac.uk\/typoarabic\/?page_id=272"},"modified":"2019-11-07T20:56:47","modified_gmt":"2019-11-07T20:56:47","slug":"imagecredits","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/typoarabic\/imagecredits\/","title":{"rendered":"Image credits"},"content":{"rendered":"<p>The materiality and visual properties of Arabic typography are at the heart of this research project, and we therefore rely on high quality images of printed artefacts. Many collections are offering high resolution digitisations, and we are grateful to the institutions that allow the use of such imagery for research purposes. The below list details the origins of the artefacts that are shown on this blog.<\/p>\n<p>Homepage banners: (1) detail of H\u00fcseyin K\u0101mi Hanyav\u012b, <em>Jirid T\u0101r\u012bkhi<\/em>, v.1, Istanbul 1871\/72, p.8. Austrian National Library, <a href=\"http:\/\/data.onb.ac.at\/rec\/AC13720392\">http:\/\/data.onb.ac.at\/rec\/AC13720392<\/a> (2 &amp; 4) details of N\u0101\u1e63\u012bf al-Y\u0101zij\u012b, <em>Kit\u0101b majma\u2018 al-ba\u1e25rain<\/em>, Beirut: Nakhla al-mudawwar, 1856, p.11 &amp; p.40, Austrian National Library, <a href=\"http:\/\/data.onb.ac.at\/rec\/AC10151400\">http:\/\/data.onb.ac.at\/rec\/AC09828781<\/a> (3) detail of N\u0101\u1e63\u012bf al-Y\u0101zij\u012b, <em>Kitab Fakihah al-nudama&#8217; fi murasalat aludaba&#8217;<\/em>, Cairo 1889, Austrian National Library, <a href=\"http:\/\/data.onb.ac.at\/rec\/AC10151399\">http:\/\/data.onb.ac.at\/rec\/AC10151399<\/a><\/p>\n<p><a href=\"https:\/\/research.reading.ac.uk\/typoarabic\/introducing-typoarabic\/\">Post &#8216;Introducing TypoArabic&#8217;<\/a>, from top to bottom: (1) Detail of Butr\u016bs al-Bust\u0101n\u012b, <em>Kit\u0101b mu\u1e25it al-mu\u1e25it<\/em>, v.1, Beirut 1867, p.2. Digitised by the University of Toronto, Robarts Library, hosted on archive.org: <a href=\"https:\/\/archive.org\/details\/kitabmuhitalmuhi01bustuoft\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/archive.org\/details\/kitabmuhitalmuhi01bustuoft\/<\/a>, (2) detail of N\u0101\u1e63\u012bf al-Y\u0101zij\u012b <i>Kit\u0101b majma\u2018 al-ba\u1e25rain<\/i>, Beirut: Nakhla al-mudawwar, 1856, p.12, Austrian National Library, <a href=\"http:\/\/data.onb.ac.at\/rec\/AC10151400\">http:\/\/data.onb.ac.at\/rec\/AC09828781<\/a>, (3) detail of <i>H\u00fcseyin K\u0101mi Hanyav\u012b, <em>Jirid T\u0101r\u012bkhi<\/em>,<\/i> v1, p.12, 1288 [=1871\/72], Istanbul, Austrian National Library, <a href=\"http:\/\/data.onb.ac.at\/rec\/AC13720392\">http:\/\/data.onb.ac.at\/rec\/AC13720392<\/a>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The materiality and visual properties of Arabic typography are at the heart of this research project, and we therefore rely on high quality images of printed artefacts. Many collections are&#8230;<a class=\"read-more\" href=\"&#104;&#116;&#116;&#112;&#115;&#58;&#47;&#47;&#114;&#101;&#115;&#101;&#97;&#114;&#99;&#104;&#46;&#114;&#101;&#97;&#100;&#105;&#110;&#103;&#46;&#97;&#99;&#46;&#117;&#107;&#47;&#116;&#121;&#112;&#111;&#97;&#114;&#97;&#98;&#105;&#99;&#47;&#105;&#109;&#97;&#103;&#101;&#99;&#114;&#101;&#100;&#105;&#116;&#115;&#47;\">Read More ><\/a><\/p>\n","protected":false},"author":258,"featured_media":295,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":""},"coauthors":[7],"class_list":["post-272","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Image credits - TypoArabic<\/title>\n<meta name=\"description\" content=\"A list of the origins of the artefacts that are shown on this blog, providing details of publications and the collections in which they are held.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/research.reading.ac.uk\/typoarabic\/imagecredits\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Image credits - TypoArabic\" \/>\n<meta property=\"og:description\" content=\"A list of the origins of the artefacts that are shown on this blog, providing details of publications and the collections in which they are held.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/research.reading.ac.uk\/typoarabic\/imagecredits\/\" \/>\n<meta property=\"og:site_name\" content=\"TypoArabic\" \/>\n<meta property=\"article:modified_time\" content=\"2019-11-07T20:56:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/research.reading.ac.uk\/typoarabic\/wp-content\/uploads\/sites\/133\/2019\/09\/faharas.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"504\" \/>\n\t<meta property=\"og:image:height\" content=\"252\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Titus Nemeth\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/research.reading.ac.uk\/typoarabic\/imagecredits\/\",\"url\":\"https:\/\/research.reading.ac.uk\/typoarabic\/imagecredits\/\",\"name\":\"Image credits - 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