{"id":126,"date":"2018-06-07T10:47:41","date_gmt":"2018-06-07T09:47:41","guid":{"rendered":"https:\/\/research.reading.ac.uk\/winckelmania\/?page_id=126"},"modified":"2018-06-18T15:16:26","modified_gmt":"2018-06-18T14:16:26","slug":"longing-for-what-we-have-lost-4-2","status":"publish","type":"page","link":"https:\/\/research.reading.ac.uk\/winckelmania\/our-exhibits\/longing-for-what-we-have-lost\/longing-for-what-we-have-lost-4\/longing-for-what-we-have-lost-4-2\/","title":{"rendered":"Longing for what we have lost 4.2"},"content":{"rendered":"<figure id=\"attachment_273\" aria-describedby=\"caption-attachment-273\" style=\"width: 250px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.europeana.eu\/portal\/en\/record\/2058811\/DAI__309d4586cf88586ad1b9d6da9fb40a33__artifact__cho.html?q=Sauroktonos\" class=\"broken_link\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-273\" src=\"https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/Sauroktonos-e1528416715201-196x300.jpeg\" alt=\"\" width=\"250\" height=\"384\" srcset=\"https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/Sauroktonos-e1528416715201-196x300.jpeg 196w, https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/Sauroktonos-e1528416715201.jpeg 391w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><figcaption id=\"caption-attachment-273\" class=\"wp-caption-text\">Marble torso of Apollo Sauroktonos<\/figcaption><\/figure>\n<figure id=\"attachment_274\" aria-describedby=\"caption-attachment-274\" style=\"width: 227px\" class=\"wp-caption alignright\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Apollo_Sauroktonos_Louvre_Ma441_n06.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-274\" src=\"https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/2048px-Apollo_Sauroktonos_Louvre_Ma441_n06-e1528416930741-164x300.jpg\" alt=\"\" width=\"227\" height=\"415\" srcset=\"https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/2048px-Apollo_Sauroktonos_Louvre_Ma441_n06-e1528416930741-164x300.jpg 164w, https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/2048px-Apollo_Sauroktonos_Louvre_Ma441_n06-e1528416930741-768x1408.jpg 768w, https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/2048px-Apollo_Sauroktonos_Louvre_Ma441_n06-e1528416930741.jpg 2048w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/><\/a><figcaption id=\"caption-attachment-274\" class=\"wp-caption-text\">Statue copying Praxiteles&#8217; Apollo Sauroktonos (Louvre Ma 441)<\/figcaption><\/figure>\n<h3>Winckelmann and the beauty of male friendship<\/h3>\n<h2>Androgynous beauty<\/h2>\n<p>Winckelmann&#8217;s appreciation of beauty was not confined to the masculine form. He praises female figures such as in the Niobe group and finds great beauty in the Apollo Sauroktonos, a statue with a young boy\u2019s face and a softly contoured torso tending towards the feminine.<\/p>\n<p><em>This ideal consists in the incorporation of the forms of prolonged youth in the female sex with the masculine forms of a beautiful young man&#8230;For to some of these the ancients gave both sexes, blended with a mystic significance in one<\/em>.<a href=\"#_ftn1\" name=\"_ftnref\"><sup>[1]<\/sup><\/a><\/p>\n<figure id=\"attachment_275\" aria-describedby=\"caption-attachment-275\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.europeana.eu\/portal\/en\/record\/2048077\/Athena_Plus_ProvidedCHO_Bildarchiv_Foto_Marburg_obj_20323016_892.html?q=Praxiteles+Hermes+Olympia\" class=\"broken_link\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-275\" src=\"https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/dionysos-e1528417148145-204x300.jpeg\" alt=\"\" width=\"300\" height=\"441\" srcset=\"https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/dionysos-e1528417148145-204x300.jpeg 204w, https:\/\/research.reading.ac.uk\/winckelmania\/wp-content\/uploads\/sites\/34\/dionysos-e1528417148145.jpeg 238w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-275\" class=\"wp-caption-text\">Photograph of Praxiteles&#8217; statue of Hermes holding Dionysos, from Olympia.<\/figcaption><\/figure>\n<p>Winckelmann saw the beauty of such forms as consisting in the equilibrium of masculine and feminine. He calls this androgynous beauty the &#8220;middle form&#8221; and finds it also in depictions of other youthful male gods, such as Hermes and Bacchus.<\/p>\n<p><a href=\"#_ftnref\" name=\"_ftn1\"><sup>[1]<\/sup><\/a> Winckelmann 1764, 122 (History of ancient art)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<p>\u21924.3. <a href=\"https:\/\/research.reading.ac.uk\/winckelmania\/our-exhibits\/longing-for-what-we-have-lost\/longing-for-what-we-have-lost-4\/longing-for-what-we-have-lost-4-3\/\">Winckelmann and desire<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Winckelmann and the beauty of male friendship Androgynous beauty Winckelmann&#8217;s appreciation of beauty was not confined to the masculine form. He praises female figures such as in the Niobe group&#8230;<a class=\"read-more\" href=\"&#104;&#116;&#116;&#112;&#115;&#58;&#47;&#47;&#114;&#101;&#115;&#101;&#97;&#114;&#99;&#104;&#46;&#114;&#101;&#97;&#100;&#105;&#110;&#103;&#46;&#97;&#99;&#46;&#117;&#107;&#47;&#119;&#105;&#110;&#99;&#107;&#101;&#108;&#109;&#97;&#110;&#105;&#97;&#47;&#111;&#117;&#114;&#45;&#101;&#120;&#104;&#105;&#98;&#105;&#116;&#115;&#47;&#108;&#111;&#110;&#103;&#105;&#110;&#103;&#45;&#102;&#111;&#114;&#45;&#119;&#104;&#97;&#116;&#45;&#119;&#101;&#45;&#104;&#97;&#118;&#101;&#45;&#108;&#111;&#115;&#116;&#47;&#108;&#111;&#110;&#103;&#105;&#110;&#103;&#45;&#102;&#111;&#114;&#45;&#119;&#104;&#97;&#116;&#45;&#119;&#101;&#45;&#104;&#97;&#118;&#101;&#45;&#108;&#111;&#115;&#116;&#45;&#52;&#47;&#108;&#111;&#110;&#103;&#105;&#110;&#103;&#45;&#102;&#111;&#114;&#45;&#119;&#104;&#97;&#116;&#45;&#119;&#101;&#45;&#104;&#97;&#118;&#101;&#45;&#108;&#111;&#115;&#116;&#45;&#52;&#45;&#50;&#47;\">Read More ><\/a><\/p>\n","protected":false},"author":57,"featured_media":0,"parent":122,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-126","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Longing for what we have lost 4.2 - Johann Joachim Winckelmann<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/research.reading.ac.uk\/winckelmania\/our-exhibits\/longing-for-what-we-have-lost\/longing-for-what-we-have-lost-4\/longing-for-what-we-have-lost-4-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Longing for what we have lost 4.2 - Johann Joachim Winckelmann\" \/>\n<meta property=\"og:description\" content=\"Winckelmann and the beauty of male friendship Androgynous beauty Winckelmann&#8217;s appreciation of beauty was not confined to the masculine form. 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