Dwoskino: Ballet Black + discussion with two of the film’s stars, Jacqueline Boatswain and Colin Charles

Dwoskin’s lifelong love of dance culminated in this very personal documentary about the Ballets Nègres, the pioneering Black British dance troupe, founded in London in 1946. Using a wealth of rare archival material and interviews, Ballet Black tells a story about pre-Windrush Black British culture that is still little-known today.

The story is brought alive by Dwoskin’s cast of younger dancers, seen rehearsing and performing the original troupe’s dances in a variety of inventive styles, and at a reunion party with the older generation. On its first release in 1987 it was shown in a double-bill with Black Audio Film Collective’s Handsworth Songs.

“The film climaxes with a spectacular and vibrant performance of ‘They Came’ by young black dancers. The fact that a ballet 40 years old appears exciting and contemporary is surely a tribute to the company’s place in the development of ballet and British culture.”
– Chinyelu Onwurah, Guardian, 1986

Ballet Black will be followed by a discussion of the making of the film and its legacy by two of its stars, Jaqueline Boatswain (Shameless, Cuckoo) and Colin Charles (Cats – original production, English National Opera).

Biographies

Jacqueline Boatswain is an actor, dancer, and singer whose West End roles include Kiss Me Kate, Chicago, and Jesus Christ Superstar. She has numerous television credits, including long-running characters in Grange Hill, Hollyoaks and Doctors. Her recent roles include Shameless, Vera, Bancroft, Miracle Workers, Shakespeare & Hathaway, David Hare’s Collateral, and alongside Orlando Bloom and Cara Delevingne in Carnival Row.

Colin Charles trained at the Rambert School of Ballet and Contemporary Dance. His West End credits include We Will Rock You, Joseph and the Amazing Technicolor Dreamcoat, Miss Saigon, Cats, and Five Guys Named Moe; and he has appeared in in English National Opera productions of Orpheus in the Underworld, Faust, and Aida. He is current performing in Dirty Dancing at the Dominion Theatre.

Experimenta focus: Stephen Dwoskin season

A unique and challenging filmmaker whose themes include disability, sexuality, diaspora, and memory.

Stephen Dwoskin arrived in London from New York in 1964, aged 25, with a trunk of 16mm films shot in the milieu of Andy Warhol and Jonas Mekas. He became known for a series of films in which the camera’s unblinking gaze is returned by his female subjects. Laura Mulvey wrote that he ‘opened a completely new perspective for me on cinematic voyeurism’. In the mid-70s, Dwoskin turned his gaze on his own body, disabled in childhood by polio, before making a number of personal documentaries about disability and diaspora. In the 2000s, with his mobility severely impaired, he embraced the possibilities of digital technology to return to the underground and the erotic obsessions that powered his extraordinary 50-year career.

Rachel Garfield and Henry K Miller, co-programmers

For details of the entire programme, please visit the Experimenta focus: Stephen Dwoskin page.