by Drew Thomas, University College Dublin The Protestant Reformation was Europe’s first mass media event, marked by the rapid spread of printed materials. Protestants and Catholics used images to convey…Read More >
AI and Visual Page Design: a Study of Dante’s Commedia in Print
by Professor Guyda Armstrong, Dr Giles Bergel and Dr Rebecca Bowen ‘Envisioning Dante, c. 1472-c. 1630: Seeing and Reading the Early Printed Page’ (ENVDANTE) offers the first in-depth study of…Read More >
Reflections on the Digital Humanities Community of Practice’s Inaugural Conference
Our DH Academic Champion and Community of Practice lead, Dr Mara Oliva, shares her reflections on the CoP’s inaugural conference on our Connecting Research blog. The conference, on the theme…Read More >
Using AI for the Documentation of Intangible Cultural Heritage
by Gabriella Giannachi, Steve Benford and Lydia Farina Archives have changed throughout history often in response to the introduction of novel technologies. At the heart of the BRAID/AHRC-funded project ‘Creating…Read More >
Generative Text for/by/with Digital Humanists
by J.S. Love, TU Delft I recently had the good fortune to join the vibrant Digital Humanities (DH) community at the University of Reading and share some recent work I…Read More >
Breaking Down Generative Artificial Intelligence for Ancient World Studies
by Edward A. S. Ross and Jackie Baines As generative artificial intelligence (AI) becomes an integral part of society, it is crucial that we keep abreast of these developments and…Read More >