Silent Movie Prologues in Brazil

With the Silent Movie Prologues event in Brazil now complete, see here for photos of the event! (More to come soon).

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Brazil: 30th June 2018, Museu da Imagem e do Som (MIS-SP), São Paulo, Brazil
UK: December 2018, University of Reading, further details to be confirmed.

Silent Movie Prologues in Brazil will bring together theatre and film, by restaging the comedic movie prologues which used to precede the screening of silent Hollywood films.  In 1926, film exhibitor Francisco Serrador introduced the movie prologues, a novelty intended to attract audiences to the luxurious cinemas he had built at Cinelândia, in the centre of Rio de Janeiro. Movie prologues were stage presentations based on themes, characters and scenes of the foreign films they preceded. Usually accompanied by dance and musical numbers, they drew inspiration on the popular teatro de revista, the Brazilian vaudeville-style theatre.

Because the movie prologues had to be submitted to censorship, many of their scripts were preserved and are available at the Arquivo Nacional in Rio. Restaging these prologues will allow us to share with the wider public some key intermedial relations in Brazilian cinema under a historical perspective, which is the focus of the AHRC-FAPESP funded IntermIdia Project.

The first restaging of the Brazilian movie prologues will take place on 30 June 2018 at Museu da Imagem e do Som (MIS-SP), by the theatre troupe Companhia Antropofágica.  In December, the programme will travel to the UK, and will involve staff and students of the Department of Film, Theatre & Television, University of Reading.

In São Paulo, the session will open with a panel discussion with the event organisers, Luciana Corrêa de Araújo (UFSCar), Margarida Maria Adamatti (UFSCar), Lúcia Nagib (UoR), John Gibbs (UoR) and Lucy Tyler (UoR), as well as Thiago Reis Vasconcelos, Director of Companhia Antropofágica. Historical topics regarding the movie prologues phenomenon will be addressed, as well as details of the stage re-enactment and its adaptation to the current context.

In their performances, Companhia Antropofágica often explores intermedial dialogues between theatre, cinema, music and visual arts.

Companhia Antropofágica in action

They will start by restaging the prologue “Doing it the Pirandello way…”, before the screening of the preserved fragment of Beggar on Horseback (James Cruze, 1925). The film focuses on the crisis of a musical composer who is in love with a woman but considers marrying someone else, a rich woman, in order to solve his financial problems. The preserved film fragment shows the protagonist’s surreal nightmare.

Beggar on Horseback (James Cruze, 1925).

The second part of the show presents the prologue “The stylised cowboy” and the film Go West (Buster Keaton, 1925). While the Brazilian prologue creates parodic, ambiguous dialogues involving famous Hollywood stars, such as Rudolph Valentino and Buster Keaton, the film tells the story of a cowboy, who gets involved in several mishaps to protect his pet, a cow called Brown Eyes.

Go West (Buster Keaton, 1925)

Programme:

Brazil

Official Opening
Saturday, 30 June, Museu da Imagem e do Som (MIS/SP)
Lúcia Nagib, Luciana Corrêa de Araujo, John Gibbs, Margarida Maria Adamatti, Lucy Tyler, Thiago Reis Vasconcelos

Prologue “Doing it the Pirandello Way…” by Companhia Antropofágica
The Modern Spirit explains to the audience that the stage play was cancelled because no actor wanted to be the protagonist of a futurist prologue. A sudden change happens when two volunteers go on stage.

Film Beggar on Horseback (James Cruze, 1925)
A musical composer, with financial problems, has the opportunity to become rich through marriage . When he falls asleep, a revealing dream about his destiny takes the form of a nightmare.

Prologue “The Stylised Cowboy” by Companhia Antropofágica
A milk seller and a woman talk in the street about Hollywood’s stars, until an unexpected meeting upsets the couple.

Film Go West (Buster Keaton, 1925)
Buster Keaton plays a cowboy who gets involved in different problems to save his pet cow, Brown Eyes, when the animal is sent to the slaughterhouse.

UK

December 2018, further details to be confirmed.

 

Related reading:

Araújo, Luciana Corrêa. “Movie Prologues: Cinema, Theater and Female Types on Stage at Cinelândia, Rio de Janeiro”, originally printed In: Dall’Asta, Monica; Duckett, Victoria; Tralli, Lucia (ed.). Researching women in silent cinema – New findings and perspectives. Bologna: Universtiá di Bologna/University of Melbourne/Women and Film History International, 2013, p.424-436.

 

Antropofágica Team

Director
Thiago Reis Vasconcelos

Cast
Adonis Rossato I Alessandra Queiroz | Danilo Santos | Deborah Hathner | Fabi Ribeiro | Flávia Ulhôa | Jaques Cardeal | Martha Guijarro | Mauro Britto | Rafael Frederico | Rafael Graciola | Renata Adrianna | Ruth Melchior | Suelen Moreira  

Musical Direction
Lucas Vasconcelos

Musicians
Bruno Miotto | Bruno Mota | Lucas Vasconcelos

Set Design
Companhia Antropofágica

Costume
Ruth Melchior

Lighting
Rafael Frederico | Renata Adrianna

Production
Maria Tereza Urias

Graphic Design
Rafael Frederico

Audio-visual and Photographic Record
Alan Siqueira

 

With additional support from:

Universidade Federal de São Carlos (ufscar)

Companhia Antropofágica

Museu da Imagem e do Som (MIS-SP)