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Lib is Emerita Professor of Theatre & Performance in the\u00a0Department of Film, Theatre & Television at the University of Reading. She has published widely on the body in performance, women’s theatre and contemporary British theatre and performance, including articles in Th<\/em>eatre Research<\/em> International<\/em>, Performance Research<\/em>, Studies in Theatre and Performance <\/em>and Contemporary Theatre Review<\/em>. She is co-editor of the\u00a0book The Indeterminate Body<\/em>. Lib has a background as a theatre practitioner and some of her research takes the form of practice, focusing on the ways in which gender and the body are constructed in performance, specifically in recent stagings of modernist women writers, Marguerite Duras’s Eden Cinema <\/em>and Savannah Bay <\/em>and the theatre writings of Gertrude\u00a0Stein. She has also written on the boundaries of the perceptions of performance within extraordinary and unexpected events. Lib has also been part of an AHRC funded project on fact-based and\u00a0verbatim theatre. \u00a0<\/em><\/p>\n Lucy is a Postdoctoral Research Fellow at the Samuel Beckett Research Centre. She has published on the work of Beckett, Harold Pinter, Ingeborg Bachmann, Ezra Pound, Natasha Gordon, and Magda Szab\u00f3. Her articles have appeared in the\u00a0Journal of Beckett Studies<\/em>,\u00a0Radio Journal: International Studies in Broadcast & Audio Media<\/em>,\u00a0Interdisciplinary Literary Studies<\/em>,\u00a0Historical Journal of Film, Radio and Television, The\u00a0Harold\u00a0Pinter Review<\/em>, and Word and Image<\/em>. She has also contributed chapters to Samuel Beckett and Technology<\/em> eds. Adar, Kiryushina, and Nixon; The Oxford Handbook of Samuel Beckett <\/em>eds. Nixon and Van Hulle; and Radio Art and Music: Culture, Aesthetics, Politics<\/em> eds. Mildorf and Verhulst. Her monograph (published by ibidem-Verlag, 2021) is entitled\u00a0Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process<\/a>.\u00a0<\/em><\/p>\n TERRY O’DONOVAN DAPHNA ATTIAS Marmelo Digital was established by Luke Alexander<\/a> and Abhinav Bajpai<\/a> in late 2015. As a technological company they are dedicated and innovative problem solvers. Some of their work includes London Calling: an interactive theatre experience<\/em><\/a> and Simplifying access to mental health services for Camden NHS<\/em><\/a>.<\/p>\n Dr John Troyer is the Director of the\u00a0Centre for Death and Society at the University of Bath<\/a>. His interdisciplinary research focuses on contemporary memorialisation practices, post-mortem\u00a0bioethics, and the dead body\u2019s relationship with technology. John is also a theatre director and installation artist with extensive experience in site-specific performance across the United States and Europe. He is a co-founder of the\u00a0Death Reference Desk\u00a0<\/a>website, the\u00a0Future Cemetery Project<\/a>\u00a0and a frequent commentator for the BBC. His book Technologies of the Human Corpse<\/em> will be published by MIT Press in 2018.\u00a0He is co-founder of the Death Reference Desk website http:\/\/deathreferencedesk.org<\/a> and the Future Cemetery project.<\/p>\nDR LUCY JEFFERY<\/strong><\/h3>\n
DANTE OR DIE\u00a0<\/strong><\/h3>\n
“DANTE OR DIE ARE EXPERTS IN SITE-SPECIFIC THEATRE” – The Arts Desk
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\n<\/strong>Terry has worked as an actor, director and producer since 2005. As Co-Artistic Director of Dante or Die he has co-created\u00a0all productions.\u00a0He performs in\u00a0Take On Me, Handle With Care,<\/em>\u00a0I Do, Caliper Boy\u00a0<\/em>and\u00a0Side Effects<\/em>.\u00a0In 2012 he co-founded\u00a0TOOT<\/a>\u00a0to make\u00a0Ten Out of Ten<\/em>, an Ovalhouse commission toured throughout 2013 & 2014. Since then he has co-created\u00a0Be Here Now<\/em><\/a>\u00a0<\/em>and\u00a0Focus Group*<\/em><\/a>\u00a0<\/em>which have both toured nationally.\u00a0Directing credits include On The Wire<\/em>\u00a0(Best Production, Irish Times Theatre Awards Nom;\u00a0Wildebeest Theatre Co for Limerick City of Culture),\u00a0The Secret Princess of Severndroog<\/em>\u00a0(Look Left Look Right commission for Greenwich & Docklands International Festival),\u00a0Blackout R&D (China Plate \/ Katie Lyons & Ella Grace),\u00a0Spin Cycle<\/em>\u00a0(Emergency Exit Arts),\u00a0Our Dancing Feet<\/em>\u00a0and Home Fires<\/em>\u00a0(Inroads & Zap Arts).<\/p>\n
\n<\/strong>Daphna is Co-Artistic Director of Dante or Die Theatre. She has directed all of the company’s work to date:\u00a0Take On Me,<\/em>\u00a0Handle With Care<\/em>,\u00a0I\u00a0Do<\/em>,\u00a0La Fille \u00e0 la Mode<\/em>,\u00a0Side Effects<\/em>,\u00a0Caliper Boy, Clunk.\u00a0<\/em>She is also Artistic\u00a0Director of\u00a0Peut-\u00catre Theatre<\/a>, where she\u00a0creates unforgettable early theatrical experiences. Her directorial work with Peut-\u00catre\u00a0includes\u00a0Tidy Up,\u00a0Shh…Bang!<\/em>,\u00a0The Tin Soldier<\/em>, Dare to Sea,\u00a0Draw me a Bird,<\/em>\u00a0The Bug and the Butterfly\u00a0<\/em>&\u00a0This is a That.\u00a0<\/em>Her work has been presented and performed nationally and internationally at venues such as Almeida Theatre, Roundhouse, Royal Albert Hall, Brighton Festival, Southbank Centre, The Place, Royal Opera House, The Lowry, Barnsley Civic, The Arc Stockton, The Egg Bath, Polka Theare,\u00a0National Theatre’s Watch This Space, Drama Centre Singapore, Ziguzajg\u00a0Festival Malta, Israel Festival for Children in Israel and ASK China.<\/p>\nMARMELO<\/strong><\/h3>\n
DR JOHN TROYER<\/strong><\/h3>\n
SOUTH STREET<\/strong><\/h3>\n